McShine had defined
a late modern canon, just when Benglis and others were about to leave it in ruins — and to populate it with simulated growth and fabric.
Not exact matches
I have a high view of Scripture too, but that is NOT the same as claiming that the 66 - book anthology of ancient writings selected and assembled centuries
later by men with political agendas («picking and choosing» the scriptures they liked and omitting others BTW) that we
moderns call The Protestant
Canon is without error.
A time - manipulating, postmodern riff on Super Mario Bros, Braid was ecstatically well received, and today, less than a decade
later, it has been assuredly welcomed into the
canon — a high - water mark for indie gaming and a
modern classic by any measure.
The group exhibition «Hot Sun,
Late Sun: Untamed Modernism» investigates the sun as a motif recurring throughout the
modern and postmodern
canon.
An early member of the Chicago - based 1960s collective the Hairy Who (which
later morphed into the Chicago Imagist Group), Wirsum's works speak widely to the
canon of
modern artists who privilege experimentation and transgression over cohesive style, and who used popular culture as if the boundaries between high and low had never existed.
«And in this regard, the market nourishes itself from institutions and biennials that of
late have also been busy reintegrating overlooked
modern artists into the art
canon.»
Matta: A Centennial Celebration provides an opportunity to examine these
later masterpieces and re-establishes Matta's rightful position as a seminal figure in the
canon of
modern art.