Sentences with phrase «late nineteenth»

The phrase "late nineteenth" refers to the time period near the end of the 1800s, specifically the years from 1870 to 1899. Full definition
Background: physicians choose the insurance company model, late nineteenth century to 1940s 2.
Unlike the crowd imagery that became a popular theme in late nineteenth century painting, here the public is rendered passive and out of focus, suggesting that the notion of an active public consciousness is obsolete.
Suzy Scarborugh begins each piece by creating a collage background of book pages from late nineteenth and early twentieth century books.
People look like late nineteenth century golddiggers: skinny, weather - beaten faces, unkempt beards, torn jeans and leather boots.
The next gallery features the series Notes on Social Justice, where the lyrics of existing late nineteenth - and early twentieth - century songs are replaced with sentences from a variety of artistic and political texts.
It is set at the beginning of the twentieth century, and the chief locations are Florence, the cradle of the Italian Renaissance, and a large late nineteenth - century country house in South East England.
Nevertheless, outcry over a particularly notorious late nineteenth century body snatching case affecting African Americans in Philadelphia ultimately led to changes in the laws: A body - snatching ring that had been targeting black cemeteries for years was prosecuted.
Haverty bequeathed a group of significant late nineteenth - and early twentieth - century American paintings by William Merritt Chase, Henry Ossawa Tanner, John Twachtman, and Childe Hassam as well as a select group of sculptures.
The museum owns several late nineteenth - century paintings, such as a portrait by Emile Bernard and Vuillard's garden scene that reflect avant - garde tastes near the end of the century.
Her otherworldly images, sometimes resembling late nineteenth century spirit photography, begin to display a linguistic identity matching their aesthetic.
Collaboration with Yale Reveals Late Nineteenth and Early Twentieth - Century Photographic Processes
(2013) and Diorama (2013), Jackson confronts late nineteenth - century and early twentieth - century photographs taken during the period of colonial expansion in Africa and the Americas.
Yet Sarmento's protagonists and their performative gestures are also restrained by a kind of stylistic formalism that recalls late Nineteenth - century impressionist figuration — Edgar Degas Little Dancer Aged Fourteen c. 1880 comes to mind — which is present in his three - dimensional works, in particular, his sculptures of female body parts.
As Thomas reorganizes the interior space surrounding the female figure, she draws inspiration from late nineteenth - and early twentieth - century artists such as Édouard Manet, Henri Matisse, Fernand Léger, and Romare Bearden — all of whom used abstraction, to one degree or another, in their representations of the world.
His sensuous, intense paintings were infused with his love and understanding of late nineteenth century French painting, especially Degas, Vuillard and Bonnard, and by his feeling for the heat and colours of India, which he visited on many occasions.
Since the late nineteenth c entury, however, trade has increasingly consisted of intermediate goods as collapsing transportation costs have spread trade across widely - dispersed value chains.
Since the late nineteenth century, however, except perhaps for a brief period before and after World War II, this is no longer the case, and we should not allow this hidden assumption to determine our explanations of trade imbalances.
Without diving into obscure post-Confederation transfer payments, the historical record is that late nineteenth and early twentieth century transfers were few and assumed by Dominion politicians to be temporary.
«The financial panics throughout the late nineteenth century were a result of the arbitrary credit creation powers of the banking system.
The fundamental contrast between Wesleyanism and fundamentalism (including neo-evangelicalism) became clear to me when I happened on two late nineteenth - century charts.
Beginning with the evolutionary controversies in the late nineteenth century, «God» has symbolized, for many scientists, opposition to the best scientific theories.
In the late nineteenth century a Baptist seminary in Chicago held strongly to this commitment, and Rockefeller built the University of Chicago around it.
Until the late nineteenth century belief in God provided the needed context for modern science and supported its development.
Ho «mose «xuality as an «orientation» was unknown in the history of human ideas until the late Nineteenth Century.
Tarkington, who saw the effects of the industrial revolution in his neck of the woods in the late nineteenth century, used the novel to talk about the rise of new technology — in this case, the automobile — and the impact it would have on an idyllic life.
Many of these started in the later nineteenth century.
Behind them, they had left the magnificent Anglo - Catholic edifice of St Barnabas, built, with no expense spared, in the late nineteenth century and further glorified over subsequent decades with the addition of rich furnishings: a dazzling reredos in the Italianate style, a fine collection of stained glass, ornate statues and glittering banners.
In the late nineteenth and early twentieth centuries, Wesleyan liberals shared with evangelicals enthusiasm for the conversion of the heathen.
In the late nineteenth century another reason for turning from this doctrine of Wesley emerged in the form of depth psychology.
He then points to the body of modern social doctrine from Leo XIII in the late nineteenth century to «my great predecessor John Paul II.»
Pope Leo then went on to praise the independent welfare associations which developed quickly in the late nineteenth century.
The imagery of mechanism proved to be useful to sciences, such as biology in the late nineteenth century, which were only beginning to achieve measurability and predictability.
Beginning in the late nineteenth century, white supremacist Ku Klux Klan members in the Southern United States engaged in arson, beatings, cross burning, destruction of property, lynching, murder, rape, tar - and - feathering, and whipping against African Americans, Jews, Catholics and other social or ethnic minorities.
This sort of view played a considerable role in the late nineteenth and early twentieth centuries.
The mode of thought described as «theistic evolution «7 which came into prominence in America during the late nineteenth century simultaneously with a resurgence of Hegelianism, spoke of evolution as «God's way of doing things.»
Until the late nineteenth century, the word modern was rarely used for describing or listing errors.
This is necessary because positivism, in the broad sense of the term, has permeated science since the late nineteenth century.
Furthermore, excellent historical scholarship since the 1970s by researchers such as Ronald Numbers and David Lindberg has shown that the «inevitable warfare of religion and science» is not only a poor framing of the actual historical reality but is in fact an ideology pushed by anti - Christian activists starting in the late nineteenth century.
This is not a new insight, since it is found in Catholic critiques of capitalist economic thinking and practice from the late nineteenth century on.
In the late nineteenth century the contributors to the Revised Version believed that textual criticism could be used to arrive at the best translation.

Phrases with «late nineteenth»

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