Sentences with phrase «late signature work»

Spanning nearly 24 feet, To Mallarmé (2003), a late signature work by Mario Merz, is installed on the Mezzanine near the entrance to the exhibition.

Not exact matches

Unfortunately for him and the Merseyside giants, the speculation over his future seemingly refuses to go away, but this latest development could surely work to their advantage if there is indeed a three - way scrap for their star man's signature.

«There's already a possibility that his signature priorities — minimum wage and paid family leave — might go beyond the budget and be worked out later in the session,» Gormley said.

Where Cianfrance uses this — I suppose — signature style of his so effectively in Blue Valentine and The Place Beyond the Pines, it's a bit of a bummer that it doesn't work as well with a story like the one in his latest film, The Light Between Oceans.

The picture is directed by the famed Guillermo del Toro (who would go on to make the delectable Pan's Labyrinth a decade later along with both Hellboy films) and is wrought with his signature styles.

A variation of this is to have the student write a letter to their parents letting them know that the work is late, and returning the note to the teacher with a parent's signature.

The late Halberstam's commanding and evocative final work displays his signature style: a combination of deep - drilling interviewing with thorough research, a detached awareness of historical trends, and «a respect for the nobility of ordinary people.»

What we wanted to do with that game is make an audio brand, and though I haven't worked on the Singstar franchise for a while, even the latest games feature those same signature sounds.

Executed only a few months before his death, the work shows Warhol in the signature peroxide fright wig of his late career, staring starkly out from the canvas in an emotionally arresting vision that confronts the reality of time head on.

In the school, the original chalkboards first served to block the bitter cold; later, they became the grounds for Kim's signature works.

The works on view will range from smaller - scale, metal and cord works from the late 1960s to constructions from the 1980s and 1990s that encompass entire rooms, thus demonstrating the artist's signature vocabulary of forms in varied combinations and at different scales.

Anish Kapoor Fold at Paragon Contemporary (A09) Anish Kapoor's signature works — those glossy, concave, mirror - like sculptures — may be everywhere in the convention center, but Paragon Contemporary is carrying two pieces from his latest series, Fold.

Painted in 1995 and exemplary of Lichtenstein's late, great genius, the work revisits one of his signature subject matters: the female form.

These signature bodies of work are preceded by his early experiments at Black Mountain College, a hotbed for innovation in the late 1940s and early 1950s, and his first collaborations with fellow artists and friends John Cage, Merce Cunningham, Jasper Johns, David Tudor and Cy Twombly.

The exhibition will span five decades of work from early experimentation to her mid-career installations, up to her signature Teste [Heads] series from later in her career.

Isaac Cordal is currently having a solo exhibition @ La Médiatine in Brussels, showing the latest work that features his signature miniature tall sculptures.

These signature bodies of work will be preceded by his early experiments at Black Mountain College, a hotbed for innovation in the late 1940s and early 1950s, and his first collaborations with fellow artists and friends John Cage, Merce Cunningham, Jasper Johns, David Tudor and CyTwombly.

Second, moving around big pieces of painted paper for the mock - up of the elevator bank mosaic led Hofmann to the signature motif of his late work: little floating planes of color, squares and rectangles of pure color locked together across the surface or isolated on fields of murkier colors.

The show plumbs the formal skepticism of late modernism, including works by Dan Graham, Gordon Matta - Clark, and Isa Genzken, drawn from the Generali's own signature collection, and its purview extends to encompass a subsequent generation of artists interested in mining the failed utopian models of the twentieth century for recuperative possibilities: Giuseppe Gabellone, Cyprien Gaillard, Florian Pumhösl, Jeroen de Rijke and Willem de Rooij, and Rob Voerman.

In the late 1960s he went on to produce his signature lozenge - shaped wall works and highly reflective «bubble» pieces, which appeared to possess an internal glow.

Mark Rothkoâ $ ™ s search to express profound emotion through painting culminated in his now - signature compositions of richly colored squares filling large canvases, evoking what he referred to as â $ the sublime.â $ One of the pioneers of Color Field Painting, Rothkoâ $ ™ s abstract arrangements of shapes, ranging from the slightly surreal biomorphic ones in his early works to the dark squares and rectangles in later years, are intended to evoke the metaphysical through viewersâ $ ™ communion with the canvas in a controlled setting.

After the late 1980s, Steinkamp — who exclusively uses Autodesk Maya 3 - D animation software to create her signature style — worked with very abstract imagery, inspired in part by digital art pioneers like David Em.

These are followed by paintings from the late 1980s and early 1990s made in Chicago, where Marshall lives and works and developed a signature practice of painting in acrylic on the collaged surfaces of large unstretched canvases.

This approach was akin to that of Michelangelo Pistoletto, whose Ogetti in meno (Minus Objects), 1965 — 66, also look like works by multiple people — perhaps both Pascali and Pistoletto had a premonition of how closely some of their Italian colleagues would later be identified with their signature products, whether Mario Merz with his igloos or Giuseppe Penone with his trees.

His later works began to quote paintings by 20th Century artists such as Picasso, Matisse and Léger but with his same signature style such as Still Life with Goldfish (1974) in the style of Matisse.

Almyda and his cohort worked hard to support the few local institutions that promoted contemporary art: among them, the Arts Festival of Atlanta, an outdoor event in Piedmont Park; the late Judith Alexander's art gallery, which mounted exhibitions by the likes of Franz Kline; and the Signature Shop, which still serves the cause of contemporary crafts.

The transition from perspective drawings to perspectival paintings opened the doors to what later became his signature work — The Butterfly Paintings.

These pictures later led to a group of works that seemed to synthesize her preceding preoccupation with signature image as compositional device with her early»50s collage, namely «Majuscule» (1971), «Rising Green» (1972), and «Mysteries» (1972).

Mr. Tàpies (pronounced TAH - pee - ess) came to prominence in the late 1940s with richly symbolic paintings strongly influenced by Surrealist painters like Miró and Klee, a style he abandoned by the mid-1950s as he turned to what became his signature work: the heavily built - up surfaces that were often scratched, pitted and gouged and incised with letters, numbers and signs.

More than 250 works of Contemporary Art from the Estate of the late Dr. Edmund P. Pillsbury anchor Heritage Auctions» Oct. 26 Modern & Contemporary Art Signature ® Auction, taking place at Heritage's Design District Art Annex, 1518 Slocum Street.

Yokono's latest body of work is a continuation of the artist's signature brand of traditional woodcutting expressed through his unique contemporary, visual language.

Max's Art Students League scholarly influence inspired all of his extraordinary artwork, and of late, his new Masters series; his interpretive works of Vincent Van Gogh, Monet, Pablo Picasso, Renoir, and Edgar Degas, conceived in Max's signature style and colors.

In this latest body of work, Resika's long - standing concern for captured light and his signature painterly strokes have become instruments of a growing linearity and geometry.

In the late 1980s, when Chris Martin began showing his paintings, he adapted signature motifs from Paul Feeley and Philip Guston, among others, which was a way of paying homage to them as he worked his way through their iconic images.

An important factor is the way Munch's late self - portrait Between the Clock and the Bed (1940 — 1942) is linked to Johns» series of abstract cross-hatch works that became something of a signature motif for him in the 1970s.

Born in India; crossing to Canada with an opportunity to work in the Banff Springs Hotel and stories along the way of his early experiences with entrepreneurs — they didn't share his vision — to the opening of his signature restaurant to his latest, My Shanti.