Sentences with phrase «late type of the art»

Streamline Moderne, sometimes termed Art Moderne, is a late type of the Art Deco architecture and graphic design / style that emerged in the 1930s.

Not exact matches

And she's the type who, over a lengthy FaceTime interview, expounds not on her latest juice cleanse but on subjects like the importance of textiles to a culture and «emblems of female vanity» throughout art history.

Latest is this Impreza WRX STi spec C Type RA, essentially the current state - of - the - art WRX with subtly cooler looks and more creature comforts.

The latest creation to come from SVO's state - of - the - art Technical Center is the F ‑ TYPE SVR — our most powerful F ‑ TYPE ever.

You'll also go behind - the - scenes to see how the liquid identities of some of Paula's most respected projects came to life (including Jazz at Lincoln Center, the Type Directors Club, and Microsoft Windows), explore her latest re-branding for the Philadelphia Museum of Art, and join her at the Public Theater in Manhattan — her most iconic, long - standing project to date.

While it would be naive to assume that everyone is going to prefer that type of art (late Monet, Friedel Dzubas, William Pettet, John Griefen, Dan Christensen, John Hoyland, Jules Olitski, Joan Snyder, Larry Poons, Ronald Davis, et al) it is not naive to ask that Lyrical Abstraction be accorded its hard earned place in the historical and critical landscape.

In the sculptures and photographic pigment prints of the late Brian Gaman currently on display at the Parrish Art Museum, the artist offers a type of abstraction that is distinctive in its evocation of powerfully atmospheric emotional echoes.

Founded in the Netherlands during World War I, by Theo van Doesburg, the older Piet Mondrian, architect Gerrit Rietveld, and Bart Van der Leck, it advocated a geometrical type of abstract art, (later called concrete art, by Van Doesburg), based on universal laws of harmony that would be equally applicable to life and art.

During the final phase of the «modern» period several types of avant - garde art appeared, including conceptual art (pioneered by Robert Rauschenberg 1950s) and video art (pioneered by Wolf Vostell and Andy Warhol late - 50s / 60s), however, because these forms are more closely associated with contemporary art, we deal with them in our article on contemporary art movements (1970 onwards).

His affinity for sharing what interests him and remarking about it anticipated the «share» culture of social media (he began making art in this spirit in the late 1990s), with one major exception: his media platform is a highly personal, handmade take on text / image drawing rather than the digital templates that readily accept the cut - and - paste of urls, jpegs, and keyboard - typed text.

Her bold works combining black - and - white photography and white - on - red type have become icons of late 20th Century art.

A precursor of New Image Painting - a type of Neo-Expressionism launched in 1978 at the Whitney Museum of American Art, championed by Jonathan Borofsky (b. 1942) and Susan Rothenberg (b. 1945)- Guston's late style was important for its blurring of the boundaries between abstraction and figuration.

• Graffiti Art (1970s) Popular type of outsider art which first emerged in the New York subway, later spreading to Europe and JapArt (1970s) Popular type of outsider art which first emerged in the New York subway, later spreading to Europe and Japart which first emerged in the New York subway, later spreading to Europe and Japan.

Colour field painting came about as a result of different independent attempts by Still, Rothko and Newman, during the late 1940s, to create an eternal form of art which might transcend the ethical collapse triggered by the chaos and carnage of World War II: a type of painting that would speak for itself.

As it was the group saw themselves as something of a hybrid: on the one hand, they related both to the performance art and Schwitters - style junk art of Dada and its later offspring Neo-Dada, as well as contemporary kinetic art; on the other hand, they saw themselves as forging a brand new type of multi-media postmodernist art, capable of reflecting the transformation in French popular culture.

Magritte's cerebral representative type of surrealism had a huge impact on his contemporaries, as well as on later Neo-Dada works and Pop art.

In any event, it's the latest type of contemporary art - a sort of ultimate postmodernism.

Later, in New York, the movement triggered a new type of easel - style graffiti art, by artists like Jean - Michel Basquiat.

Broadly speaking, female artists deliberately avoided traditional male - dominated types of art, like painting and sculpture, although a number of them (Nancy Spero, Miriam Schapiro, and later Kiki Smith and Jenny Saville) achieved outstanding results in these areas.

Popular during the late 1940s and 1950s, this style of abstract art is part of (and to this extent synonymous with) the broader movement of Art Informel: the only difference is that Tachisme is focused exclusively on the type of expressive gesture used by the artiart is part of (and to this extent synonymous with) the broader movement of Art Informel: the only difference is that Tachisme is focused exclusively on the type of expressive gesture used by the artiArt Informel: the only difference is that Tachisme is focused exclusively on the type of expressive gesture used by the artist.

It is a widely held belief among those in the art world that Hockney's meeting with the modern artist Jacob Kramer in Leeds and the viewing of Alan Davie's exhibition in Wakfield in 1958 pushed Hockney towards the type of work that is considered avant - garde and identified him more with the pop artists of the late sixties.

The late - 1960s and 1970s also witnessed the appearance of «Body Art», a type of Performance in which the artist's own flesh becomes the canvas and subsequently «performs» in a suitably shocking, newsworthy manner (for more see below).

During the late - 1960s a type of performance art appeared, called Body art, in which the artist's own body became the «canvas», so to speak, for a passive work of art, or which then «performs» in a shocking way.

He has intricate geometric drawings by the late Channa Horwitz, open - ended scores for other mediums, and gives a room to Richard Hawkins and Catherine Opie to organize a show of the deliriously camp but seriously refined paintings of Tony Greene, who died in of AIDS in 1990, and another to curator Julie Ault, who features works and ephemera from her friends and collaborators, like the late Martin Wong and Matt Wolf, who recalls in an audio slide show how, as a teen in the 1990s, he typed «gay» and «art» into a search engine, and discovered David Wojnarowciz, another AIDS casualty, who was a redoubtable artist and activist.