Sentences with phrase «later informel»

Not exact matches

Focusing on Lassnig's self - portraiture, the exhibition presents works by the artist — most of them never previously exhibited in the U.S. — from all creative periods of her career, spanning her early involvement with graphic abstraction in Paris and Art Informel, to her later shift to figural representation.

In his later work Dubuffet returned to the gestural techniques of Art Informel.

Charlotte Posenenske's (Wiesbaden, Germany, 1930 - 1985) drawings from the late «50s reveal her exploration of contemporary movements such as Art Informel and Abstract Expressionism.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) • Photographic Art • Collage (from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist - Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic Realism (1925 - 40) • Socialist Realism (1928 - 80) • Social Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)

MODERN ART Pre-Raphaelites (1848 on) Impressionistm (1870s on) Neo-Impressionism (1870s) Newlyn School (1880s) Art Nouveau (Late 19th C) Symbolism (Late 19th C) Post Impressionism (c. 1880s) Les Fauves (1898 - 1908) Expressionist Art (1900 on) Die Brucke (1905 - 11) Der Blaue Reiter (1911 - 14) Ashcan School (1892 - 1919) Cubism (1908 - 1920) Orphism (1912 - 16) Purism (1920s) Precisionism (1920s on) Collage (1912 on) Futurism (1909 - 1914) Rayonism (1910 - 20) Suprematism (1913 - 1920s) Constructivism (1917 - 21) Vorticism (1913 - 15) Dada Movement (1916 - 1924) De Stijl (1917 - 31) Bauhaus School (1919 - 1933) Neo-Plasticism (1920 - 40) Art Deco (1920s, 30s) Ecole de Paris (1900 on) Neue Sachlichkeit (1920s) Surrealism (1924 on) Magic Realism (1920s) Entartete Kunst (1930s) Social Realism (1920s, 30s) Socialist Realism (1929 on) St Ives School (1930s on) Neo-Romanticism: from 1930s Organic Abstraction (1940 - 65) Existential Art (1940s, 50s) Abstract Expressionism (c.1944 - 64) Art Informel (c.1946 - 60) Tachisme (1940s, 50s) Arte Nucleare (1951 - 60) Kitchen Sink Art (mid-1950s) Assemblage (1953 on) Neo-Dada (1950s on) Op - Art (Optical Art)(1960s) Pop Art (1958 - 72) New Realism (1960s) Post-Painterly Abstraction (1960s) Feminist Art (1960s on)

A show currently running at MoMa Ps1 focuses on Lassnig's self - portraiture, the exhibition presents works by the artist — most of them never previously exhibited in the U.S. — from all creative periods of her career, spanning her early involvement with graphic abstraction in Paris and Art Informel, to her later shift to figural representation.

Art Informel originated in Germany, before spreading to France - where it was most active - and later Italy, Spain, and Japan.

The exhibition at MoMA PS1 in New York presents works by Maria Lassnig from all periods of her career, most of them never previously exhibition in the U.S. and spanning her early involvement with graphic abstraction in Paris and Art Informel, to her later shift to figural representation.

Two years later, Richter obtained the permission to visit the Documenta 2 exhibition at Kassel in West Germany where he discovered Abstract Expressionism and Art Informel.

Popular during the late 1940s and 1950s, this style of abstract art is part of (and to this extent synonymous with) the broader movement of Art Informel: the only difference is that Tachisme is focused exclusively on the type of expressive gesture used by the artist.

Meanwhile, parallel movements in Western Europe were appearing under various titles, such as Art Informel (c.1945 - 60), along with sub-variants such as Lyrical Abstraction (late 1940s, 1950s), Tachisme (c.1945 - 60) and the COBRA group (1948 - 51).

Tàpies later joined the Art Informel movement as his work turned toward the abstract in the 1950s.

If Post-painterly abstraction sounds complicated, try reading about concurrent abstract expressionist movements in Europe, such as Art Informel (1940s, 1950s), its sub-variants Tachisme (late 1940s, 1950s) Lyrical Abstraction (1945 - 60), and the independent COBRA group (1948 - 51).