Sentences with phrase «later creative period»

The grid pattern - a feature of both Stella's earlier and later creative period - is often used by him as a kind of stage upon which a painted drama takes place.

Not exact matches

One of many analogies between postmodernity and dying antiquity — in which the church lived for her most creative period — is that the late antique world also insisted on being a meaningless chaos, and that the church had to save her converts by offering herself as the narratable world within which life could be lived with dramatic coherence.
Newman noted that Blake was born in 1757 and that Yeats died in 1939: «They reflected a creative interest in alchemy that spanned the late 18th to the early 20th century — exactly the «rational» period of the Enlightenment and of modern science — at the same time that most historians were branding alchemy delusional.»
Focusing on Lassnig's self - portraiture, the exhibition presents works by the artist — most of them never previously exhibited in the U.S. — from all creative periods of her career, spanning her early involvement with graphic abstraction in Paris and Art Informel, to her later shift to figural representation.
The late «60s was an intensely creative period for Kusama, and her artistic activities expanded to breaking point.
In March, Mnuchin Gallery in New York is presenting «David Hammons: Five Decades,» a survey of the artist's evolving practice from the late 1960s to present, In anticipation of the exhibition, which is described as the first of its kind in 20 years, the conversation between Lax and Finkelpearl gives great insight into a significant period of Hammons's creative arc.
«The latest exhibition taking place at the New York University Art Gallery on Saadiyat island, Inventing Downtown: Artist - Run Galleries in New York City, 1952 — 1965, features more than 200 very early works of over 50 artists offering a unique and rarely explored perspective of the cross-section of creative life in the city during that period
A show currently running at MoMa Ps1 focuses on Lassnig's self - portraiture, the exhibition presents works by the artist — most of them never previously exhibited in the U.S. — from all creative periods of her career, spanning her early involvement with graphic abstraction in Paris and Art Informel, to her later shift to figural representation.
Eternity is a Long Time offers an unprecedented opportunity to examine the work of the late Mike Kelley (Detroit, 1954 — Los Angeles, 2012), focusing on his installations, videos and sculptures mainly from 2000 to 2006, a period of enormous creative maturity in his career.
Beginning and ending in a classical mode, this period encompasses some of the most important steps in his career: his traditional academic training, his early encounters with works by modern and Old Master artists, his creative interaction with pre-classical and tribal art, his invention with Georges Braque of cubism and papier collé, and his postwar alternation between cubism and classicism — the groundwork for all the developments in his later career.
Post-War & Contemporary Art The post-World War II period from 1945 until 1970 is recognized as one of the most creative period of the 20th century, spanning movements from Abstract Expressionism in New York in the 1940s to Pop Art that was popular mainly in England and the United States (from late 1950s to early -LSB-...]
The exhibition, spectacular and intimate at the same time, offers an unprecedented opportunity to approach and examine the work of the late Mike Kelley (Detroit, 1954 — Los Angeles, 2012), focusing on his installations, videos, and sculptures mainly from 2000 to 2006, a period of enormous creative maturity in his career.
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