Sentences with phrase «later films and television»

Even though it is not a great movie in and of itself, it had a clear influence on later films and television shows.

Not exact matches

EASTWOOD: When I did the Rawhide series in the 60s and late 50s we had a lot of wonderful directors, old time film directors that had not been doing that well so they would do television and our television show would come on.

You recall that the SABC, the South African Broadcasting Corporation, the exclusive state monopoly for radio and television, had the night before run an American Defense Department film version of their latest report on «Soviet Military Power,» with Secretary Casper Wineberger issuing dire warnings as animated hammer - and - sickle emblems marched menacingly down the coast of Africa.

A 3 am finish in a student nightclub, hundreds of photos with hundreds of drunken undergraduates, and now a film crew to share your breakfast with: it's just another 24 hours in the baffling and yet rather brilliant life of Deidre Kelly, the latest in a long line of reality television stars who find their lives turned upside down.

Though Eldard had been appearing in film and television since the late»80s, it was the dawn of the new millennium that found Eldard's career reborn with roles in such acclaimed films as Barry Levinson's Sleepers (1996), Mystery, Alaska (1999), and Black Hawk Down (2001).

From the late»70s to the early»80s, the Dardennes made such films as Le Chant du Rossignol (1978), about the Nazi Resistance in Belgium's southern Walloon region, and Leçons d'une Université Volante (1981), about emigration from Poland, for Belgian television.

Later alternating between television and film with features such as Trapped and roles on such high - profile series as Spin City and Malcolm in the Middle, her part opposite Brittany Murphy in the 2003 comedy Uptown Girls found the precocious youngster playing well off of her older co-star.

Later, after Cimber calls Perkins «an actress of some standing in Hollywood» and the star of «one of the biggest films of the decade» (probably in reference to her turn in The Diary of Anne Frank), Gersh segues into a clip where Molly says, «It was on television!

Famke Janssen made both her film and television debuts in 1992, but it wasn't until a few years later, when she became a Bond girl by the unforgettable name of Xenia Onatopp in «GoldenEye,» that everything started to come up roses for her.

Says Nottage: «I was watching television late one night when I came across a 1930s film called «Babyface,» which featured a very charming and talented young African - American actress named Theresa Harris.

As the 1980s began she felt increasingly on the margins of the film industry, although she later co-wrote the script for Claire Denis's coming - of - age film set in 60s France, US Go Home (1994), and also directed a number of well - regarded television documentaries, such as Les Anges 1943, Histoire d'un Film (2004), on Bresson's Les Anges du Péché.

The intentional changing or at least ignoring of it in casting the role of MCU lynchpin Nick Fury and producing a Black Panther film for 2018 and a Luke Cage television series for later this year doesn't bestow upon them immunity by any stretch of the imagination, but the Marvel Cinematic Universe seems relatively inclusive if at the same time mostly faithful to the mostly mid-20th Century created comic book origins - depictions of their headline characters.

For example, Doc's nemesis, LAPD Detective Lieutenant Christian «Bigfoot» Bjornsen (Josh Brolin), is first seen in a television ad costumed in «hippie» gear promoting the «Channel View Estates» housing development; Coy Harlington (Owen Wilson), a musician and former dope addict, now supposedly an undercover government agent, is first glimpsed in a family photo taken by his ex-junkie wife Hope (Jena Malone); Mickey Wolfmann stares out at us from a newspaper photograph before he makes his one and only appearance in corporeal form late in the film; hit man Adrian Prussia (Peter McRobbie) first appears to us in FBI photo files.

Helping things jerk along are Jason Isaacs as a wacky transvestite Scot (who, like all movie gay men, has nothing better to do than tend to wounded whores with hearts of gold), a little urchin who needs a daddy (Liam Aiken — he also stank in Stepmom, a film that was directed by Chris Columbus), and Greg Germann (television's «Ally McBeal») as the late - film reminder of the kind of fathead Nelson used to be before he met Sara.

Co-written and directed by David Greenwalt, who would later do mostly television work for teen series such as «Buffy the Vampire Slayer» and «Angel», this is a smart and energetic film that, despite some of one of the more contrived premises you're ever likely to see, manages to succeed by keeping the story constantly moving and changing, and actually do it with some wit.

For the latest installment, Franco and team decided to create episodes spanning films, music and television.

It's the latest entry in Hollywood's long history of television and film set in the Old West.

The feature documentary film category and other television category nominations were previously announced by the PGA in late 2014.

Though as early as 1996 she was reportedly at work on a film adaptation of Patricia Highsmith's novel The Price of Salt, later adapted by Todd Haynes into 2015's Carol, Macdonald has worked exclusively in television ever since, and has been back in view lately for directing the acclaimed new miniseries adaptation of Howards End, scripted by Kenneth Lonergan.

The late composer enjoyed a lengthy career scoring television and feature films (including - surprise - «Patrick») and though a stereo album of his music was released on CD, the DVD includes an isolated mono score track which allows viewers to not only experience May's gift for enhancing the film's eerie mood, but compare his contributions with that of mixer Fenton, himself still involved with many of Peter Weir's films.

This week's new Blu - ray releases include a Diamond Edition of Walt Disney's last film, the latest season of one of the most engrossing shows currently on television, a Best Picture winner, a current Oscar nominee, and more.

Days later, the San Diego State University's Center for the Study of Women in Television and Film followed with the «Celluloid Ceiling» study, finding that women comprised just 18 percent of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing films.

Since his first film and television appearances in the late - eighties, actor Chris Cooper's filmography has come to include blockbusters (The Bourne Identity, the upcoming The Amazing Spider - Man 2), comedies (Me, Myself, and Irene, The Muppets), Best Picture nominees (Seabiscuit, Capote), a Best Picture winner (American Beauty), and his own Oscar win in 2003 for Best Supporting Actor for Adaptation.

Still, in addition to her earlier films, it was nice to see her do an occasional later movie like 1985 ′ s «Malice in Wonderland,» 1987 ′ s «Poker Alice» and a television version of «Sweet Bird of Youth» opposite Mark Harmon in 1989.

Women accounted for just 11 % of directors of the 250 top - grossing films of 2017, according to the latest report by San Diego State University's Centre for the Study of Women in Television and Film.

We see a documentary about the professional rivalry and growing friendship between Ebert and his late sparring partner Gene Siskel, whose nationally syndicated television show brought film criticism into many homes and inspired a few generations of film lovers — myself included — to watch movies with a critical but appreciating eye.

Alcon Entertainment acquired the film, television and ancillary franchise rights to «Blade Runner» in 2011 from the late producer Bud Yorkin as well as Cynthia Sikes Yorkin with the intent to produce prequels and sequels to the iconic science - fiction thriller.

Acting in films and television since his late teens, Nicholson landed a choice role in his friends» film, Easy Rider, and earned an Academy Award nomination for Best Supporting Actor.

Nathan Misa is a contributor for ImpulseGamer.com, reviewing the latest film, television and video games.

A decade later, that film's writer and director, James Toback («Bugsy»), saw Downey on television after one of his drug arrests, and something about the actor's appearance inspired him to write the screenplay for this film in the space of a single week.

The service to debut later this year will include «blockbuster movies, classic films and original TV shows from major studios» for viewing on tablets, televisions or smartphones.

This journey was documented by an Australian film company to be released later as a 1 - hour television feature which is shown worldwide on Discovery Channel, Animal Planet, NHK and numerous other networks.

Nathan Misa is a contributor for ImpulseGamer.com, reviewing the latest film, television and video games.

Later he moved to Hollywood to create visual effects for films, television, and commercials.

British Academy Award - winning composer profiled in latest episode of The Final Hours of TOMB RAIDER SQUARE ENIX and Crystal Dynamics today announced that Jason Graves, an award - winning composer with an outstanding pedigree across film, television and gaming is penning the original score for TOMB RAIDER.

Borrowing from westerns, war films and even the narrative structuring of contemporary high - budget television, Kojima's latest is a remarkable achievement.

He later collaborated with Kazumi Mitome to fulfil his ambition to score movies at last with Konami's science - fiction film Specter and created some music to accompany the television advertisements for two BOSE DVD players.

Later adaptations included a serial film, a television series (where his first name was changed from Anthony to William), and other formats.

Lamelas» conceptual practice has produced a diverse body of work shifting focus from Pop Art sculpture in the late 1960s to video work that parodies mass media television and examines the building blocks of narrative film.

Swiss Institute and ARTBOOK invite you to join us for the launch of Imponderable: The Archives of Tony Oursler, Since the late 1990s, artist Tony Oursler has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience and technology.

The late conceptual photographer was a member of what critic Douglass Crimp called the «Pictures Generation» — a group of artists in the late»70s who rejected the predominant values of object - based Minimalism in favor for a return to imagery, or more specifically, commercial imagery related to advertisements and film / television.

Her television appearances have included «The New Normal,» «Raising Hope,» «Melissa and Joey,» «On We Go,» «30 Rock,» «Starved,» «Hope and Faith,» «Curb Your Enthusiasm,» «Strangers with Candy,» «TV Funhouse,» «Late Night with Conan O'Brien,» «Soulman,» «Cosby,» as well as the voices for the cartoons «High School USA,» «Family Guy,» «Dilbert,» «PB & J Otter,» and the film Robots.

Together, the gallerist and the film director subsequently began a series of exchanges on art, immortalised in a 1988 television documentary and later, a book.

Since the late 1980s, Stan Douglas has been making films, photographs and installations which analyse and go back over past events, while appropriating codes and techniques from cinema, television and press photography.

Beginning in the late 1980s, with exhibitions organized by curators William Olander and Laura Trippi, the New Museum placed increasing emphasis on areas other than painting and sculpture, and presented film, video, television, photography, and performance works as a regular part of the exhibition program.

Part of the reason for the film's popularity is that Transformers — which began as a set of toys (made in China of course) before quickly becoming a TV cartoon — exploded on the scene here in the late 80s, just in time to catch the first generation of kids born under the one - child policy, for whom television was a novel and ground - breaking form of entertainment.

On July 20, 2011, the Quebec Court of Appeal confirmed that the production company Cinar, Ronald A. Weinberg, the late Micheline Charest, Christophe Izard, France Animation, Ravensburger FILM + TV Gmbh and RTV Family Entertainment AG did plagiarize Claude Robinson's ideas and work, and deprived him of his copyright on the television series Robinson Sucroë.

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