Sentences with phrase «later glass painting»

Not exact matches

At a major tasting marking the 50th anniversary of the wine region held at the venue late last year, my attention kept wandering again — this time the glass of chardonnay in my hand had to compete for my attention with the magnificent Emily Kame Kngwarreye painting on the wall.

Instead, paint a vivid picture, including specific activities like enjoying a great Italian meal and bottle of wine with friends on Saturday nights, reading a graphic novel at my neighborhood coffee shop (I'm the artsy one in the Newsboy cap and horn - rimmed glasses), and / or checking out the latest documentary at that restored theater downtown.

- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.

Made abstract paintings withBaroque arabesques of punched holes or fragments of coloured glass, and later with vertical cuts; spent the summers at Albisola Marina making ceramics.

If you think «Eight Movements,» the title of Liat Yossifor's latest exhibition of paintings, sounds more like the title of a Philip Glass recording or the latest release by Steve Reich, you're already onto the idea behind the Israeli artist's stark and highly textural abstract works.

The densely layered surface of built - up oil paint in Tuxedo Junction is echoed decades later in the wrinkles of tissues pressed against the glass plate of the photocopier as DeFeo investigates texture in two and three dimensions.

The artist also began experimenting with painting on turkey and chicken bones, which she later cast in polyester resin panels evocative of stained - glass windows.

This stunningly illustrated survey encompasses works from the late 1950s to the present — photo - paintings, abstractions, landscapes, seascapes, portraits, color charts, grey paintings, glass and mirror works, sculptures, drawings and photographs — providing the definitive account of Richter's achievements.

Later he studied glass painting, which helps explain his fascination with translucency.

Fontana's best - known works are the aforementioned slash paintings, but beginning in the late»40s he made what artists 50 years later called installation art, using neon lights, colored glass, metal sheets, and painted walls.

[1] In the late 1930s, she started to move away from realistic work toward abstraction and experimented with painting on layered glass.

Between 1959 and 1960 Polke completed a glass - painting apprenticeship, an experience that contributed to his lifelong attraction to transparency and layering, with many of his later paintings utilising see - through plastics or being painstakingly built up using strata upon strata of found imagery.

In the late 1950s and early 1960s he made paintings and began as soon as 1961 to incorporate glass into small objects.

From the visual representation of time (known by Latham as the «quantum - of - mark») in the early spray paintings and One - Second Drawings, to the book reliefs of the 1960s, the roller paintings of the 1970s and the late glass tower works which incorporated bits of all theorems, John Latham maintained a steadfast devotion to exploring the most complex cosmological ideas and questioning the traditional notions and structures of art, science and philosophy.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

Polke embarked upon a year - long apprenticeship in a stained - glass factory in Dusseldorf — an experience which was to influence his later work as, painting upon transparent plastic and laying image upon image like paint upon glass, he created multilayered pictures meant at once to be looked at and looked through.

The «Homage» paintings, begun nearly three decades later, create a sense of overlapping colour and an illusory depth and the luminosity of Albers's glass - works.

In the late 1980s, in paintings such as Glass of Whisky, Caulfield had forsaken intricacy, imbuing his painting with a greater starkness.

Opening at Yorkshire Sculpture Park in late May, this solo presentation will showcase an extraordinary group of paintings and works on paper, indoor pieces made from plaster, silver, gold, marble, glass and coal, and outdoor sculptures in stainless steel and bronze.

Exhibiting at Art Basel Hong Kong for the first time, PPOW is presenting a two - person booth that features historical paintings and drawings by the late Martin Wong, a self - taught Chinese - American painter and fabled figure of the East Village art scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke elements of traditional Chinese landscape paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stable.

Two galleries and a sculpture courtyard showcase her timeless work including impressive steel and blown glass sculptures alongside a smaller series «War Toys» and «Flasks of Fiction», mixed - media collages and her latest explorations in painting.

It illuminates the artist's wide - ranging representations of the state throughout his career, from early lush, Post-Impressionist mountain landscapes to glass paintings done at the Ogunquit art colony to canvases painted from memory while abroad to late, roughly rendered images of the rugged coastline, magisterial Mount Katahdin, and hardy people.

Since 1966 he has been in charge of the Convent of Bigorio, His paintings and stained glass works, which in later years have been more representational than abstract, have been exhibited on numerous occasions, mainly in Switzerland and in Italy but also in Greece, in both mixed and solo shows.

The modest show, organized by guest curator Jay Belloli and largely selected from holdings in the artist's foundation, includes student efforts, late paintings, a few ceramics, some wood carvings, jewelry designs, two glass vases, a Surrealist abstraction carved in low - relief on the back of an illuminated plexiglass sheet and more than a dozen prints.

Steve Roden: «ragpicker» (closes on Saturday) The latest exhibition of this multitalented multimedia artist based in Los Angeles is dominated by handsome abstract paintings whose brusque prismatic forms and bright color resemble stained glass and are derived from a system of linear configurations with which the German philosopher Walter Benjamin crossed out errors in his notebooks.

The booth features Wally Hedrick's black paintings, a series in which the artist painted over existing paintings in black paint every time the U.S. invaded another country, culminating in The War Room, an installation he made in the late 1960s; preliminary drawings from performance artist Simone Forti's «News Animations» series, her way of understanding and dealing with world news (one drawing reads «Reason, fear, hatred, compassion, survival» drawn on a figure); and Judith Bernstein's phallic sculptures and 2D works, including a modified American flag topped with phallic balloons contained in glass - covered frames.

Steve Roden: «ragpicker» (through Oct. 26) The latest exhibition of this multitalented multimedia artist based in Los Angeles is dominated by handsome abstract paintings whose brusque prismatic forms and bright color resemble stained glass and are derived from a system of linear configurations with which the German philosopher Walter Benjamin crossed out errors in his notebooks.

Her paintings of the late 1960s and early 1970s showed groups of glass objects, transparent containers filled with liquids and fruits covered in supermarket cellophane.

Luhring Augustine is pleased to present Of Earth and Heaven: Art from the Middle Ages, an exhibition of Late Medieval painting, sculpture, stained glass, and goldsmith's work in association with Sam Fogg, the world's leading dealer in the art of the Middle Ages.

The exhibition begins with studies for abstract geometric compositions from the late 1930s, when Albers — a onetime instructor at the Bauhaus — returned to painting after having devoted his recent years to working with glass.

Paint one side of the door at a time and watch for drips — paint right onto the glass since you'll scrape it off later.

I will do another post later (if y ’ all are interested) about how i did the silhouettes (basically copied ones i had on my printer and painted $ 1 frames, took out the glass for safety;;)...