Sentences with phrase «later in the movie»

Mr. Carter reports, «Much of the attention that has surrounded «Serving in Silence» has focused on a scene late in the movie in which Ms. Close tenderly kisses Ms. Davis.

Later in the movie, Boris, deceased yet delivering an epilogue, observes: «If it turns out that there is a God, I don't think he is evil.

Later in the movie, Ellie, now a very conventional 1950's mother, brings the baby around to visit grandpa in a large pram so she can go out for the afternoon.

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We held off on any of the graphic stuff until Schultz's flashbacks later in the movie.

She can think quickly on her feet, which enables her to get as far as she does, and also is the cause of many of her problems late in the movie.

Shearer (smiling and raising an eyebrow): Several places... For every element I found I liked, there was an equally unappealing element, and in this case I suppose Montgomery's line that «certain women should be struck regularly, like gongs» later in the movie is that.

Later in the movie, you will see that these damsels in distress are anything but and predictably will rally to save the day.

She dyes her hair blonde later in the movie, but it's not to go atomic; she just knows, through surveillance, that her target sleeps with blonde ladies.

The viewer is perhaps meant to drop their jaw at seeing this attractive woman stuck on a contained boor such as Vincent, but her reason, which she lets on late in the movie, makes perfect if perverse sense.

I thought he was this other guy, equally handsome, equally vapid, equally unmemorable, whom Alexander prongs with a spear in a drunken rage late in the movie.

Far too late in the movie, he decides the ban has got to go.

When the cat's name is revealed, late in the movie, to be «Ulysses,» it represents at least two jokes.

There's nothing particularly fun about this group, not when it's just matriarch Violet (Meryl Streep) screaming at patriarch Beverly (Sam Shepard), suggesting in her R - rated outburst - y way that he should fornicate with a pig and certainly not when the whole gang gets together later in the movie after Beverly decides that he'd rather jump in a lake than take Vi's advice.

But In A Valley Of Violence is very squarely a Western; it only hints at its director's background in indie horror in a gruesome throat - slitting that happens late in the movie and an inspired sequence that unexpectedly applies the aesthetic of found footage to a flashback.

Again, audiences are not shown this happening but instead it's revealed in dialogue later in the movie between the indestructible Thor and the Guardians of the Galaxy where Odinson tells the cosmic team of misfits that Xandar was «decimated» a week earlier by Thanos where he acquired the Power Stone from the Nova Corps - where audiences last saw it at the end of the first Guardians movie.

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A woman threatens a man with a frying pan and eventually hits him in the face with it (we see this scene again later in the movie).

A person smashes a car's headlight with a golf club and throws the club at the car as it drives away (we see part of this scene again later in the movie); also, another person kicks and hits the car.

That at least provides a sense of humor at some of the absurd things that happen later in the movie.

Later in the movie, we're informed that the felony plea - bargain rate in the United States is 95 percent — predicated on the Justice Department awarding funds to jurisdictions based on number of convictions.

Each week they discuss the latest in movies, television, gadgets, wrestling — everything related to, well, entertainment.

The true nature of the visions comes late in the movie, but works seamlessly with what has gone before.

But later in the movie, the 3D effects seemed to be wasted on falling flower petals and pollen.

It also comes a little late in the movie.

McDonagh darkens the story by introducing Fiennes's Harry late in the movie in what amounts to a standard chase.

Sometimes the violent images are chopped out entirely, only to be saved for later in the movie, where they may or may not have been mentally re-edited by Woodrow to conform to a more favorable outcome.

The final straw to break this god - awful film's back comes in the form of some nausea - inducing serious romantic developments late in the movie (does every loser have a hot babe girlfriend?)

A lot of that is because of the care the director puts into setting up things that pay off subtly later in the movie.

Later in the movie Enid is eventually able to escape the dead end that is her life.

If you've never read the comic book, you might want to skip it as, while it's not exactly a huge spoiler, it does sit later in the movie.

We do find out late in the movie what his motivation is but it comes far too late and isn't strong enough to support his actions.

• Another scene that carries more weight every time I see it is the one, late in the movie, in which Mr. Mohra, the bartender shoveling his driveway, tells Officer Olson about the «funny looking» guy who was in his bar, boasting about having killed someone.

Halloween can be seen on TV when Dr. Challis is at the bar flipping channels as well as later in the movie.

Early in the movie, Michael Cera is hilarious as a coked - out sex - fiend version of himself, and late in the movie Channing Tatum is more hilarious still as — no, I won't spoil it.

The inventiveness he shows when busting open the safe at the beginning of the film is rarely demonstrated later in the movie.

In fact it's Ruffalo's back - to - back scenes late in the movie that finally elevate «Spotlight» to the emotional level it needed to be at throughout.

Helms is pitch perfect here, with many great one - liners and displaying that same, spot - on comedic timing and delivery as Chase showcased in the «Vacation» franchise films (Chase and Beverly D'Angelo do make welcome, but brief appearances late in the movie.)

Late in the movie, Alton says that he doesn't want his father to worry about him.

Only one gut - burst from John Hurt and the nasty creature appearing late in the movie,

In another scene later in the movie, he has one of his rabbit cohorts purposely shoot a blackberry into the mouth of McGregor's nephew Thomas (Domhnall Gleeson), knowing that he's allergic.

The prices are low, but the merchandise is irresistible: particularly Driver's way of speaking in jagged pronouncements; Hilary Swank's hilariously noirish turn, late in the movie, as a foxy Fed; and most of all Daniel Craig, playing a peroxided inmate named Joe Bang.

Late in the movie, when his character lost it, he was outrageous but in a completely different way from HL.

He's gray and slowed by the passage of the years, and late in the movie disease is added to the equation.

The eventual sonic tone of this particular sequence, which takes place in a kitchen late in the movie, is sparse, with the music building to a cacophonic climax alongside the violent action.

Good performances keep the film buoyant, and there are some killings late in the movie that are delivered with impact, enough to garner the meekest of recommendations for genre fans, especially those who love the ones from the 1970s.

Later in the movie, he provides an alibi for her in exchange for Mildred's promise to go on a date with him, an event that turns into a spectacle of humiliation when Mildred's ex-husband Charlie (John Hawkes) mocks her for being seen with James.

Clooney gets in his moments, and Julia Roberts, while mostly absent throughout most of the film, gets in one clever scene late in the movie when she... well, I won't spoil it because the surprise is a large part of the humor value.

As for the movie's heart, the most effective speech is probably when Jason Segel muses on the stale donuts, even though Mindy Kaling nearly ruins it by making the metaphor obvious later in the movie.

Later in the movie, a flashback shows the same person in his prime.