Sentences with phrase «later paint the collection»

Not exact matches

I haven't mentioned Meanwhile There Are Letters: The Correspondence of Eudora Welty and Ross Macdonald, edited by Welty biographer Suzanne Marrs and Macdonald biographer Tom Nolan (the most touching collection of letters I've read in years), or the latest volume in The Complete Letters of Henry James, or Catherine Lampert's superb Frank Auerbach: Speaking and Painting (which the painter Bruce Herman will be writing about for Books & Culture), or James Curtis's fascinating and beautifully produced William Cameron Menzies: The Shape of Films to Come.

After a visit to her showroom in SoHo this week, we learned that LanLan's paintings and travels to Paris inspired Ford's latest collection.

After a much needed Hiatus, may I introduce the latest creation to the hand painted furniture collection.

Florian is a master at creating collections of his own poetry and paintings, and his latest offering is chock - full of facts (the sun is Ninety - three million miles from Earth.

This was most vividly on display in «I M U U R 2,» his Hugo Boss Prize — winning show in 2013 at the Guggenheim Museum in New York, where he presented a copious collection of tchotchkes assembled by the late Chinese - American artist Martin Wong, together with a handful of Wong's paintings.

I became aware of these small late paintings in private collections — and I found them very interesting.

This month at Tribeca's Untitled Space gallery, contemporary artist Rebecca Leveille presents a collection of colorful, sensual paintings for her latest exhibition entitled The End of Love.

She has exhibited her paintings widely in both solo and group exhibitions since the late 1960's, and her work is represented in numerous public, corporate and private collections, including The Museum of Modern Art, The Metropolitan Museum of Art, The Whitney Museum, in NYC, The Dallas Museum of Art, TX, The Albright Knox Museum, Buffalo.

Several years later, in 2013, the Museum of Modern Art in Stockholm held the, as of yet, largest retrospective solo exhibition of the artist, featuring a collection of approximately 230 paintings.

Bringing together more than 90 works from pubic and private collections, the exhibition features paintings and works on paper spanning the early 1930s through the late 70s, from his early depictions of African masks and figurative works to the abstract images for which he is most recognized.

Ezra Johnson has unveiled his latest collection of paintings, sculptures, animation, and other installations for his debut exhibition titled It's Under the Thingy at Freight & Volume gallery in Chelsea.

1905: Elizabeth Hart Jarvis Colt bequeathed over 1,000 objects to the museum, including paintings from the Husdon River School, decorative works, and the firearms collection of her late husband Samuel Colt, as well as funds for the construction of the Colt Memorial.

BOB ADELMAN (1930 - 2016) James Rosenquist in his studio, working on the painting, «Fahrenheit 1982», currently in the collection of MOMA photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 20.5 inches

It takes center stage in the latest essay collection from a distinguished critic of late - modern painting.

This exhibition pulled from the museum's collection traces the development of still life painting from late 19th - century through the 1970s.

Last October Albers became the unexpected focus of market attention with the sale of three 16 - inch - square, colourful, geometrical abstract paintings from the late 1960s from the collection of dealer, Leslie Waddington, who had recently died.

The American art collection encompasses paintings and sculpture from the late colonial period to the advent of modern art in the 20th century.

Smith has written for the New York Times «Critic's Notebook» about the need for museums to be free to the public, Brandeis University's decision to close its museum and sell its art collection (later rescinded), and the unveiling of the Google Art Project, which allowed online HD views of paintings in the collections of scores of leading museums worldwide.

With this one significant transaction, paintings by artists such as Lyonel Feininger, Ellsworth Kelly, Agnes Martin and Frank Stella carried Simon's original core collection into the later 20th century.

Significant donors include Dr. and Mrs. Harold L. Tonkin, who bequeathed a large portion of their collection of Asian ceramics and decorative arts along with numerous European paintings with Asian themes; Dr. William E. Harkins, who has donated more than 150 Japanese prints to the museum since the mid-1970s; Mary Jane Harris and her late husband, Morton, who have given several Italian Baroque paintings with a number more promised; Joseph and Janet Shein, who have donated more than two dozen contemporary paintings and sculptures since 2000; and, of course, Barbara Palmer and her late husband, James, who have not only made great contributions to the museum's collection of American art but also gave $ 2 million in 1986 to initiate the campaign to expand the museum.

She gifted a late painting to the Denver Art Museum to go with her early one in the collection, The Beginning.

His work has captured the eye and the heart of his collectors and we are proud to present his latest collection of new paintings.

The Hammer Museum's splendid late Rembrandt painting is on view at the Getty Museum this fall while our permanent collection galleries undergo renovation.

Initially made from personal photographs produced for the purpose of painting and then later using sourced imagery, Mark Roeder's ongoing collection of black and white Antipaintings mine the unique and complicated relationship between photography and subjectivity.

Another focal point of the launch was the opening of Walter O. Evans Center for African American Studies, featuring a selection of close to 40 works from Evans» legacy collection of African American art - from 19th - century landscape paintings of the Hudson River School to works by masters of the Harlem Renaissance, as well as examples from the Federal Art Project of the 1930s and later 20th - century works by Jacob Lawrence and Romare Bearden, among others.

The first works by the late African American artist Jack Whitten to enter the museum's collection are the painting on paper Form (3rd Set) 2 (1965) and the drawing Study for Greek Alphabet Series # 2 (1978).

Later in July, a new collection of paintings by acclaimed abstract artist Simon Harris will also be shown.

Rauschenberg is currently the subject of a major retrospective exhibition at London's Tate Modern (until April 2017, later travelling to the Museum of Modern Art, New York), where a key room is dedicated to the «Silkscreen Paintings» — many of them on loan from major museum collections.

The MFA Boston's permanent collection includes a wide variety of historic landscape paintings and drawings, but its latest exhibition looks to the contemporary scene.

Now, decades later, it will be an honor to present two superb examples of his work at SFMOMA, where his art is a natural fit alongside so many of his generational peers in our collections of postwar painting and sculpture.»

Works from the elder Panza di Biumo's holdings later formed the basis for the collection of the Los Angeles Museum of Contemporary Art, and in the 1990s, the Solomon R. Guggenheim Museum filled a yawning gap in its holdings when it acquired, in a combined gift and purchase arrangement, more than 300 Minimalist sculptures and paintings from the collection.

Today the historic collection includes watercolours, drawings, prints and maps of local views; Victorian paintings and drawings; 16th to 19th century prints; 20th century prints; lithographs by Honoré Daumier (1808 - 1879); 20th century works acquired through the Contemporary Art Society, including a Walter Sickert oil painting; a small collection of sculpture from the late 19th century to the present; ceramics, including pieces of Martinware pottery; 17th and 18th century textiles; and coins and medals.

Provenance information for the Simon collections has traditionally been disseminated by existing monographs and scholarly collection catalogues, and beginning in 1995 the Museum's website was expanded to include images, and later provenance, for its large collection of European paintings and sculpture created before 1945.

«I'm very proud to have had the opportunity to loan paintings from my personal collection to this very important, unprecedented traveling exhibition on the late Baroque master Francesco de Mura,» he says.

Thanks to a bequest from the late German scholar Barbara Göpel (1922 — 2017), the Staatliche Museen zu Berlin (Berlin State Museums) have acquired two paintings, 46 drawings and 52 prints by Max Beckmann, and one painting by Hans Purrmann, to be placed in the collections of Berlin's Nationalgalerie and Kupferstichkabinett (Museum of Prints and Drawings).

So, as we pass through this collection of around 40 drawings and paintings, we're supposed to look for clues and hints of the later brilliance and construct a narrative or timeline that leads to its blossoming (which, here, comes in the form of At the Edge of Town (1986 - 8), a painting showing a figure emerging onto the kind of semiabstracted landscape for which Doig is best known).

had her painting, «Late Summer (Shady Trees),» added to the permanent collection of the Portland Museum of Art in Maine.

We have also added to our collection of American modernism through two strong works; from the Alex Katz Foundation, we received an early landscape painting by Marsden Hartley, Late Fall, Maine (1908) and from Audrey M. and Carlton D. Leaf» 52, we were gifted a watercolor by Andrew Wyeth, the haunting Door to the Sea (1953).

This latest installment of SFMoMA's ongoing New Work series is organized by Alison Gass, assistant curator of painting and sculpture, and gathers approximately 20 sculptures from public and private collections worldwide, marking both artists» first exhibition at a major U.S. museum.

The transfer of the late Sir Denis Mahon's collection of 57 Italian Baroque paintings into museums and galleries across the UK has been completed through the Art Fund.

When Wadsworth died in 1848, his personal collection came to the museum, forming the foundational core of Hudson River School landscape paintings enriched through later purchases and gifts by donors such as Elizabeth Colt, the widow of firearms magnate Samuel Colt.

The painting, considered a key example of Wood's artistic development in the late 1920s, had been on long - term loan to the gallery from a private collection since 2009.

Critics have often noted that his collages rank among his highest achievements, and few of the works at the Parrish or the late paintings at Ameringer McEnery Yohe in Chelsea compare with collages or the small collection of assemblages that appeared at New York University's Grey Art Gallery under the exhibition title «Concrete Improvisations.»

In 1939, Samuel H. Kress donated 375 Italian paintings and 18 sculptures, while P.A.B. Widener's art collection, later enhanced by his son Joseph, was offered to the Gallery in 1939 and given in 1942.

The show is the first U.S. solo exhibition of work by the late British painter and features a collection of his drawings and paintings throughout his career spanning 40 years.

This installation, drawn from the Museum's collection of paintings by Ad Reinhardt and Mark Rothko, focuses specifically on the fertile years between the late 1940s and the early 1960s, during which each artist identified the style and format that would engage him for the rest of his career.

March 7, 2008 — ongoing This installation, drawn from the Museum's collection of paintings by Ad Reinhardt and Mark Rothko, focuses specifically on the fertile years between the late 1940s and the early 1960s, during which each artist identified the style and format that would engage him for the rest of his career.

Its permanent collection of more than 84,000 objects includes paintings, sculpture, decorative arts, costume, furniture, and other works of art from every part of the world, including objects from Ancient Egypt, Greece, and Rome, and art of all periods from Asia, Europe, and the Americas, up to the latest in contemporary art.

People are waiting to see what Tate Britain will do with its collection of Turner paintings to warrant the entrance fee to «Late Turner» (opening 10 September), and also to see which of Britain's cherished Old Masters will come out on top when the V&A opens its Constable exhibition 10 days later (20 September).

«This generous gift will build upon the Parrish's renowned collection of late 19th - to 21st - century American painting and allow the Museum to provide richly expanded context for its existing strengths,» Director of the Parrish Art Museum Terrie Sultan said.