Sentences with phrase «later scenes of the film»

It's specifically debilitating, and Collette's performance is one of intense physical (Her appearance in the later scenes of the film is particularly jarring for its authenticity) and psychological transformations.

In the later scenes of the film, he is seen shot more frequently in a slight distance or seated, and actors around him were standing on risers.

Not exact matches

As Disney was wrapping up production on A Wrinkle in Time, the latest film from lauded director Ava DuVernay and an adaptation of the beloved children's book, out Friday, the production team reached out to Rodeo FX to add finishing touches on a selected scene.

The opening scene of «Spectre,» the latest James Bond film, centers on a Dia de los Muertos (Day of the Dead) parade shot on location in Mexico City.

Digital effects were brought in later for a few select scenes and to clean up any instances of Irwin in the film.

A scene from a teaser video for the film, which is scheduled to start filming late this month (Image courtesy of the filmmakers)

But contrary to some of its marketing, this film is not a celebration of the Greenwich Village scene or the late 50s / early 60s folk movement.

During an early screening of Roland Emmerich's latest disaster flick 2012, which opens today, laughter erupted in the audience near the end of the film thanks to corny dialogue and maudlin scenes (among the biggest guffaw getters: a father tries to reconnect with his estranged son on the telephone, only to have the son's house destroyed just before he could say anything).

The film is a remake of the 1996 film of the same name by the late Dutch director Theo van Gogh Watch Dating Vietnam 2007 tube sex video for free on xHamster, with the sexiest collection of Vietnamese Asian, Threesome & Riding porn movie scenes!

Jack hands off one of his stories early in the film for his brothers to read and while hints to its plot are dropped, only later does it manifest itself into one of the few scenes in the film that felt not merely fresh to me but touching; briefly, we glimpse an event from the day of the funeral, awkward and uncomfortable, with the kind of details that only siblings might later recall.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

J. Michael Straczynski's original script was jettisoned in favor of an unfinished one by political thriller specialist Matthew Michael Carnahan (State of Play, Lions for Lambs), with «LOST» - alum script doctors Drew Goddard (The Cabin in the Woods, Cloverfield) and Damon Lindelof (Star Trek Into Darkness, Prometheus) brought in later to write a host of reshoots, including a new climax and ending to the film (the repeated use and imbibing of Pepsi products during these scenes would indicate the source for much of the additional reshoot budget), that pushed the release date from a winter of 2012 release to the summer of 2013.

The latest video blog for the film takes fans behind the scenes of Stone Street Studios.

The film only genuinely falters in its string of resolving scenes (We learn some vital things, such as the extent of Curtis» need to bet on a loser and the subtle way the crux of Gerry's character is revealed in his meal choice, but many of the late scenes feel more uncertain than everything else in the film).

Two years later, Gazzara played arrogant murder - trial defendant Lieutenant Manion — the one with the «irresistible impulse» — in Otto Preminger's Anatomy of a Murder, slyly stealing scenes from the film's «official» star, James Stewart.

Some funky «day for night» late in the film looked a bit awkward, but most of the dark scenes worked fine.

There's a hint of camp pleasure to be gained from the film's early soft - focus domestic scenes and late hysterics, but «Elfie Hopkins» is sunk by a lame script and mannered performances.

In the opening scene of the film, Lomax stands over the lone survivor of the latest expedition, a dazed biologist named Lena (Natalie Portman), and demands answers she doesn't know how to provide — and that the movie doesn't really care to.

Even Spielberg had trouble with this — «Munich» might have been the best film of 2005, but 13 years later people only really talk about Eric Bana's sweat level during that climactic sex scene.

Despite the film being set in the late 90s / early 00s, the music is all from the early 90s and, clumsily, a number of posters in the background of scenes are of films released years after.

The film had plenty of potential to being great, but instead it suffers from long, tired scenes of painful dialogue and the film's story just lingers and goes no where and when there's something that actually is interesting that happens, it's too little too late.

A late scene of Lee encountering a woman with a telescope at the beach is lovely, the simultaneous calm and mystery of the sky a nice summary of the film's general mood.

Likewise, Emily's point - of - view, which is strong during some of the early scenes, disappears late in the film.

The opening of the new Potter film (for which you can see an exclusive new image below) will be just one of several scenes created to up the on - screen excitement in the latest movie.

Later, we observe the filming of a scene in which Vera Farmiga's Lorraine Warren is dusting herself off after taking a nasty fall into a musty, creepy, crawlspace.

In a cast packed with scene stealers — Paul Reiser and Cheryl Hines co-star as Zach's parents and Anna Kendrick shows up later as a friend of the family — she's easily the best thing about the film.

Watching TV in bed, I caught one of the latest commercials, which had me scratching my head — there was an insanely badass scene cut of the film.

The cover story, «Grade B — But Choice,» is devoted to an obscure 1934 musical called «Young and Beautiful,» featuring «budding starlets, grade - A character actors, grade - B musical numbers, a pair of vaudevillians, a look behind the scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a script by Dore Schary» [later famous as a producer of films such as «Crossfire,» «Mr. Blandings Builds His Dream House,» «They Live By Night» and «The Red Badge of Courage»].

For what it's worth, the soundstage during the diving - through - the - wreck scenes is effective, adding creaks, rumbles, bubbling water, and other noises to an enveloping aural environment, and it may have helped point the way for later, claustrophobic multi-channel sound design on films like Das Boot and Master and Commander: The Far Side of the World.

A late introduction of the recently deceased Nigel Hawthorne (as a crusty theatre critic) only serves to heighten the distance the film gains on its increasingly dismayed audience — the key scene of the film, in fact, is one with Hawthorne gazing forlornly from his second - story window at two young lovers in embrace.

Directed by Anthony Wonke, the feature - length film gives fans an extensive and in - depth look behind the scenes of the latest entry in the Star Wars saga, and you can watch the first 12 minutes of the movie right now.

But each time, that scene was revisited later in the film: the rite of succession; the Black Panther burial / dream.

It's possible she could be filming scenes later in production with those characters, perhaps a new Brotherhood of mutants?

Season 2 of FX's LEGION has been filming since late September and now we have a first behind the scenes

Even now, more than 40 years later, the original film retains a taboo quality, with scenes of an innocent girl suffering hellish torments — many of them disturbingly sexual in nature — that still hold the power to shock.

(The elderly Ventura's claim to be «19 years, 3 months old» when asked his age early in the film connects directly to a later scene in an abandoned factory; mentions of a revolution that at first seem like science fiction are eventually revealed to be memories of the mid-1970s intruding into the present.

While I'm all for a film fading into the heart of a tense scene already in progress, that scene needs either quick context or a hint of something more cerebral that will payoff later.

According to the latest Celluloid Ceiling report, women comprised a scant 15 % of all directors, writers, producers, editors, and cinematographers working on the top 250 films of 2007 («The Celluloid Ceiling: Behind - the - Scenes Representation of Women on the Top 250 Films of 2007,» Martha M. Lauzen).

There's a scene late in the film where she tries to explain to her beautiful - mind boy about love, valuing yourself, and the pain of being a parent that deserves its own movie.

Now, while that film was mediocre at best, that one scene, which is satirical of the concept of the botched heist, just couldn't escape my mind while I patiently waited for the lights to dim and Ben Affleck's latest directorial effort The Town to commence.

It is packed with interesting interviews (including one from 1978 with Donald Pleasance who fails to conceal his contempt for the project) and production trivia (e.g. the mask of the killer originally bore the face of William Shatner), and includes two scenes which were shot later to make the film long enough for NBC to televise.

AMOUR Writer / Director: Michael Haneke Starring: Emmanuelle Riva, Jean - Louis Trintignant, Isabelle Huppert The opening scene reveals how the film will end, but there is never a moment of boredom or wandering thoughts throughout Michael Haneke's latest film.

It's a film about what is not said; filled with painfully reserved people unable to express their feelings about life, love, right and wrong until it's too late; the sort of movie where the most action - packed scene is a maid asking to borrow a book.

Responding to separate tweets both criticizing and thanking the creative team for the scene, Edmondson acknowledged the cameo but explained and later clarifying that anyone thinking Marvel and the creative team were making a «petty statement about the film» are wrong - making it clear he does not sing in the chorus of those lambasting the film.

Firstly, the refusal of the late guitarist's estate to sanction any of his music for the film hampers it from the off while the constant use of lookalikes to represent the likes of Eric Clapton, members of The Beatles and Rolling Stones makes the recreation of the elite London rock»n' roll scene in 1966/67 look faintly farcical.

Day - Lewis vividly portrays anguish in his torture scenes and radiates a forthright resolve when fighting to clear his name later in the film, but «In the Name of the Father» is most effective when dealing with the difficult relationship between Day - Lewis» Gerry Conlon and his father Giuseppe (Pete Postlethwaite).

There's a dream sequence late in the film that reminded me of something out of a Luis Buñuel film, complete with surreal visuals and butchered meat, and it's startling and alive in a way the film overall fails to achieve, outside of a few scenes.

Paul Thomas Anderson's latest film, Phantom Thread, a portrait of a fictional fashion designer in the couture scene of 1955 London, indulges in similar revels, placing the film firmly in the tradition of the melodramatic women's pictures of the 1940s: it's filled with achingly vivid close - ups (Anderson also shot the film) of shining colored threads, needles piercing thick fabric, rough - edged hand - sewn labels, intricate lace patterns, and rich cloth falling in sculptural folds.

Dread Central talked to director Gary Tunnicliffe about his latest Pinhead franchise sequel, where he revealed a brand new behind - the - scenes Hellraiser: Judgment photo from the set of the film.

One of the key scenes in «Nebraska» comes fairly late in the film, when Woody and his wife and two sons (Forte and «Breaking Bad's» Bob Odenkirk) wander through the abandoned house in which he grew up.