Some of the imagery during
the later sections of the film (especially a few nightmares brought to life) are quite striking in their design, and the film remains a feast for the eyes of any or all who take the 80 minutes to give it a watch.
Not exact matches
So says professional killer Jackie Cogan at one point in Killing Them Softly, the third
film by New Zealander Andrew Dominik - and considering the filmmaker's efforts to establish a connection between the events in the movie and the economic crisis started in the
late 2000s thanks to the greed and lack
of scruples
of Wall Street, it is easy to see Cogan as an ordinary employee
of any company complaining about the lack
of vision
of his bosses and, on the other hand, the big bankers as Armani - dressing versions
of the violent mobsters who inhabit the crime
section of the newspapers.
«I am a Flatbush girl», first - time feature director Eliza Hittman said proudly at the world premiere
of It Felt Like Love in the Next
section (it
later went to Competition in Rotterdam), and, while not entirely autobiographical, the
film draws from her experience
of growing up in this largely working - class neighbourhood
of New York City's most populous borough,
of these endless summers where you have to escape to the sea with your friends for fear
of melting like the asphalt under your feet.
Other titles in this
section include: Naomi Kawase's sweet, light and leisurely AN; Tom Geens» COUPLE IN A HOLE, about a couple living in an underground forest dwelling to be left alone to deal with their mysterious grief; DEPARTURE, Andrew Steggall's delicate first feature about longing, loneliness and nostalgia for a sense
of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of family that may have never existed; Jacques Audiard's Palme d'Or - winner about a makeshift family trying to cement their bonds, DHEEPAN; the World Premiere
of Biyi Bandele's FIFTY, a riveting exploration of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Biyi Bandele's FIFTY, a riveting exploration
of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of love and lust, power and rivalry and seduction and infidelity in Lagos; the European Premiere
of Maya Newell's documentary GAYBY BABY, following the lives of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Maya Newell's documentary GAYBY BABY, following the lives
of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of four Australian children whose parents all happen to be gay; Mark Cousins returns to LFF with his metaphysical essay
film I AM BELFAST, Stig Björkman's documentary INGRID BERGMAN — IN HER OWN WORDS, a treasure trove
of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Bergman's never - before - seen home movies, personal letters and diary extracts alongside archive footage; Hirokazu Kore - eda's beautiful OUR LITTLE SISTER, focusing on the lives
of four young women related through their late father in provincial Japan; the European Premiere of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of four young women related through their
late father in provincial Japan; the European Premiere
of Mabel Cheung's sweeping Chinese epic based on the true story of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Mabel Cheung's sweeping Chinese epic based on the true story
of Jackie Chan's parents A TALE OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
of Jackie Chan's parents A TALE
OF THREE CITIES and Guillaume Nicloux's VALLEY OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
OF THREE CITIES and Guillaume Nicloux's VALLEY
OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale of love, loss, memory and the mystica
OF LOVE starring Isabelle Huppert and Gérard Depardieu in a tale
of love, loss, memory and the mystica
of love, loss, memory and the mystical.
The first
section of the
film sees the formation
of a shambolic artistic collective, consisting
of Paul and Stan (Hugo Conzelmann) as Paradise Garage - influenced DJ duo Cheers, their cartoonist friend Cyril (Roman Kolinka, looking like a young Alain Delon), Cyril's girlfriend Anaïs (Zita Hanrot), and
later, music journo - slash - club night organiser Arnaud (Vincent Macaigne).
Fresnadillo is yet another director to watch (this is his second feature
film), and he manages thrills out
of the weaker
sections 28 Weeks
Later, which should be a completely unnecessary sequel as a whole in the first place.
One significant name change, one major locale switch to Park City, dozens
of tweaks / additions (brand - name sponsors and other red - carpetbaggers, beefed - up foreign -
film sections, «New Frontier» and V.R. sidebars) and several thousand movies
later, it's safe to say that yes, they built it — and yes, four decades
later, we're still coming.
Although generally listed in the science - fiction
section, Philip Kaufman's adaptation
of the classic Jack Finney story easily qualifies as one
of the most effective horror
films of the
late 20th century.
The
films opens with the bear running at the camera before we cut to a man jolting awake; we see the fiery ursine figure again
later from above, running through the forest, before cutting to a line
of firefighters moving through a burnt - out
section of woods.
The last third
of the
film takes place «a few years» after this opening
section, per a
later intertitle.
As the movie takes place around the festive season, decorations were kept up as
late as March in certain
sections of the town to assist with
filming.
The introspective, soft - spoken actor will be interviewed in an onstage Q&A at A Tribute to Viggo Mortensen on Saturday, June 11 at the Egyptian, followed by a screening
of his
latest film Captain Fantastic, which premiered at Sundance earlier this year and was just honored with the Best Director prize for writer / director Matt Ross from the Un Certain Regard
section of Cannes.
Jonathan Rosenbaum In the
late Nineties and early Aughts, the Chicago Reader
film section was a major hub
of cinephilia's online landscape.
The flagship
of the Festival,
section Oficial Fantàstic, presents some
of the most eagerly awaited movies
of the year, such as Only God Forgives by Nicolas Winding Refn - director
of Valhalla Rising and Drive; Jim Jarmusch's
latest film Only Lovers Left Alive, an eternal love story between two vampires; A Glimpse Inside the Mind
of Charles Swann III, a surrealist comedy by the hand
of Roman Coppola; The Congress, a spectacular adaptation
of Stanislaw Lem directed by Ari Folman - responsible for Vals with Bashir -, that combines animation with a science - fiction story starring Robin Wright and Harvey Keitel; Sitges 2013 will also represent the return
of Kiyoshi Kurosawa to the fantastique genre with Real.
But the main
section of the show is dedicated to Richard Linklater «s
latest film, «Everybody Wants Some!!
This
section, including a moving scene
later in the
film between Pearson and Reggie, also reveals the existing hypocrisy involving gay members
of the church.
We've been taking stock
of our
film collection, too, with help from an A.W. Mellon Foundation grant, so it seemed like an opportune moment to share a selection
of posters from an amazing series
of artist talks and screenings hosted by the Carnegie
Film Section (1970 — 1980),
later the Department
of Film and Video (1980 — 2003).