Sentences with phrase «later seminal works»

Not exact matches

Hansen's seminal work essentially updated an important theory of statistical modeling from the late 1800s, called the Method of Moments, allowing it to be used more accurately for things like setting monetary policy.

His seminal work The Divine - Human Encounter (later republished with a new introduction as Truth as

For more than a quarter of a century, Baltimore has balanced his long hours as a leading scientific administrator — founder of the seminal Whitehead Institute, president of Rockefeller University and later, for nine years, of Caltech — with groundbreaking work in cancer, immunology, and AIDS research.

This builds on the seminal work on hydroboration first noted by the late Purdue Nobel Laureate Herbert C. Brown, which earned Brown the Nobel Prize in Chemistry in 1979.

He'd worked with both Boyle and Garland before as the lead in their seminal rage zombie pic 28 Days Later.

The Irish novelist and playwright later wrote seminal works including The Importance Of Being Ernest and The Picture Of Dorian Gray.

Had his seminal work focused on both the administrative problems and the social systems of school, Coleman later wrote, «our knowledge of how to overcome problems of racial segregation would be far more advanced than it is.»

A decade later, in his seminal work Bureaucracy, James Q. Wilson (1989) tugged on this thread a bit harder, arguing that central offices often struggle even to keep track of what goes on in such «coping organizations» on any given day.

The earliest work we include is a seminal painting from 1964 and the latest works are from 2013.

Three hundred and sixty five strollers later, Mr. Ward's collection became the seminal work «Amazing Grace»: shabby vehicles arranged with lengths of fire hose in the shape of a ship's hull.

Since the late 1990s, when he first presented the seminal work Fiorucci Made Me Hardcore, Mark Leckey's dynamic and varied output has made a significant impact and continues to be an important influence on the work of a new generation of artists in the UK and internationally.

The rest of the Cooper booth was filled with what Art Basel executive director Marc Spiegler called «archetypal» works by several seminal late - 20th century American artists, including a composition of red sandstone bricks by minimalist Carl Andre and a miniature sculpture by Mark di Suvero.

The work by artist Gerhard Richter titled «Abstraktes Bild (774 - 4)» is a seminal example of the artist's layered abstract practice that Richter began exploring in the late 1980's.

There is also an opportunity to preview a selection of artists representing countries in the Venice Biennale later in May, from Carol Bove, representing Switzerland, whose work will be on view alongside the photographer William Eggleston at David Zwirner's (New York, main) stand; the seminal artist Geta Bratescu, representing Romania, showing alongside experimental conceptual artist Lia Perjovschi with Ivan Gallery (Bucharest, Focus); and the sound and media artist Samson Young, representing Hong Kong, showing with Galerie Gisela Capitain (Cologne).

Featuring works by leading artists from the 1960s to the present day, the exhibition takes as its starting point Robert Heinecken's seminal series of photograms Are You Rea, 1964 — 68, as well as works by «Pictures Generation» artists, including Richard Prince, Barbara Kruger and Louise Lawler, who came of age during the media - driven consumer culture of the late 1970s and early 1980s.

The exhibition brings together seminal works by radical artists who came to prominence in the late 1960s and early 1970s, alongside works by younger artists from Amsterdam, Belfast, Lisbon, Glasgow and London.

This seminal work, measuring a monumental 250 x 260 cm, was executed in 1979 and embodies the pivotal stylistic transition from the artist's middle to late period of abstract works.

The exhibition brought together a number of Rodney's seminal works dating from the late 1980s to his final solo exhibition in 1997, «9 Night in Eldorado».

Housed in the same private collection for almost 20 years, Dustheads was included in the seminal exhibition of the artist's work organized by the Fondation Beyeler, Basel in 2010 (and which later travelled to the Musée d'art moderne de la ville de Paris) and is widely referenced in the artist's monographs, including the cover of the catalogue to the 2006 Basquiat retrospective organized by the Fondazione La Triennale di Milano.

Nancy Holt has also made a number of films and videos since the late «60s, including «Mono Lake» (1968), «East Coast, West Coast» (1969), «Swamp» (1971) and «Breaking ground: Broken Circle / Spiral Hill» a video guided by Smithson's film notes and drawings, in 1978, she produced a 16 mm color film documenting the seminal work «Sun Tunnels».

These include the seminal retrospective of Warhol's work organised by New York's Museum of Modern Art in 1989, which later travelled to the Hayward Gallery in London and the Centre Georges Pompidou in Paris.

Quintessential LA artist and godfather of light art James Turrell took the psychedelic light shows of the 1960s out of the Fillmore West and Avalon Ballroom and into the fine art world with his seminal early light works of the late 1960s, simultaneously blowing the establishment's collective minds and writing a new chapter in postmodern art history in the process.

This includes work from early on in his career, as well as a dozen assemblage works that he and other artists crafted for «66 Signs of Neon,» the seminal post-riots show held at the Watts Towers Arts Center in 1966, and which later went on to travel to nine other venues.

The exhibition includes seminal works like SpiNN (2003), which was shown in Venice Biennial Arsenale exhibition, and it also comprises her latest film, the video - essay Bending The Barrels (2008).

It is during this transitional period in the mid - to late -»60s that Bowling's seminal body of work, the Map Paintings — a series of quasi-abstract colour fields overlaid with stencilled images of maps of Australia, South America and Africa — was produced.

Zarina: Paper Like Skin January 25 — April 21, 2013 This retrospective of Indian - born American artist Zarina Hashmi is the first major exploration of the master printmaker's career, charting a developmental arc from her work in the 1960s to the present and including many seminal works from the late 1960s and early 1970s, woodblock prints, etchings and lithographs, and a small selection of related sculptures in bronze and cast paper.

offers a significant opportunity to reconsider the trajectory of this seminal artist's work, through its evolution from early paintings to the later large - scale installations that have seldom been seen and are less known in the United States.

Writing about Knowles» work, White Columns» director Matthew Higgs said: I first encountered Christopher Knowles» work in the late 1980s via his artist's book Typings (Vehicle Editions, New York, 1979) and his contributions to the legendary 1978 «Schizo - Culture» issue of the seminal anti-journal Semiotext (e) where his work was framed alongside that of Jack Smith, Jimmy De Sana, Andre Cadere, The Ramones, Kathy Acker, William Burroughs, John Giorno, and Robert Wilson amongst others.

Modern Masters from Latin America: The Pérez Simón Collection will chart a trajectory from the late 1800s to the first decade of this century, showcasing the work of seminal figures from countries including Argentina, Chile, Colombia, Cuba, Mexico, and Uruguay.

Jasper Johns makes use of the classic iconography of American Pop - Art in a Neo-Dada style, his seminal work Flag from the collection of the late best - selling author Michael Crichton sold for $ 28.6 million at Christie's New York in 2010.

Several years later, his work was included in the seminal exhibition Nouvelle Tendance: Propositions visuelles du movement international at the Musée des Arts Décoratifs in Paris, France in 1964.

These pieces are shown in dialogue with his seminal work The Angel, created three decades later in 1989 — just eight years before the artist's death — which consists of 125 hand - blown Venetian glass globes arranged on the floor to form a stylised figure derived from the Japanese kanji character for «man».

On show are new large scale paintings which reimagine some of the seminal late works of Van Gogh, in particular the lost painting The Painter on the Road to Tarascon but also The Wheatfield with a Reaper and Enclosed Field with a Peasant, both shown in London as part of The Real Van Gogh at The Royal Academy 2010.

Seminal artworks from the 1920s are highlighted as they paved the way to later development in his work; in particular some larger paintings, starting in 1961, when Hartung was confronting the canvas directly as he kept inventing new techniques or painting devices.

Curated by Priscilla Vail Caldwell the exhibition features both late works by seminal artists from the American Modern movement and early work by a select group of Abstract Expressionists.

Kate started her career at the British Museum where she graduated from working in the Directorate to working on the seminal exhibition «Michelangelo's Drawings» and later in the Broadcast Unit.

Curiously, as Clare Pollard points out in her seminal 2003 book, Master Potter of Meiji Japan: Makuzu Kozan (1842 — 1916) and His Workshop, much of Kozan's late work appears to have been inspired by the japoniste Art Nouveau works of such Western potteries as Rookwood and Royal Copenhagen.

Fifty years later and in celebration of the opening of its first American gallery, Hauser & Wirth will present Allan Kaprow's seminal Environment Yard, an enduringly influential work — a veritable mountain of black rubber auto tires and tarpaper - wrapped forms through which visitors jumped and crawled — first made by the artist in 1961 and radically reinterpreted in other locations ten times before his death in 2006.

He developed the model for his 2013 book, The New What Can You Do with a Law Degree, in part an update of the seminal work of a trailblazing legal career counselor and col - league, the late Deborah Arron.

Seminal work conducted by O'Connor and colleagues documents the influence of early mother - child interactions and attachment during infancy to the later development of psychiatric symptoms in children with FASD (for a review, see [38]-RRB-.