Sentences with phrase «latest artistic work»

The solo show combines the result of his latest artistic work with a selection of early artworks from the 1960s and 1970s.

Not exact matches

Later, master's students Brendan Galea and Ehsan Kia took the project's helm, often working at night and into the wee hours of the morning so the drones» artistic efforts wouldn't be disturbed by air turbulence from other students coming in and out of the lab.

In this Latest Indian Kurtis Collection 2018 - 19 by Ritu Kumar, she has given very different styles, like a digital design on silk fabric, having flowers and floral patterns on it, border embroidered work and other artistic trends.

Green's latest, «Prince Avalanche,» in theaters this weekend, seamlessly blends these two seemingly contradictory artistic instincts within the writer - director: It has the unhurried pace and richly naturalistic aesthetic of his early, indie dramas with the comic banter and oddball characters of his later work.

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

David Gordon Green's latest film, «Prince Avalanche,» seamlessly blends the two seemingly contradictory artistic instincts within the writer - director: It has the unhurried pace and richly naturalistic aesthetic of his early, indie dramas with the comic banter and oddball characters of his later work.

Al Pacino (Insomnia, The Insider) plays a once respected director, Viktor Taransky, who sees his latest work about to fall to pieces when the leading lady (Ryder, Mr. Deeds) walks off the set citing «artistic differences», which actually means she is upset about not having the biggest trailer and all of the luxurious amenities bestowed upon her at the slightest whim.

From the point of view of someone who started working in theatrical features when computers were completely absent, to now 45 years later when they are omnipresent, Murch will explore the constants that nonetheless remain after the «bones» of celluloid and sprockets have dissolved away, and examine the salient technical, artistic, and philosophical differences between the post-production of a theatrical scripted film and a feature - length documentary.

As related in a framing device in which Chan looks back on his life, his uncompromising artistic integrity and the defiantly political nature of his work derailed his career, and most of his later efforts went unpublished.

Listen as each illustrator discusses their artistic process, inspiration, and latest work: G. Brian Karas on As An Oak Tree Grows, Loren Long on Otis and the Scarecrow, Lori Nichols on Maple & Willow Together, Divya Srinivasan on Little Owl's Day.

The title of the show derives from a 1976 article, «The Apotheosis of the Crummy Space,» by Nancy Foote in Artforum, in which Foote celebrated the artistic use of spaces in abandoned buildings; her notion that such rooms in such buildings could be transformed by additions to or changes within them was, at the time, a powerful esthetic for Gordon Matta Clark's excavations of forsaken places in New York City, or by David Wojnarowicz's work a generation later.

Latham has been associated with several national and international artistic movements since he started showing work in the late 1940s.

«Rirkrit Tiravanija's art is like a fungus», according to art critic Jerry Saltz, «As with mold, mildew, and mushrooms, it is parasitical, lacks the artistic equivalent of true chlorophyll, grows virtually anywhere, and is mysteriously beautiful»; and this zoomorphic quality seems even more relevant in light of Rirkrit Tiravanija «s latest work for Open Source: Art at the Eclipse of Capitalism.

By 1958, however, as Sylvester later confessed, he found Bacon's most recent work to be so inferior that he felt «totally disillusioned about him».21 The sudden and edifying appearance of Bomberg on the critic's artistic radar that same year was, therefore, surely bound up with this contemporaneous crisis of confidence.

Her later works deal with profound and basic artistic questions where she investigates the processes of perception and attribution of meaning, at times in the light of larger cultural and existential thematics like colonialism, faith and posthumanism.

Developed with media partner Wallpaper magazine, the latest work by 14 designers - product, ceramic, graphic and fashion - born before 1991's Perestroika, explores the theme of what it means to be born within one cultural environment, at the moment of interchange, and practicing within an altered geopolitical realm from both an artistic and...

This exhibition at Guggenheim Bilbao focuses on her work when she was living in North Carolina (from 1925 to the late 1970s) and combining her artistic practice with educational work.

Schnabel will discuss both his own artistic work and his choices for his exhibition of Clyfford Still's late abstract expressionist paintings.

Active in the Post-Sense Sensation events from the late 1990s, his work has explored a wide range of mediums from painting to film, installation and sculpture as he gradually shaped a unique artistic approach that has garnered increasing acclaim across the world.

Firstly, it presents the visual artist through a selection from two of his outstanding bodies of work: those from the late 1990s related to the character Mr DOB and the concept of «Superflat», which placed him within the legacy of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical paintings.

For all that the work can seem alien, Szapocznikow was no outsider: as Andrew Bonacina, co-curator of the exhibition at the Hepworth points out, she was plugged into the artistic movements and conversations of her time, and you can, if you so choose, read her sculpture in relation to pop art, to late ‑ flowering surrealism, and to neo-realism.

A late discovery as an artist her work, which falls into no defined artistic classification, has been the subject of major exhibitions and retrospectives throughout the world over the last 25 years.

Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose unconventional artistic methods challenged cultural production within the context of political and social unrest in France during the late 1960s.

The abundance of process - based works connects the artists in the collection to an artistic legacy that characterized much of the art of the late 1960s, while the archaeological impetuses point to a prevailing tendency by artists to operate in an investigative mode, mining complex ideas of the artwork's site and temporality.

They later consider similar artistic choices when creating their own works of art.

While Schoonhoven began his artistic career making colorful drawings inspired primarily by the work of Paul Klee, he established his own singular artistic vocabulary in the late 1950s, when he began to develop his technique for making reliefs.

Revisited forty years later, these paintings of Reed's, which have a lilting, narrative quality even in their abstraction, invite an approach to Wool's word works through the themes of artistic progeny and cyclical exchange.

Rhode's latest catalogue is entitled «Tension» and shows 10 years of his artistic work at the Galleria Tucci Russo.

While his work had intuitive, dynamic and experiential qualities akin to Abstract Expressionism, Mallary's interest in the associative potential of materials, their physical presence and allusive effects, distinguished him as a unique voice among the varied artistic experimentations in New York of the late - 1950s and 1960s.

Highlights of the show include a memorial gallery dedicated to the extraordinary artistic achievements of the late RB Kitaj, featuring some of Kitaj's greatest works alongside recent paintings which are available for sale.

By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.

On view from June 21 to Sept. 6, 2015, the exhibition will trace Katz's unique artistic treatment of the landscape throughout the trajectory of his career, from his 1950s collages that use the environment as a setting for the human figure, to the artist's later works, which illustrate Katz's shift to landscape as the dominant subject.

Wade Wilson is a graduate of the University of New Mexico and later returned to Santa Fe to work as Artistic Director for the Linda Durham Gallery in 1987.

CHANZIT: Of the many women who might have qualified for inclusion in this exhibition based on style, artistic and social circles, and geographic location, this exhibition focuses on twelve painters working in New York City and in San Francisco in the late 1940s and the 1950s.

The largest exhibition of Albert Oehlen's work in the United States to date, Albert Oehlen: Woods near Oehle illustrates the depth and complexity of an artist who has been at the forefront of artistic innovation since the late 1970s.

Rich in detail, his obsessively worked drawings take, as their point of departure, the Southern California punk - rock culture of the late 1970s and 1980s and the do - it - yourself aesthetic of album covers, comics, concert flyers, and fanzines that characterized the movement — but they have come to occupy their own genre of potent and dynamic artistic commentary.

Inspired by ornament, her latest body of work explores social issues through the examination of creative and artistic practices.

Taking its point of departure in the Southern California punk - rock scene of the late 1970s and 1980s and the do - it - yourself aesthetic of album covers, comics, concert flyers, and fanzines that characterized the movement, his work has come to occupy its own genre of potent and dynamic artistic commentary.

Later works evidence the his steady artistic evolution, and an unmistakable injection of modernism.

Richard Prince has since the late 70's filtered imagery from mass media, advertising and entertainment, and through re-appropriation turned them into original works, thereby redefining concepts of authorship, ownership and artistic context.

An essay by Hirshhorn Associate Curator Evelyn C. Hankins sheds light on prevailing artistic practices of the late 1960s and early 1970s and establishes the significance of these important works.

Sugimoto began his artistic exploration of movie theaters in the late 1970s and continued throughout the 1990s, creating each photograph in a working theater while a film was being projected on a screen.

While she began her career in London working as interior and display designer, her artistic career took off in New York in the late 1990s.

Enrico David's latest work differs from his earlier needlework exhibits largely through his expansion into different artistic mediums.

The exhibition's path begins with Tacchi's early works from the late 50s, which reveal, in their stylistic variety, a stage of experimentation and a search of his artistic identity.

Trained at the Central Academy of Fine Arts in Beijing, Yun - Fei Ji emigrated to the U.S. in the late 1980s and made his artistic name working in Brooklyn and showing in a thoroughly international context.

Luciano Fabro thrived in works that treated sensibility and seeing as symbiotic.His later and more mature pieces may have employed sumptuous materials such as silk, marble and bronze, but the works of this latest show incorporated experimental artistic poetry that eventually turned out to be the creative roots of the man's near five - decade - long career.

Starting with wall drawings (of a bicycle, for instance, which children in a South African township would wish for in vain), Robin Rhode developed an artistic practice that cleverly and humorously makes it possible to experience everyday observations, political statements, desires and (in his latest work) references to art history — via gestures that sometimes resemble slapstick.

Xing's artistic practice has since developed, later including installation and video works.

The gallery invites contemporary and emerging artists, working in all variety of media, to participate in monthly solo exhibitions to showcase their latest work and artistic vision.