Comet Dust & Crystal Shards, the artist's
latest body of paintings on paper, will be on view October
On view at 519 and 525 West 19th Street in New York will be the artist's
latest body of paintings alongside two murals, made especially for this presentation.
Movement, then, becomes a focus of
this latest body of paintings, while unexpected color - choices underscore the sentiment of an individual work.
Fishman will be spending her sabbatical in New York City and continue work on
her latest body of painting — urethane - over-wood reliefs that simultaneously engage with modernist history and pharmaceutical branding.
Not exact matches
Something repellent and electrifying about the heady smell
of freshly ground coffee,
paint thinner, and
body odor on the A train
late on Sunday night.
Our
Body Shop technicians have years
of experience and use the very
latest in repair equipment and
painting techniques to restore your vehicle to like new condition.
Prior to the debut
of the
latest Civic Type R, the kind
of aggressive exterior appearance it sports used to require several orders from aftermarket catalogs, countless graveyard shifts at the drive - thru, inexpert application
of body kits with screws bought at Home Depot and six months
of rolling around in gray primer
paint.
Exhibitors introduced specialized tools, the
latest equipment and innovative supplies for technicians to use in professional
paint and
body shops, many
of which were developed to help repair shops cope with the ongoing move to low VOC repair methods.
Sex I presents the same scene a number
of weeks
later: the
bodies of the martyrs are in an advanced state
of decomposition and covered with hand -
painted bronze casts
of toy flies and worms.
Leading up to his two exhibitions
later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number
of subjects that come out
of his two new
bodies of work, including the questions they raise around the romanticized life
of artists, the recurring issue
of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series
of new
paintings.
McCarthy's provocative early performances in the
late 1960s and 70s used his own
body as the raw material to explore masculinity, where, drawing on performance art and action
painting, he substituted the Viennese Actionists» sacrificial use
of blood with ketchup and the Abstract Expressionists» paintbrush with phallic false limbs.
Some
paintings are lonely and melancholy, like a loon call in the fading light
of a
late summer's evening, or as pristine, beautiful and refreshing as a beach wave breaking over your overheated
body.
Employing his standard materials —
paint and the flyers and advertisements he finds displayed around his South Central Los Angeles neighborhood — his
latest body of work is inspired by 16th and 17th century sea maps and the foreboding mysteries that lie beneath the waters.
Along with Joan Semmel and Betty Tompkins, she appropriated for
painting the provocative use
of the female
body that is usually limited to performance artists, including Carolee Schneemann and Valie Export in the
late 1960s, and Vanessa Beecroft in more recent times.
White Cube, Bermondsey The
body screams in Emin's
latest show, which moves from crumbling, fleshy
paint to tortured bronzes, and shakes the tradition
of the female nude to the core.
This print, showing the Dutch master in the coarsely comic style that would dominate Picasso's
late, great
paintings, is a splendid artifact
of a famed
body of etchings second in the artist's career only to his «Vollard Suite» from the 1930s.
For this exhibition, Cranston created a list
of nouns using a random noun generator program on the Internet and used the list to create the
paintings, drawings and objects that make up her
latest body of work.
While much
of Chimes's work is deeply indebted to literature, each
body of work (his metal and plexi box constructions, drawings, and
later white
paintings) maintained structured systems that dictated the composition — a process - based manifestation
of the classicist and symbolist ideals in his work.
Four years
later, his father hanged himself; Guston discovered the
body and subsequently sought solace by hiding in a cupboard lit by a naked bulb, the image
of which would become a prevailing motif in the oddly disquieting, figurative, often autobiographical
paintings he began to make in his fifties.
Firstly, it presents the visual artist through a selection from two
of his outstanding
bodies of work: those from the
late 1990s related to the character Mr DOB and the concept
of «Superflat», which placed him within the legacy
of Pop art but with an exceptionally original artistic language, and works from recent years in which Murakami has developed an intelligent personal dialogue with Japanese historical
paintings.
The lovingly compiled exhibition highlights a recent
body of paintings and drawings on canvas but also reaches back with prints, drawings and
paintings beginning with his arrival in New York in the
late 70's.
During the mid-1970s, Semmel turned to photography to capture reflections
of her own
body,
later bringing the camera and her reflection in mirrors into the
paintings in the 1980s.
In this current series, I continue to explore the freedom
of abstract gestural
painting from my early work and which reemerged in my
later work, yet in this
body of work I combine these images with images from my mid-career hardedge geometric
paintings.
In the four epic - scaled
paintings on display, «Walpurgisnacht — Faust I,» «Walpurgisnacht — Faust II» (both 1956), «The Temptation
of St. Anthony» and «The Concert
of Angels» (both 1957), the naked female
bodies crowding the canvases are ghostly white (and in the two
later paintings, they are mossy green, burnt orange and blue - violet as well).
This second display starts with an ink and pencil drawing Erotic Composition (1967 - 70), by Lebanese artist Huguette Caland which is a study for the abstract, sensual
paintings of the
body that she created
later on in her career.
Thomas Chimes: The
Body in Spirals, 2014 Text by Kelsey Halliday Johnson 84 pages, Softcover Published by Locks Art Publications ISBN: 978 -1-879173-95-8 While much of Thomas Chimes's (1921 - 2009) work is deeply indebted to literature, each body of work (his metal and plexi box constructions, drawings, and later white paintings) maintained structured systems that dictated the composition - a process - based manifestation of the classicist and symbolist ideals in his w
Body in Spirals, 2014 Text by Kelsey Halliday Johnson 84 pages, Softcover Published by Locks Art Publications ISBN: 978 -1-879173-95-8 While much
of Thomas Chimes's (1921 - 2009) work is deeply indebted to literature, each
body of work (his metal and plexi box constructions, drawings, and later white paintings) maintained structured systems that dictated the composition - a process - based manifestation of the classicist and symbolist ideals in his w
body of work (his metal and plexi box constructions, drawings, and
later white
paintings) maintained structured systems that dictated the composition - a process - based manifestation
of the classicist and symbolist ideals in his work.
Over a 50 - year period, between the
late 1930s until his death in 1983, Von Bruenchenhein produced expansive
bodies of work in poetry, photography, ceramics,
painting, objects made from chicken and turkey bones, and drawing.
In the
later half
of the 80s, Lucas began making small
paintings in gouache that depicted giant fluffy animals, bulbous -
bodied women, and children in ambiguous, sexually charged situations.
Vaguely reminiscent
of improvised tools or handmade toys, the Elemental Sculptures emerged as the young artist was transitioning from a practice defined largely by
painting and photography to a more experimental mode that would culminate in his Combines, an expansive
body of works produced primarily in the mid - and
late 1950s that bridged the gaps between
painting, sculpture, and collage.
The
paintings he did between the mid-70s and
late «80s constitute a powerful
body of work that has yet to receive the recognition it is due.
Relatively
late in life, Fahey extended his so - called American Primitive approach beyond music, and into the creation
of a substantial
body of paintings created in makeshift studios in and around Salem, Oregon.
The Stylist Project (on view through April 3rd) presents Brooks»
latest body of work — a series
of oil
painted portraits
of fashion industry insiders, including stylist to the starts and Bravo TV fixture, Rachel Zoe, and award winning costume designer and Madonnaʼs personal stylist Arianne Phillips, among others.
In 1963, Shaw took photos
of Giorno dancing that
later inspired his spare
paintings whose black outlines and colorful silhouettes depict Giorno's
body in motion.
49 Years
Later celebrates the through lines in Yokoo's
body of work as well as his lifelong commitment to
painting, a highly personal medium and intimate means to communicate his creative vision.
Chang's earliest works were commissioned portraits, however, in the
late 1950s, he stopped using brushes in favor
of using his
body to make abstract
paintings that were at once gestural and calligraphic.
For his
latest body of work, he plans to produce inkjet
paintings that will deal with one
of the most closely canvassed subjects in art history: Picasso.
The inaugural exhibition at Pace London's flagship gallery juxtaposes Mark Rothko's
late black and grey
paintings with Hiroshi Sugimoto's photographs
of bodies of water, exploring the visual and conceptual affinities between the two.
In Smith's
latest body of process - based
paintings, «painstaking use
of repetition and translucency within the medium fuse the canvas with the background, mid-ground, and foreground to create whimsically celestial landscapes, constructed
of dancing globs
of acrylic
paint.
The inaugural exhibition juxtaposes Mark Rothko's
late black and grey
paintings with Hiroshi Sugimoto's contemporary photographs
of bodies of water.
Gagosian presented two major exhibitions
of de Kooning's work in the years since acquiring control
of the estate, «Willem de Kooning: A Centennial Exhibition,» a 2004 survey, and «Willem de Kooning: The Last Beginning,» a critically acclaimed 2007 show that focused on the artist's
late work — a
body of paintings that until recently were dismissed as inferior due to the waning mental health
of his final years.
Featuring fourteen new
paintings, Michael Page's
latest body of work, entitled «Nostalgia Kills,» expresses itself with childlike freedom.
She
later staged anti-Vietnam war protests, marches surrounded by hippie followers, political performances and orgies where she
painted the naked
bodies of the participants with dots.
A single
painting, 78 x 104 inches, entitled, Hieder's Balance, now in a private collection in Dallas, would be the springboard for a new endeavor into the elusive, floating web, featured entirely in this
latest body of works.
Her
latest solo exhibition was held at Tomio Koyama Gallery (2016) and at Wilkinson Gallery London, UK (2015) and the
latest group exhibitions include «TIGER TIGER» at Salon94 Bowery, NY, USA (2015) and the 2014 Tokyo Opera City Art Gallery show «The Way
of Painting» and «
Body Language» at the Saatchi Gallery, London in 2013.
The combination
of this familiar scene with the interactive effect
of the
painting captures the essence
of Hammond's
latest body of work.
To inaugurate Galerie Lelong's fall season, multidisciplinary artist Jane Hammond will present her
latest body of work, the «dazzle
paintings» — a stunning combination
of painting and photography in which the artist infuses the still image with a sense
of flow, interactivity, and mutability.
He shows his range in these
later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil
painting, while his Alabama II, 1969, is a strong protest work — a rectangular field
of red in which a triangular wedge evoking
bodies marching or a megaphone's amplified language emerges in glossier red on the
painting's surface.
His
latest body of work incorporates the artist's iconic use
of kinetic brushstrokes
of boldly colorful textured acrylic
paint on canvas.
Since the
late 1990s, when he first began to exhibit his
paintings and drawings, Michael Borremans has created an improbably mature
body of work that quickly captured international attention.
During a
later residency at the Victoria and Albert Museum, London, in 2016 - 17, he researched the museum's collections
of Mughal miniature
paintings, jewellery and armour to create protective
body vests configured out
of bricks titled «The Weight I Carry», which comment on the male responsibility to build a home.