Sentences with phrase «latest cinematic work»

Artist and filmmaker Ben Rivers» latest cinematic work is an experimental adaptation of the brutal Paul Bowles story, A Distant Episode.
From the psychedelic, cacophonous videos of South Africa's Dineo Seshee Bopape, to the abandoned Saharan film sets in Ben Rivers» latest cinematic work, we guide you through the week's top art events.
Previously labouring under the code name Top Secret Untitled Lonely Island Movie and then rumored to be named for Andy Samberg's main character Conner4Real, we now know that the comedy troupe's latest cinematic work is called Popstar: Never Stop Never Stopping.

Not exact matches

Those are just some of the numbers the Marvel Cinematic Universe (aka the «MCU») is working with going into its 19th and latest film, Avengers: Infinity War, directed by Anthony & Joe Russo.
Jeff Nichols's latest film, Midnight Special, is a beautiful, sad, striking work of cinematic art.
Paramount Pictures is hard up for franchises, and they're turning to toys to save the day: the studio is working on bringing a Hasbro Cinematic Universe to life — yes, really — and a movie based on the ROM toy (and subsequent comic series) from the late 1970s is apparently an important piece of that puzzle.
Speaking as someone who found the studio's late - 2000s run of WALL - E, Up, and Toy Story 3 among the most impressive cinematic — and I don't merely mean animated — streaks of all time, I have high hopes for a return to form in 2015 with the long - in - the - works Inside Out by Pete Docter (Monsters Inc., Up).
One per - centers are taking it on the chin at the movies these days with recent releases like «The Founder» and «Get Out,» and now the latest cinematic smack out of Sundance, Beatriz at Dinner, a sly and telling exposé of class in America as seen through the eyes of a Mexican immigrant woman named Beatriz (Salma Hayek, «Savages»), a new - age holistic healer who works at a cancer rehabilitation center, does private massage therapy on the side, lives with her pet goats and drives a broken - down Volkswagen.
Besides Sarris and by all means Corliss himself, the magazine regularly featured first - rate, challenging, authoritative figures such as Robin Wood (whose book Hitchcock's Films had revolutionized British and American thinking about that director's work), Joseph McBride, Molly Haskell, David Thomson (who came along a bit later, and ruled), Raymond Durgnat, Richard Roud, Brendan Gill, and Paul Schrader (whose 1972 «Notes on Film Noir» remains the definitive introduction to and disquisition on that cinematic darkbloom).
35 years later, its status as a work of cinematic art and a solid piece of problematic entertainment is more assured than ever.
In later years Salvatore Argento's cinematic influence would be directly seen on the production credits of many of his son's films, along with those of Dario's brother Claudio, who acted as producer on many of his works.
The opening pages of Sunnyside, the latest work of Glen David Gold, evoke the cinematic imagery of one of D.W Griffith's silent epics.
In the days before the latest set — Kobolds & Catacombs — releases to general audiences, we were invited to sit with Ben Thompson, Art Director, and Peter Whalen, Senior Game Designer of Hearthstone, to discuss not only the new set, but also what goes into making a new set, how their design philosophy has changed over the years, and even a little bit about the stellar work of Blizzard's in - house cinematic team.
Much as they did with Age of Ultron, Zen Studios announced they are working on a new Pinball FX 2 table to coincide with the release of Marvel's latest cinematic release, Ant - Man!
If motion capture work has already begun it would likely be for a cinematic reveal trailer, much like how GTA V's first trailer was released in late 2011, nearly two years before it released.
This group — ranging from classic Untitled Film Stills of the late 1970s to untitled «prosthetic» works of the 1990s — privileges specific instances in which Sherman adopts or stages — through the collision of multiple photographic, cinematic, and narrative conventions — heightened states of emotional distress and psychological anxiety.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
The wide panoramic abstractions in Julie Mehretu's show at Marian Goodman this spring, with their layering of architectural elements and their dramatically deep space, put me in mind of Al Held's later work, which also had a cinematic and even a sci - fi quality.
[17] In later works, the cutouts are attached to wide, U-shaped aluminum stands, with a flickering, cinematic presence enhanced by warm spotlights.
Originally commissioned for the Kivik Art Centre in Österlen, Sweden, as a projected film for an architect's pavilion set in the sculpture park's grounds, the work was later reconfigured into a cinematic sculpture by enclosing both the projector and screen within a glass vitrine.
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