Sentences with phrase «latest exhibition made»

Not exact matches

Chivas officials believe their club is better situated to make money in the U.S. market than even Manchester United and Real Madrid, which will be playing exhibitions in the States later this month.

Woods, whose antipathy for Garcia dates back to a 2000 made - for - TV exhibition between the two, shot back at his would - be rival later on Saturday.

We first headed for the Louis Vuitton Time Capsule Exhibition at Unter den Linden, before making our way to the Edition F Female Future Event later that night.

Education Business also makes sure that readers are kept up - to - date with the latest conferences and exhibitions by featuring in - depth previews to the most important education events and seminars.

Hyundai's latest concept vehicle, the exciting OLV (Outdoor Lifestyle Vehicle) made its world debut today during the first of three press preview days at the North American International Auto Show at the Cobo Exhibition Center.

Hall 11, which is located right next to the main entrance of the Frankfurt exhibition site and has been made available for the joint presentation by the BMW, MINI and Rolls - Royce brands, is where all the latest features and additions are being showcased.

Zhang's iconography is, in a word, well - established, so it was a bit of a shock to walk into his latest exhibition at Hauser & Wirth in New York and encounter new paintings all made in 2017 that were total abstractions.

ancy Rubins's exhibition, titled «Our Friend Fluid Metal,» featured four huge sculptures made of recycled playground toys dating from the late 1940s and early»50s.

The works in the exhibition were either made for video or later released as videos.

Featuring nearly one hundred drawings spanning the artist's career to date, the exhibition will include Barney's earliest drawings made in the late 1980s, drawings created in conjunction with the CREMASTER film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.

Hauser & Wirth's new exhibition of the late artist Mike Kelley's work has only been open for a weekend, but it has already made a splash on Instagram.

Making its U.S. debut, this exhibition presents the latest in African design, featuring more than 120 artists working across photography, film, sculpture, fashion, furniture, apps, digital comics, and beyond.

This multi-faceted exhibition includes both Glassford's sculptures and examples of his collections, including Mexican pulp fiction illustrations from the late 1950s and a unique accumulation of 19th to 20th century drinking vessels made out of bull skin.

Time Frame takes its departure from Robert Smithson's sculptural refractions of the late 1960s, and the artist is represented in the exhibition by the 16 mm film Swamp (1971), made in collaboration with Nancy Holt, dealing with the limitations of perception.

Two years later, Hendricks made a portrait of Fela Kuti for another exhibition Schoonmaker was planning.

His latest exhibition at Victoria Miro gallery in north London (from February 2 to March 24), features, on the ground floor, pictures made from layers of laser - cut birchwood and MDF and, upstairs, a series of striking, large - scale chandeliers cut from plastic - resin sheeting.

In his uncorruptedness of feeling and his bedrock commitment to the history and craft of painting, Porter was a deeply, invigoratingly serious artist, as the latest exhibition of his paintings and prints, at Hirschl & Adler Galleries, makes clear.

This exhibition will bring together a large body of Ulay's early Polaroid works from the 1970s, the iconic video works made in collaboration with Marina Abramović in the late 1970s and 1980s, as well as his more recent projects.

For this exhibition, Cranston created a list of nouns using a random noun generator program on the Internet and used the list to create the paintings, drawings and objects that make up her latest body of work.

With the two recent exhibition of work currently on view from the eighties — is it only twenty or thirty years later that we can really think about whatever was made then?

Though this spatial transformation was not the goal of ACAC's latest exhibition, the memory of Supernatural Conductor made me wish for something more dynamic out of the gallery portion of Deliverance.

Exhibition partners Canon are providing their latest image making technologies to help inspire participating artists and launching a young film makers» competition to support future film pioneers like Kubrick.

The exhibition features photographic work made in the late 1980's and early 1990's by Maud Sulter and Jeanne Moutoussamy Ashe, curated by international artist Lubaina Himid, Professor of Contemporary Art at UClan.

The comprehensive exhibition will provide a deeper sense of his practice and also a look into his latest stirrings, made especially for the show.

We will make sure to keep you all updated on the progress of the exhibition and can not wait to welcome you to the gallery later in the year.

The exhibition also includes drawings made a few years later, in 1967, after she moved to a new home and studio in Vétheuil, a quintessentially French village northwest of Paris.

While I understood Ha's work on an intuitive level at the time of the exhibition, it was not until my visit to the artist's studio in the winter of 2008 that I began to fully grasp the depth of his earlier burlap and barbed - wire paintings, not only as signs of military repression made evident during the late 1970s, but also as spiritual works focused on transformation and resistance that could be read as icons of the human condition.

Featuring paintings, sculpture, films, and drawings by a wide range of artists, this exhibition retrieves Dwan's singular contributions and reexamines the important history she made, highlighting in particular the increasing mobility of the art world during the late 1950s.

Murrow is currently making new drawings for a solo exhibition at Winston Wächter Fine Art, Seattle, later this year.

Flanking this milestone show, two of the city's biggest galleries, Pace and Gagosian, are going head - to - head with a pair of scholarly exhibitions examining different aspects of Picasso's oeuvre, with the former probing the late works he made under the spell of his 46 - year - younger last wife, Jacqueline, and the latter surveying the Picasso relationship with the camera.

Holland Cotter, in his review of «Making Space» for The New York Times, said he was encouraged by the diversity of the artists in the exhibition, though «much of what's here is late in arriving at MoMA.»

The latest solo show by Add Fuel is coming to an end, but we have the photos in case you couldn't make it to the exhibition in time.

Sandy Nairne, director at the National Portrait Gallery in London, said: «While the BP portrait award is judged anonymously, we were delighted to discover later that two of the portraits that made it to the final [selection] for the exhibition were painted by artists who happen to be partners.»

While this epic exhibition makes much of its lesser - known discoveries, such as the early prodigy Richard Pousette - Dart and the later painter Joan Mitchell, it's the big boys (and they are all boys) who we're most interested in.

With images that were made between the mid 1950's through the late 1970's, the exhibition explores both artist's affinity for using natural light to make grainy, blurred and out of focus photographs, trademarks of their work, while showing their own distinct stripped down version of the street and urban life.

Although 14 years separated The Avant - Garde in Exhibition (1994) and Salon to Biennial — Exhibitions That Made Art History: 1863 - 1959 (2008), Altshuler's concise and unambiguous style saw the former elevated to the status of a classic (a staple of emerging curatorial studies syllabi worldwide) and the later garlanded with rave reviews.

That particular text discussed his recent solo exhibition at Lennon, Weinberg Gallery, a stunning show that presented the artist at the height of his talent and made clear that many of his late works can be counted among his most accomplished.

On view through April 2, the exhibition will span the Museum's nine galleries and feature 60 of Still's mature abstract works, including a series of works that the artist made late in life.

Many first generation Conceptual artists working in the late 60s and early 70s de-emphasized the art object, in part as a gesture against what they perceived as the increasing commercialization of the artwork (one thinks of Sol LeWitt's ephemeral wall drawings, painted over at the end of their exhibition, or the linguistic investigations of Lawrence Weiner who in 1972 wrote, «I do not mind objects, but I do not care to make them»).

The EY Exhibition: Late Turner - Painting Set Free at Tate Britain runs from 10 September — 25 January 2015, and Constable: The Making of a Master at the V&A runs from 20 September — 11 January 2015.

If Storr really wanted to recognize an «old» master, he should curate an exhibition of paintings by George McNeil, an artist who realized himself late in life and made something grand, energetic, and funny from the verities of the New York School.

I know I'm a little late to the party here but several people have been asking me what I make of the V&A's bizarre decision to ban all sketching at its exhibition on underwear.

This major exhibition features 90 works by the late Argentinian artist made from the late 1960s to the present.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

The museum chose the two paintings, part of a series made late in the artist's life, to open its inaugural exhibition, «The Everywhere Studio,» which explores the spaces where artists work.

When, a few years later, he may have had his own London exhibition taken out with the trash, convincing the press that the janitor had made a mistake, had he added to one's cynicism about art — or merely about him?

PDNB Gallery's latest exhibition, The Most Important Photograph Ever Made, includes the earliest surviving photograph since Nicéphore Niépce first created photography.

Once again, thank you to everyone who donated to make this exhibition happen and we look forward to welcoming you to the gallery later this year.

Sara VanDerBeek's photographs in her latest exhibition Ancient Objects, Still Lives counter any notion that the still life is a staid mode of image making.

Missing Peace Art Space finished its first full year with several strong graphic exhibitions: «Art Makes Us Human» by the late Mary Perry Stone devoted to peace and social justice through March 7; the deeply humanistic watercolors of Muncie, Indiana watercolorist Martha Gilliom through July 11; the satirical and comedic style of peace activist Frank Swift with his «Planet Gazimbo in Galaxy Zamz» through September 9; and the pristine political posters of Bulgarian / now New York Luba Lukova in «Graphic Guts» through December 12.