Not exact matches
Actors, musicians and
fashion's elite mingled with silicon valley entrepreneurs and tech moguls at Monday night's Met Gala, feting the museum's
latest Costume Institute
exhibition, Manus x Machina.
This fantastically curated museum is right off Sydney Harbor, and filled with frequent
exhibitions highlighting everything from
fashion history to the
latest innovations in product design.
Making its U.S. debut, this
exhibition presents the
latest in African design, featuring more than 120 artists working across photography, film, sculpture,
fashion, furniture, apps, digital comics, and beyond.
From an
exhibition of the
late works of JMW Turner RA at Tate Britain to 1930s
fashion photography from Horst P. Horst.
His
latest exhibition, Stage Left, includes 26 new works ranging from paintings on canvas, ceramic collaborations, a collaborative
fashion sculpture, a collaborative film, and two red - tinted freezer partitions that divide the gallery into three parts.
Harper's Bazaar February 8, 2012 Grotesque and Gorgeous: «Juergen» at Lehmann Maupin Gallery By Harper's Bazaar Staff We can't wait to see the
latest exhibition from rebel
fashion photographer Juergen Teller at the Lehmann Maupin Gallery February 10.
-- 06.10.2013 4th floor, B - wing This
exhibition, compiled by the Moderna Museet in Malmö, which is comprised of almost 100 photos, provides a survey of the still lifes, portraits and
fashion photos of Irving Penn (1917 — 2009), a
late 20th - century American photographer.
A nearly unlit hall sparely installed with sculptures and
fashion objects overlooks (through a hole in the floor left over from a former
exhibition) an airy space packed with seminal
late - 1960s furnishings.
This major
exhibition will explore the optimism, ideals and aspirations of the
late 1960s, expressed through some of the greatest music and performances of the 20th century alongside
fashion, film, design and political activism.
The fact that this
exhibition has received mixed reviews is not coincidental — it has been said that this
latest body of work appears outstandingly outdated and old -
fashioned.
A new
exhibition at The London College of
Fashion's Fashion Space Gallery, featuring the latest works by celebrated set - designer Simon Costin, questions the traditional structure of runway shows, offering an alternative to the dictatorship of minimalist sets and predictable fashion present
Fashion's
Fashion Space Gallery, featuring the latest works by celebrated set - designer Simon Costin, questions the traditional structure of runway shows, offering an alternative to the dictatorship of minimalist sets and predictable fashion present
Fashion Space Gallery, featuring the
latest works by celebrated set - designer Simon Costin, questions the traditional structure of runway shows, offering an alternative to the dictatorship of minimalist sets and predictable
fashion present
fashion presentations.
His
latest exhibition, Stage Left, includes 26 new works ranging from paintings on canvas, ceramic collaborations, a collaborative
fashion -LSB-...]
The information available for the V&A's
latest exhibition, Club to Catwalk: London
Fashion in the 1980s instantly inspires thoughts of the 2003 film Party Monster.
In another
exhibition, Gabriella Chu explores the contemporary phenomenon of «fast
fashion» where retailers capitalize on the
latest trends in high
fashion by quickly and cheaply producing clothes that emulate styles seen on the runaway.
An art history game could be
fashioned from this charming and beautifully curated
exhibition, one that involves tracking traces of the
later Baechler in these early but far from tentative essays.
Along with featuring large - format pieces, our
exhibition presents an ensemble of
late small - scale works as a large wall tableau that occupies the
exhibition space in an unusual
fashion.
Reminiscent of draped
fashion booths, the layout of the Hepworth's
latest exhibition transports audiences into a white labyrinth where the body and its attire revel in a refreshingly androgynous state.
Inspired by John Everett Millais» famous painting Ophelia 1851 - 2, one of the star pieces of Tate Britain's autumn
exhibition Pre-Raphaelite: Victorian Avant - Garde, Mihara's film will be presented at a special
Late at Tate event which explores the continuing influence of Pre-Raphaelites on contemporary art,
fashion and music.
His image of Kate Moss for a British Vogue cover in 1994 launched his career as a
fashion photographer and by 1996 his success earned him a solo
exhibition at London's Photographers» Gallery, followed by work for Calvin, and
later, Céline and Yves Saint Laurent.
Common People doesn't mean to be a simple and momentary look at the
latest British art
fashion but an
exhibition that looks at what is new through the corner stones of a generation which neither starts nor ends with the Sensation group but which has strong roots in an intellectual quest that begins with Ian Breakwell to continue with Julian Opie, Damien Hirst, Gary Hume, Angela Bulloch, Sarah Lucas, passing through Richard Billingham, Douglas Gordon, Gillian Wearing, Paul Graham, Steve McQueen, Steven Pippin, ending with the presentation of the very new works by Darren Almond, Saul Fletcher, Maria Marshall, Sophy Rickett, David Shrigley, and Christina Mackie.
«By the mid - and
late - 1970s,» wrote the curator Richard Marshall in his essay for the
exhibition «American Art Since 1970» at the Whitney Museum, «painting had moved further away from the confines of the Minimalist approach — even from a negative reaction to it — and the artists [Jennifer Bartlett, Vija Celmins, Lois Lane, Neil Jenney, Bill Jensen and Elizabeth Murray] inaugurated new ways to treat subject matter and meaning -LSB-...] there emerged a move against an insular, elitist attitude towards art and what it is, should be, or must be -LSB-...] artists began to look at more diverse visual repertory: commercial art, advertising,
fashion, television and movies, popular culture, the decorative arts, rugs, religion, ancient artifacts, and Middle Eastern Cultures.»
Travel back to the
late 1960s / early 1970s with curator Lauren Whitley of the Museum of Fine Arts, Boston, to explore the era's freewheeling fun
fashions in celebration of MAD's
exhibition Counter-Couture: Handmade
Fashion in an American Counterculture.