Sentences with phrase «latest image from the film»

Following yesterday's eerie blood - soaked med - lab, the latest image from the film features the return of Michael Fassbender, who played an android named David in Prometheus and is also -LSB-...]

Not exact matches

A scene from a teaser video for the film, which is scheduled to start filming late this month (Image courtesy of the filmmakers)

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The first images from Quentin Tarantino's latest film Django Unchained have been released.

Like the previous clips and teasers, the latest bit of image for Jonathan Glazer's film adap of the Michel Faber book is short and strange, only this time its got a barrage of pull quotes from critics.

LAURA *** / **** Image B Sound B - Extras B starring Gene Tierney, Dana Andrews, Vincent Price, Judith Anderson screenplay by Jay Dratler and Samuel Hoffenstein and Betty Reinhardt, based on the novel by Vera Caspary directed by Otto Preminger PINKY * / **** Image C Sound B - Extras A + starring Jeanne Crain, Ethel Barrymore, Ethel Waters, William Lundigan screenplay by Philip Dunne and Dudley Nichols, from a novel by Cid Ricketts Sumner directed by Elia Kazan by Walter Chaw A camp classic of a very particular variety, Otto Preminger's stylish, pedigreed Laura might best be read as a satire of Hitchcock's Rebecca, reuniting that film's Judith Anderson with another late, lamented mistress and acres more scenery to chew.

The Tree of Life is his latest effort, a film dominated by images of breathtaking natural beauty on a scale ranging from the intimate to the unfathomably vast.

Here we have the latest, albeit low - key image from the film starring Idris Elba, Charlie Hunnam, Rinko Kikuchi, Charlie Day, Robert Kazinsky, Max Martini, Clifton Collins, Jr., Burn Gorman, Larry Joe Campbell and del Toro frequenter, Ron Perlman.

We've got a bit of a wait until this one gets its release in cinemas (it's scheduled for late 2015), but we do have a few official images from the film and a «wrap» banner to share with you (see above).

We have yet to see even a still image from several of the major films coming out later this summer, but Paul W.S. Anderson and Summit haven't been shy about showing the goods for their October 14 release, The Three Musketeers in 3D.

I was later somewhat disappointed to learn, as the quote above reveals, that the shot was achieved through visual effects, but it wasn't enough to erase the image from my mind: a distressed Milk confronts a police officer following a violent night of gay - bashing in the Castro as a whistle — a plot point raised earlier in the film — lies blood spattered on the ground, reflecting the scene throughout.

The image has medium contrast, without inky shadows or blazing highlights, and the overall look is appropriate to a film from the late - 1980s.

When you first hear that legendary director Jonathan Demme's latest film is a hand - held movie about an ex drug - addict one conjures the images of Cloverfield and Blair Witch, but that could not be farther from the case here in this beautiful family story.

Stars Daniel Craig and Léa Seydoux are showcased in the latest images from the 24th James Bond film.

This week brought us our first peek at next year's Captain America: Civil War, with some leaked images from the Disney D23 footage popping up online, featuring shots of Cap (Chris Evans), Iron Man (Robert Downey Jr.), Hawkeye (Jeremy Renner), Falcon (Anthony Mackie), The Winter Soldier (Sebastian Stan), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Ant - Man (Paul Rudd), Black Panther (Chadwick Boseman) and Crossbones (Frank Grillo), while Mark Ruffalo has revealed that The Hulk won't be appearing in the Phase Three - launching film: «I thought that I would be in the film, but in the end they evidently believe that the reveal of what happened to the Hulk is something too big, and Marvel wants to use this information later.

Over the past few months we've seen a number of photos from the set of Avengers 4 which seems to suggest that the film will include flashbacks or time travel, and the latest images to arrive online over at JustJared seemingly confirm that theory.

Leckey's interests might have shifted throughout the last decade — from an obsession with pop culture, subculture and the figure of the dandy in earlier films such as Parade (2003), and in his band collaboration DonAteller, with fellow artists Ed Laliq, Enrico David and Bonnie Camplin; to the high / low culture face - off of his BigBoxStatueAction performances (2003 — 11), in which Leckey's giant speaker stack confronts icons of modernist British sculpture, such as Jacob Epstein's Jacob and the Angel (1940 — 1); to his later multimedia performance lectures, the Internet - driven epiphany of dematerialisation In the Long Tail (2009) and its antithesis Cinema - in - the - Round (2006 — 8), with its more reflective inquiry into the physicality of images via, among others, Philip Guston, Felix the Cat, Gilbert & George, Homer Simpson and Titanic (1997).

He moved from sculpture into film and now works in moving image, photography and installation, with his latest installation currently showing at Bloomberg Space and a selection of his films screening at Raven Row.

Later paintings incorporated images taken from coloring books, film, traditional paintings, store windows and advertising, all in the service of art that one critic described as «tensely personal.»

The exhibition will be the most technologically complex project mounted in the Whitney's new building to date, embracing a wide range of moving image techniques, from hand - painted film to the latest digital technologies.

All of the analog work is fluid with the three films in Late Checkout — content, materials, images, and narratives from each portion of the collaboration pervades the others.

Namuth's photographs and films of Pollock still stand among the most important documents showing an artist in his studio and continue to influence artists as diverse as Richard Serra (whose molten - lead sculptures from the late»60s transpose the drip paintings into three dimensions) and Vik Muniz (who appropriated one of the images for a painting in chocolate).

And Kloss's series of images — which could easily have come from a Hollywood film from the 1950s — pay homage to these great architects of late modernity.

The former works quite traditionally with film and light and the later uses images from popular culture.

Sherman's investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green - screen technology and the latest advances in digital photography.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

From early works such as Dziga Vertov's silent documentary Man with a Movie Camera (1929) through to later practitioners including Chris Marker, Harun Farocki and Chantal Akerman, there exists in the form of the essay film a continuum of attempts to understand the self - consciousness of images, and their relationship to the world in which they are made.