This question needled me after a recent, fantastically rewarding visit to the Parrish Art Museum in Water Mill, NY to see «Five and Forward,»
the latest installation of works from the museum's permanent collection.
Not exact matches
One
of my favorite projects was
working with Michael SHVO, a real estate developer and an art collector who curated a Claude & Françios - Xavier LaLanne exhibition at Sotheby's and the Lalanne Sheep Station, a public art
installation at the Getty Station on 23rd Street, facilitating my exposure to sculpture that I would
later imitate in my own apartment.
An extensive selection
of work from across the world is presented including the World Premieres
of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her
late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element
of Ben's current Artangel
installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation
of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere
of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel
of the same name; the European Premiere
of INVENTION which highlights the possibilities
of camera movement and the development
of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course
of a day.
Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life
of the always provocative artist Chris Burden, whose
work consistently challenged ideas about the limits and nature
of modern art, from his notorious performances in the 1970s to his
later assemblages,
installations, kinetic and static sculptures, and scientific models.
With Christian as our guide, we are introduced to mounds
of gravel framed as an important
work (
later hoovered up by cleaners) and to a public
installation whose meaning remains bewilderingly opaque throughout (and from which the film takes its name).
@Large is the
latest installation in the Golden Gate National Parks» Art in the Parks program, a cooperative effort
of the National Park Service, the Golden Gate National Parks Conservancy, and the Presidio Trust to
work with community partners such as the Headlands Center for the Arts, the FOR - SITE Foundation, and the San Francisco Museum
of Modern Art.
One
of their
latest works is no exception: A Colossal Wave is a mixed reality project involving four VR umbrellas, a dropper tower, a bowling ball, a gong + a sound - reactive gallery
installation.
Teresita Fernández's
latest solo show
of new
work As Above So Below, opening at MASS MoCA on May 24, 2014, combines graphite and gold to create a series
of immersive, interconnected
installations whose scale shifts from intimate to vast, from miniature to panoramic.
An iconic video
installation by media artist Paik Nam - june (1932 - 2006) has been turned off due to safety concerns, the National Museum
of Modern and Contemporary Art said Thursday.The MMCA said it has unplugged the
late visionary artist's video
work titled «The More The Better» after a safety check by the Korea Electrical Safety Corporation warned
of a fire risk.
Viewers will be able to see pieces ranging from her early paintings inspired by the use
of LSD to
later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media
installation addressing racist stereotypes.
SECOND - BIGGEST WASTE
OF MONEY AFTER THE LEONARDO AUCTION «Hansel and Gretel,» one of the year's more expensive works of installation art, involving the latest in high - tech surveillance technology reiterated as fun - house spectacl
OF MONEY AFTER THE LEONARDO AUCTION «Hansel and Gretel,» one
of the year's more expensive works of installation art, involving the latest in high - tech surveillance technology reiterated as fun - house spectacl
of the year's more expensive
works of installation art, involving the latest in high - tech surveillance technology reiterated as fun - house spectacl
of installation art, involving the
latest in high - tech surveillance technology reiterated as fun - house spectacle.
The
latest iteration
of Bloom Projects, which will go on view the same day, debuts a newly commissioned site - specific
installation by Brooklyn - based artist Michael DeLucia, whose
work addresses the condition
of sculpture and spatial relationships in the technological age.
On Tuesday, the Whitney Museum
of American Art unveiled the
latest work in a series
of public art
installations by key American artists on the facade
of 95 Horatio Street, across from the Museum's building and the southern entrance to the High Line.
The focus
of his
work shifted decisively to painting in the 1990s, using the same range
of boldly outlined motifs and vivid colour schemes in unexpected combinations, applied on canvas and
later to aluminium panels, while also
working on increasingly complex
installations of wall paintings.
Steadily
working since to recreate and repurpose the interiors
of the castle — through wallpapered rooms, panels that collage photocopies and concrete, and jesmonite geode - like sculptures — the pair will open their
latest installation this spring at Wentrup during Gallery Weekend Berlin.
In 2015, Tate Liverpool will also stage a summer exhibition bringing together the
late works of influential American artist Jackson Pollock, plus solo exhibitions by Romanian artist Geta Brătescu and the video -
installation artist and Turner nominee Cathy Wilkes.
Active in the Post-Sense Sensation events from the
late 1990s, his
work has explored a wide range
of mediums from painting to film,
installation and sculpture as he gradually shaped a unique artistic approach that has garnered increasing acclaim across the world.
Teresita Fernández's
latest solo show
of new
work at MASS MoCA As Above So Below will combine graphite and gold to create a series
of immersive, interconnected
installations whose scale shifts from intimate to vast, from miniature to panoramic.
In 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized
work using neon lights in a dark space
of colored walls, a proto -
installation style that would reappear decades
later and in the Gagosian show.
He developed his idea
of the permanent
installation of his
work and collections first in New York, at 101 Spring Street, and
later in Marfa, Texas.
The fault lies partly in the uniform lighting; partly in Selldorf's choppy and somewhat clunky
installation, which misuses the famed 15,000 sq ft
of open space to rob the sculptural
work of adequate breathing room; and to a larger extent on too great an emphasis on Stella's enduring vigour, which, given that the
later works were farmed out, rings hollow and does grave disservice to the impregnable place
of his early
work in a meaningful history
of art.
On view from February 22 through April 7, 2018, the exhibition introduces Liu's
latest major
works, including a large - scale video
installation in the first floor gallery, a series
of six photography
works in the second floor main gallery and a felt - carpeted room
installation in the project space.
The retrospective covers five decades
of work beginning with Merz's early experiments with «poor» materials and ending with her
late - career, large - scale
installations.
Though Durham is wary
of iconic representation in his
work, in the
late 1980s and early 1990s he began experiments on the relationship between culture and man made objects through his extensive use
of installations.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits
of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit /
installation was organized under the auspices
of a «fia backström production,» a lesser production
of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the
work of a greater local network
of friends and peers; the lesser aesthetics
of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images
of a lesser art industry itself within a critique
of a greater institutional relationship to art production; as such, the lesser display
of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex
of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection
of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution
of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value
of the pasted paper and its repetition, which dispels the greater value
of precious originals; so the act
of reinstalling lesser new yorkten years
later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm
of Capitalism that can morph into an owner
of its own critique; so that lesser new york is greater than its initial critique, greater than a
work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit
of artists
working together playfully is lesser, whereas the critique
of how artists can imagine
working alongside the institution is greater, or vice versa; the lesser gesture
of a curated mixed - media
installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities
of the organizing systems by Backström continue to put pressure on both the defining features
of art production in both the lesser context and the decade -
later greater one; further, the greater question
of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
Though Sze assembles the
works herself the first time, a detailed set
of instructions accompanies her
works so that the
installation may
later be reassembled in precisely the same manner.
March in London this year offered a singular opportunity to see the
work of the
late Richard Hamilton in depth, centered on a major retrospective at the Tate Modern and supplemented by a choice exhibition
of his prints at Alan Cristea Gallery and reconstructions
of two
of his notable
installations, Man, Machine and Motion (1955) and an Exhibit (1957), at the Institute
of Contemporary Arts (ICA).
While developing several new bodies
of work that encompass video, sculpture, and
installation (which debuted in Berlin and Los Angeles in
late 2014) Trecartin collected images which functioned as both reference material and conceptual pivot points for these expansive group
of works.
Pioneer inaugurated newly - endowed Jack Wolgin Annual Visiting Artists Program,
worked with students Judy Pfaff, the influential multimedia artist who pioneered what is now known as «
installation art,» was the first Jack Wolgin Annual Visiting Artist, a newly endowed program that was created by a gift from the
late Philadelphia real estate developer, philanthropist and renowned patron
of the arts.
Featuring a Complete
Installation of the Artist's Studio and Never - Before - Seen
Late Works, Comprehensive Survey Traces His Experimental Practice and Enduring Influence on Contemporary Art in the United Arab Emirates
The essence
of her
work has not been changed for more than five decades, reflection, thinking, and analysis were present in her paintings from the 1960s to the
latest videos and
installations.
Hassan Sharif: I Am The Single
Work Artist traces nearly five decades
of the artist's multimedia practice, including painting, sculpture, assemblage, drawing,
installation, and photography, as well as never - before - seen
late works by the artist.
Judy Rifka polished off her
installation of works past and present by rehanging her
latest and close to largest.
This exhibition also will look at younger artists such as video artists Michael Joo and Regina José Galindo, who carry on many
of these practices and themes decades
later, reconfiguring the
work of their predecessors into performative displays
of ritual through film and gallery
installations.
But when a show
of work by the
late installation artist Jason Rhoades that was planned for this spring had to be postponed until November, artist and curator Sadie Laska stepped in with a massive group show starring a diverse range
of artists including Alex Bag, Nina Chanel Abney, Lizzi Bougatsos, William N. Copley, and Thornton Dial that's shaking things up.
Working from the
latest installation of highlights from the permanent collection, Noguchi Archaic / Noguchi Modern, Dakin Hart, Senior Curator
of The Noguchi Museum, will focus on different ways Noguchi collapsed the past and the future — often, following Hiroshima and Nagasaki, out
of fear for the present.
In 2006, Dale Chihuly donated the
installation Ma Chihuly's Floats, a collection
of thirty - nine
works from the Niijima Floats series, in honor
of his mother which is installed in the museum's central courtyard from
late spring to early fall each year.
By the
late 1970s, the term «sculpture» had come to include all manner
of events (actions and performances), materials (plastics, resins, rubbers, etc.), media (photography, film, video and electronics) and modes
of presentation (site - specific
installations, street
works, documentation, etc.).
Weems (American, born 1953) began the
work while completing an MFA at the University
of California, San Diego, where the
late artist Allan Sekula created a similar
installation about this family, Aerospace Folktales (1973), on view in the historical wing
of the museum during the run
of the exhibition.
Ranging from photography to drawing to
installation, the more than four dozen
works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the
latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level
of alchemy, the act
of making
work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).
In his first solo show since the stunning three - hour theatrical
work The Humans (2014), Singh offers «The School for Objects Criticized,» a witty light - and - sound
installation in which a slinky, an abstract sculpture, and a bottle
of bleach are among seven protagonists that critique the artist's
latest exhibition; the
work takes cues from Molière's The School for Wives Criticized (1663).
left: Walead Beshty, Transparency (Negative)[Kodak NC Color Film: May 8 — May 18, 2008 ORD / LHR LHR / IAD IAD / JFK LGA / DCA DCA / ORD], 2009 Epson Ultrachrome K3 archival ink jet print on Museo Silver Rag Paper right: László Moholy - Nagy, Xanti Schawinsky on a Bauhaus Balcony,
late 1920s Photograph February 19 — May 1, 2011 This exhibition
of the Los Angeles - based artist Walead Beshty (b. London, 1976) brings together
works from the past ten years in a site - specific
installation -LSB-...]
This important and unique
work (though Flavin had planned it in an edition
of 3, only one
of the edition was ever produced) was shown most notably in «Dan Flavin:
installations in fluorescent lights 1972 - 1975,» a one - person exhibition at the Fort Worth Art Museum (
later renamed Modern Art Museum Fort Worth) in 1975 and has not been shown publicly since 1999, the date
of a Judd / Flavin exhibition at the Menil Collection.
Following a private viewing
of Richardson's
latest 3D video
installation, «Rehearsal», on January 8, the artist - run gallery, headed by its founder and director Joe Madeira, will be showing an exhibition
of the artist's new
works, marked by his ventures into multiple mediums, including photography, sound, digital film, 3D animation and,
of course,
installation.
2) Balaskas» solo exhibition at Kasa Gallery titled The Market Will Save the World, which will present a survey
of the artist's practice that spans from the analysis
of the economic crisis in Greece to his
latest work, the site - specific
installation Monopoly (2013).
Gagosian Gallery is proud to announce the representation
of the Estate
of the
late Walter De Maria, a vital figure in the evolution
of Minimalism, Conceptual art, Land art, and
installation and exhibits sculptures and
works on paper from the Estate are presented at 980 Madison Avenue.
Galerie Paris - Beijing is pleased to present the
latest works of the famous Chinese artist Maleonn in a new photography, collage and
installation solo exhibition.
The exhibition features a rich selection
of paintings, drawings and sculptures, including spatial
installations and performance - related material, paying particular attention to
works from the
late 1980s, after Kusama's return to Japan.
These
works include her richly layered wax paintings and poured latex and polyurethane foam sculptures
of the
late 1960s and early»70s; innovative videos,
installations, and «knots» from the 1970s; metalized, pleated wall pieces
of the 1980s and»90s; and pieces in a variety
of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case
of the monumental The Graces (2003 — 05).
Through his artist talk at the Astrup Fearnley Museum we got an understanding
of how this artist looks at his own
works, how he splits up the theme's for then
later to put them back together through
installations and exhibitions.