Sentences with phrase «latest is a horror film»

Not exact matches

All the statistics about attendees indicate that horror films are still solid date movies» and, in an American society where an ever - increasing percentage of young men and women are staying unmarried longer and having children later, the appeal of thrills that entertain without forcing one to think too hard is expanded to a larger market.

Groups of young friends who go to see some of the more death - focused horror films in vogue of late will routinely take bets on which stock character will face a grisly end soonest, as when viewing the Final Destination series» a film series that is, essentially, the apex of the set - piece disaster horror movie as orchestrated by MacGyver.

Though Chaplin later said that, had he known the actual horrors of the German concentration camps, he could not have made the film, the truth and hope of the film were no less important or authentic.

While best known for appearing in such horror films as The Pit and the Pendulum and The Last Man on Earth, the late actor Vincent Price was also a world - class gourmet.

There is some very good news for Gooners if the latest Arsenal transfer rumour turns out to be true, and boy do we need it after the horror film that was our first home game of the Premier League season.

Marshall, son of the late actor E. G. Marshall, is changing that — and at the same time, he hopes, the tarantula's image as the bloodthirsty villain of grade B horror films.

A late - film bit of business featuring Trintignant catching and freeing a pigeon flying loose in the apartment has been criticized for its heavy - handedness, but the problem with this expertly directed scene has more to do with whether such a gesture feels tonally earned after so much horror.

The latest film to depict the heroics and horrors that occurred in the Holocaust, The Zookeeper's Wife is ultimately a mixed bag, but is nonetheless able to capitalize on the inherent power of its story through strong performances and honest emotion.

Whilst filming their latest horror masterpiece, a group of young filmmakers unwittingly open a portal to an alternative dimension that happens to be occupied by hordes of angry, and very hungry, zombies

Coming off the success of the horror film It Follows, writer - director David Robert Mitchell shifts into noir with his latest feature, but the results appear to be much less favorable.

For some reason, the last week in August is becoming the go to release date for horror films as of late.

Over the last several years, Indonesian horror has been on the rise, but later this month, local moviegoers will be able to see a film with particularly high promise.

Over at ShockYa, for my latest Blu - ray / DVD column, I take a gander at Tim Burton and Henry Selick's The Nightmare Before Christmas, a bunch of horror flicks, a pair of documentaries on men that could scarcely be more different (New York Times society photographer Bill Cunningham and schlock - meister Herschell Gordon Lewis), and the film that inspired Austin Powers «machine - gun - breasted fembots.

The first act is painfully slow and unlike the director's later film ALUCARDA, the film doesn't kick off with bizarre visuals and horror elements.

Larry Fessenden) There is a cutaway to a cooing baby late in the myth - laced horror drama Wendigo that shatters any hope we have of escaping the film's emotional grip.

Enter the world of Hammer Horror with our exlusive interview with Aidan Gillen about his latest feature «Wake Wood» (in cinemas this Friday), the first Hammer horror film to be shot in IrHorror with our exlusive interview with Aidan Gillen about his latest feature «Wake Wood» (in cinemas this Friday), the first Hammer horror film to be shot in Irhorror film to be shot in Ireland.

's latest film into a finite box then it would be fair to call it a queer apocalyptic stoner religious cult horror comedy.

If one had to put Gregg Araki's latest film into a finite box then it would be fair to call it a queer apocalyptic stoner religious cult horror comedy.

Director James Wan and writer Leigh Whannell may be best known for kicking off the long - running (and phenomenally successful) Saw franchise, but the pair's latest film is arguably their first attempt at pure horror.

WHY: 2016 was a great year for horror, and Korean director Yeon Sang - ho's latest film «Train to Busan» is right up there among the best.

Is the latest found - footage horror movie, «Apollo 18» (this time in space) as entertaining as similar films, «Paranormal Activity» and «The Blair Witch Project,» or is this genre finally played - ouIs the latest found - footage horror movie, «Apollo 18» (this time in space) as entertaining as similar films, «Paranormal Activity» and «The Blair Witch Project,» or is this genre finally played - ouis this genre finally played - out?

When Max (Taissa Farmiga) and her friends reluctantly attend a anniversary screening of Camp Bloodbath, the infamous 80s horror film that starred Max's late mother (Malin Akerman), they are mysteriously sucked into the silver screen.

The early 1970s to the late 1980s was a unique moment in Australian cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.

Craven has never made anything so disturbing since, and it's hard to imagine this film being made today (all the ultra-violent horrors seem to come from the late 70s and early 80s, think The Texas Chain Saw Massacre, Friday the 13th).

Will the film buck the trend of disappointing game - inspired horror films (Blumhouse's own Ouija, for example) or be the latest one to fall prey to it?

Being dull as dishwater is only the first crime of Ulli Lommel's The Boogeyman (1980), a pass by a Fassbinder protégé at American slasher flicks of the late»70s (Halloween especially, but also The Amityville Horror, Carrie, and The Omen) that produces predictably pretentious results without the pang of brilliance accompanying many of the films of Lommel's betters.

«Set in 1976: Gilderoy is hired to orchestrate the sound mix for the latest film by Italian horror maestro, Santini.

Already leading an impressive career highlighted by his seemingly effortless ability to hopscotch between genres — from crime caper («Trainspotting») to horror («28 Days Later») to family film («Millions»)-- it wasn't at all impractical to think that Boyle could be the one responsible for delivering this generation's «2001: A Space Odyssey.»

Watching these talented principals take on Shelton's improv - based material shall be a pleasure in the midst of awards seasons and the glut of horror films in late October.

The latest offering from Blum and co. is the movie Jessabelle, which - judging from the trailer above - looks like a composite of so many horror films that have come before, presented in a darkly lavish cinematic style.

Teenager Max (Taissa Farmiga, «Anna») happens to be the daughter of the late scream queen Amanda Cartwright (Malin Akerman, «Rock of Ages»), who's best remembered for her role in the seminal low - budget 1980's horror film «Camp Bloodbath.»

At the SXSW Q&A, Austin - based director Michael Tully jokingly described his latest effort Don't Leave Home as «Hereditary for old people», which may be an apt comparison but it belies the true spooky power of a more delicate horror film.

Remaking hit Japanese horror movies (a la «The Ring») is Hollywood's latest plan to rake in big bucks without actually having to be creative or original — and while «The Grudge» is nothing more than a cultural twist on the standard - issue haunted house movie, I will give credit to director Takashi Shimizu (remaking his own film «Ju - On») for giving me goosebumps.

Franck Khalhoun's (P2) latest film — a French / American co-production made all the more obvious by a technical snafu that saw the movie play with French subtitles for some 15 minutes — does some things very well, but being a remake of William Lustig's 1980 horror classic, also titled Maniac, isn't exactly one of them.

The character is getting his own standalone film later this year, and it is helmed by James Wan who is otherwise known for his horror films like The Conjuring franchise.

According to Rob Zombie's latest poster for his upcoming horror film, «The Lords Are Coming» but not soon enough if you ask me.

The horror - film tropes resurface only intermittently in their later films: a hand bursting out of the ground, recalling the final shot of Carrie, during the prison break in 1987's Raising Arizona (a shot also used in The Evil Dead); the wood chipper that in Fargo (1996) is put to the grisly use that Marty had intended for his incinerator; Anton Chigurh's slasher murders in No Country for Old Men (2007); and, most acutely of all, in Barton Fink (1991), a film about a writer's worst nightmare, writer's block, complete with sweating wallpaper, expanding plumes of blood, and a hellfire climax.

The latest film to fit under this stunning horror umbrella is Trey Edward Shults» It Comes at Night, a paranoiac epic that delivers bone - chilling horror of the deeply personal kind.

«Set in 1976: Gilderoy (Jones) is hired to orchestrate the sound mix for the latest film by Italian horror maestro, Santini.

Exorcism of Emily Rose director Scott Derrickson's latest horror film Sinister is set to arrive in theaters on October 12 which is just around the corner.

Many of you are probably familiar with Tommy Wirkola's latest film Hansel and Gretel: Witch Hunters which found surprising success at the box - office, but what he was mostly known for before this years hit was the blood soaked Nazi zombie horror flick Dead Snow.

There are elements of traditional horror in the latest film from Alex Garland (Ex Machina), which is based not very closely on the Jeff VanderMeer novel of the same name.

Halloween Horror Nights fans may howl at the latest news: A haunted house at this year's event will be based on the 1981 film «An American Werewolf in London,» Universal Orlando announced early this morning.

While it was the latest YA novel adaptation at a time when they seemed to be arriving on a regularly scheduled basis, having a film so stripped down and primal made it more worthwhile as an action - horror hybrid than a world - building first chapter of a more extensive series.

Not because it's bad per se, but because back in March, artist Jay Shaw created a hauntingly gorgeous print for the film that, some seven months later, remains as one of the best horror posters of the year.

The film tosses in a late - developing twist, which may genuinely pique the interest of those who haven't given up on caring about these characters, but it's merely there in order to try to have some sort of ironic ending to what amounts to a nearly two - hour long episode of a TV horror anthology.

On this week's episode of The Golden Briefcase, Tim and Jeremy are joined by guest Brad McHargue of Dread Central / Screen Invasion and the Telluride Horror Show film festival to go over their latest picks of the week, the newest DVD & Blu - ray releases and much more.

I LOVE horror films, so it was refreshing to see James Wan's latest completely hit it out of the ballpark.

With It Comes at Night — the latest film from Krisha director Trey Edward Shults — in theaters and jangling the nerves of audiences nationwide, we thought this would be the perfect time to check in on the great horror movies of the current decade.

Their latest film is titled «Rogue River» and is a excellent entry to the horror genre.