Sentences with phrase «latest paintings on view»

But sensed throughout his latest paintings on view in the exhibition Back There Behind the Sun at McKenzie Fine Art is the artist's contemporary interpretation of geometric abstraction reflecting the here and now.

Two of the late paintings on view are magisterial.

Not exact matches

It's the work of Baltimore born Maya Hayuk, «her paintings and massively scaled murals recall views of outer space, traditional Ukrainian crafts, airbrushed manicures, and mandalas» as I read later on the website.

Paris is my favorite city, so my short film was walking hand in hand along the Seine River with my lover on a sunny morning on our way to the Musee» D'Orsay to view Impressionist paintings, followed by lunch at a sidewalk cafe, and a walk back to the hotel for a late afternoon of making love.

However, his work was interrupted by the Korean War, for which he did two years service in Germany; his time there was mainly spent putting on Soldier Shows, which, as he would later remark, gave him his introduction to show business.While working on Venice, a 28 - minute documentary that juxtaposed contemporary views of the city with paintings by the masters, Ivory was introduced to art from India's golden age.

Vibrant late fall colors painted across the trees and hillsides, the worn exterior of ancient stone buildings, awe - inspiring views from medieval walled cities, the mystical white horses on the plains of the Camargue, a...

With the exception of the influence Soutine had on a few social - conscious painters of the late» thirties, who had a short view of him as primarily a social satirist, he had practically no influence on American painting.

Later, Condo was working in Haring's studio on the painting Dancing to Miles (which was on view at the New Museum's 2011 Condo retrospective) when Warhol was about to pay a visit.

The gallery notes that the works on view «present a retrospective overview of Olitski's paintings through the artist's distinctive periods: «Core / Stain» paintings; «Sprays»; «Baroque»; «High Baroque»; and the «Late» paintings.

His latest works, inspired by the 17th century French painter Nicolas Poussin («I'm always in a dialogue with painting and its history,» he says), are on view at the Savannah College of Art Design Museum of Art, in Georgia, where W caught up with him.

In the review of Hanson's works on view at James Cohan Gallery, Schwabsky commented that «These paintings can sweep you up into powerful rhythmic waves of color; only later does it dawn on you that they are filled with darkness as much as with ecstasy.

Embellished with paint, ribbons, and beads, the crazy quilts on view from the late 1880s have a delightfully arbitrary quality that belies the skillful planning that went into making them.

Currently the official story of avant - garde abstract painting and sculpture in America that is on view at the Whitney Museum, denies works of scores of artists that demonstrate that American painters and sculptors by the late sixties went beyond minimalism creating a new expressionism.

«Polka dots would cover my fingertips to the top of my head, expanding to the window and finally covering up the whole room,» says the artist, 84, whose latest solo show of new paintings and installations, «I Who Have Arrived in Heaven,» is on view at David Zwirner in New York through December 21.

Now, some two and a half years later, a selection of his paintings is on view at David Zwirner Gallery.

Add to these the poignant last paintings currently on view in Tate Modern's Malevich exhibition, and we have an extraordinary opportunity to reflect on the phenomenon of late work in the visual arts.

Points of View: Jonathan T.D. Neil on the latest empassioned debate on art, money, markets and value; J.J. Charlesworth, in Dubai, on how contemporary art is driving the economy; Maria Lind on the power of bureaucracy; Mike Watson on the politics of the uselessness of art; Sam Jacob on preconceptions and disciplinary boundaries; Hettie Judah on Fashion in the museum and art on the catwalk; Jonathan Grossmalerman finds a new subject for his paintings; Oliver Basciano on off - space Project LALO in London & Los Angeles.

Leo Michelson, born into Riga's largely assimilated Jewish community in 1887, created the eight paintings on view in the early 1950s after surviving two world wars, arriving in New York (he became an American citizen in 1945) and entering into a late and happy marriage.

«Joan, Gordon, and Rufus [their dog] in Front of the S.F. Opera House,» painted two years later and the largest work on view, is, in her mature style, another quite impressive painting — dignified yet intimate, simple yet subtle.

On view will be later works by Milton Resnick (1917 - 2004), a first generation Abstract Expressionist known for his large, heavy «walls» of paint made during the late 1970s and»80s.

The Hammer Museum's splendid late Rembrandt painting is on view at the Getty Museum this fall while our permanent collection galleries undergo renovation.

August 1, 2008, Philadelphia, PA — Locks Gallery is pleased to present an exhibition of late diptych paintings by Warren Rohrer, on view September 2 - 30, 2008.

The unpredictable, rich yet uningratiating dimensional materiality of the paint strokes in these paintings, and the density of mark making has generally been of greater interest to me than the late paintings, some of which were on view in Mitchell's 2002 retrospective at the Whitney Museum — I saw these as too big, too empty, too facile, without tension.

In his early 20s in the late 1950s, Frank Stella created an extraordinary series of monochrome paintings, now on view at L&M Arts.

The Riverside Arts Center is pleased to present our latest off - site exhibition at Riverside Town Hall: «Looking Through You,» a solo exhibition of paintings by Sherry Mangan Fascetta.The exhibition is on view in the first floor lobby at Riverside Town Hall at 27 Riverside Rd, Riverside, IL, from March 29 through June 28th, 2017.

He has painted the changing shades of grey on Sigmund Freud's ceiling in Vienna, Austria, viewed from the psychoanalyst's couch and later, in 102 Colors from My Dreams (2002), recorded the colours he saw in his sleep then colour - matched inks to make a sequence of Rorschach blots.

Still must have been pretty impressed with Smith and Knox and the fact that he actually pulled something like that off, because two years later he sold them another hugely impressive painting (also on view next door), and agreed to loan 72 of his paintings to the Albright Art Gallery for a long overdue one - man retrospective.

The Stylist Project (on view through April 3rd) presents Brooks» latest body of work — a series of oil painted portraits of fashion industry insiders, including stylist to the starts and Bravo TV fixture, Rachel Zoe, and award winning costume designer and Madonnaʼs personal stylist Arianne Phillips, among others.

A current show at Ameringer McEnery Yohe in New York (through May 21) puts a grouping of later paintings by the artist on view.

With the four paintings on view at Oko, visitors will enjoy an opportunity to connect the dots across decades and locate Schnabel's indelible mark on the evolution of art since the late 1970s.

Curated by John Elderfield, Chief Curator Emeritus of Painting and Sculpture at The Museum of Modern Art, New York, «In the Studio: Paintings,» on view at 522 West 21st Street, spans from the mid-sixteenth through the late twentieth centuries and includes over 50 paintings and works on paper by nearly 40Paintings,» on view at 522 West 21st Street, spans from the mid-sixteenth through the late twentieth centuries and includes over 50 paintings and works on paper by nearly 40paintings and works on paper by nearly 40 artists.

Taking inspiration from Warhol's late prints on view in the museum's Andy's Toy Box gallery, Rudnick created three new large - scale abstract paintings, installed in The Warhol Store's street - facing windows.

Additional articles include Konrad Bitterli viewing Hubbard / Birchler's latest film trilogy and the paintings of Markus Döbeli (97); Nuria Enguita Mayo on drawings and paintings by Anna Boghiguian; and Julieta González provides an overview of Mexico City's arts institutions (96).

American Views provides a fresh look at landscape, both real and imagined, though late 19th and early 20th century paintings such as Samuel Colman's and George Henry Smillie's detailed studies of farms, and varied depictions of the effects of light on water by Martin Johnson Heade, John Henry Twachtman, and Childe Hassam.

On view are ink paintings by the late David Slivka, a sculptor and painter who was part of the first generation of abstract expressionists.

, Frac des Pays de la Loire, Carquefou, France Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, USA Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, Illinois, USA Outbound: Passages from the 90's, Contemporary Arts Museum, Houston, Texas, USA ZONA F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain The Trunk Show, Zoller Gallery, Penn State University, University Park, Pennsylvania, USA Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond, Virginia, USA Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, California, USA 1999 1999 Drawings, Alexander and Bonin, New York, USA Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA The American Century: Art and Culture, 1900 - 2000, Part II, The Whitney Museum of American Art, New York, USA Natural Dependency, Jerwood Gallery, London, England Matter of Time, Dorsky Gallery, New York, USA Collectors Collect Contemporary: 1990 - 1999, The Institute of Contemporary Art, Boston, Massachusetts, USA Fresh Flowers, Bellevue Art Museum, Bellevue, Washington D.C., USA 1998 Let Freedom Ring, ICA / VITA BREVIS, Boston, Massachusets, USA Abstract Painting Once Removed, Contemporary Arts Museum, Houston, Texas, continues to Kempner Museum of Contemporary Art, Kansas City, Missouri, USA Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington.

Later this month, her paintings will be installed in the museum's atrium, where they will remain on view for more than three years.

Presented in a tight grid in one of the largest configurations ever executed by the artist, here covering the entirety of four walls, the recent My Eternal Soul paintings on view are part of a highly celebrated, ongoing series begun in the late 2000s.

The Infinity Net paintings on view at the gallery's uptown location are the latest works in a series begun in New York in the 1950s, when Abstract Expressionism was still the dominant style.

(The work is on view in «Late Turner — Painting Set Free» at Tate Britain, through January 25; it will be at the J. Paul Getty Museum in Los Angeles from February 24 to May 24, and at the de Young Fine Arts Museums of San Francisco from June 20 to September 20.)

Paul Corio reviews an exhibition of late paintings by Willem de Kooning at Gagosian Gallery, New York, on view through December 21, 2013.

On view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad appOn view are iconic works from key moments of his career, from his student days in the 1960s to the present, including his large - scale double portraits of the celebrity friends of his youth; the collaged Polaroids through which he examined new possibilities within Cubism as well as the artistic use of photography; his later forays into painting the landscape on location in his native Yorkshire; and finally, his experimental works using iPad appon location in his native Yorkshire; and finally, his experimental works using iPad apps.

Some 44 years later, the artist returns with Howardena Pindell, a solo exhibition of her intricately layered mixed - media paintings and works on paper, on view at the Spelman College Museum of Fine Art from Aug. 25 to Dec. 5, 2015.

An idyllic painting by Sir William Nicholson from 1917 of a patchwork of English fields from on high at first resonates with contemporary artist Carol Rhodes's aerial view painting Airport, until the viewer notices the urbanisation in the later work.

From a purely formal point of view, on the evidence of, say, the latest Whitney Biennial, the thickly impasted, Neo-Expressionist style in which Bush works is the preferred idiom of those artists — hardly in the majority — who still choose to paint in the first place.

In no way do these fall below the general level of quality of the works in the latest exhibition, and stylistically, they are largely compatible with the paintings on view.

This sense of infinity is sharpest in later works (not on view here), in which Feeley would paint the same motif four or five times on a single canvas, arranging the iterations in a grid.

Petzel took a revelatory look at the late, great Austrian painter Maria Lassnig's years in New York, from 1968 to 1980, Matthew Marks offered a treatise on the ultra-controlled, wildly underrated Peter Cain, Galerie Lelong presented a display of Ana Mendieta's vital films, Metro Pictures showed deep cuts by Bas Jan Ader, Craig F. Starr delivered a master class on Sylvia Plimack Mangold's early paintings of floors and rulers, Hauser & Wirth hosted not one but two incredible Philip Guston shows (the second, of Nixon drawings, is still on view, offering psychic balm in these dark times), Questroyal organized a jam - packed assemblage of paintings by the indefinable American mystic Ralph Albert Blakelock, and Jeffrey Deitch brought the traveling retrospective of the Pictures Generation original Walter Robinson to Robinson's hometown.

A photograph documenting the original wall will be on view at the first opening, and at each subsequent opening, additional photographs will be added that show the later modifications of the original painting.

And now, a selection of her paintings from the late «50s through the rest of her career makes up the small, but glorious, show, «Alma Thomas,» on view at the Studio Museum in Harlem through Oct. 30.