Sentences with phrase «latest photographic series»

«Underwater ballet» is the latest photographic series by Dutch artist and product designer Anne ten Donkelaar.

This latest photographic series includes such artists as Marietta Robusti, Lavinia Fontana, Mary Stevenson Cassatt, Lilly Martin Spencer and Leonora Carrington.

LA - based photographer Fayrouz Ftouni explores this through her latest photographic series, Yasmina.

Saudi artist Sami Al - Turki presents for the first time, works from his latest photographic series Barzakh», inspired by the artist's quest to find a home for himself in his own country.

Saudi artist Sami Al - Turki presents works from his latest photographic series «Barzakh», inspired by the artist's quest to find a home for himself in his own country.

Their latest photographic series B.I.N.G.O is about the changing face of bingo and was launched at the London Art Fair 2015 and will be a solo show at the C&C Gallery 23 May to 28 June 2015.

Not exact matches

David Taylor speaks about his recent book, Working the Line, a photographic examination of the U.S. / Mexico border, organized around a series of 260 obelisks that demarcate this boundary, which were installed in the late 1880s.

New photographic work from Isaac Julien's latest series, Stones Against Diamonds, were shown to coincide with the North American debut of Stones Against Diamonds (Ice Cave).

In her recent series Transpositions (2014 - 2016) and her latest body of photographic work titled Collisions (2016), she uses Plexiglas elements to create large - scale compositions.

This Thursday at Ryan Lee Gallery, the noble and light - footed nephew of the late Helen Frankenthaler will showcase two series of silver gelatin photographs from the late»90s in «The Abstract Edge,» beginning with his «Grain Series,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated cataseries of silver gelatin photographs from the late»90s in «The Abstract Edge,» beginning with his «Grain Series,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated cataSeries,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated catalogue.

The foundation's new home in south - east Bristol will present an ongoing exhibitions programme, beginning in late October with a show of one of Parr's photographic series, as well as talks and seminars, primarily focusing on documentary photography in the United Kingdom and Ireland.

However, what strikes me, when contextualizing this work, as well as Marshall's use of the black figure in general, is how the collage is not merely a response to iconic Bearden photographic collages (e.g. Block, 1971), but of the black figures from the later Odyssey series of 1977.

Collier's exhibition includes recent works from her ongoing series «Women Crying»; two text - based photographic works based on printed materials originally used in group - therapy and self - analysis; works from her latest series «Crying (Comic)» and «Tears (Comic)»; and a 35 mm slide projection piece «Women With Cameras (Self Portrait)».

Magdalena Solé's Gust of wind, Viñales, 2013, from her latest series CUBA - Hasta Siempre (Cuba Forever), is chosen by juror and curator Elizabeth Avedon to appear in Castell Photography Gallery's «NEXT: New Photographic Visions» show.

Focusing on the photographic series and video Infinity Kisses, which sensually portray the morning kisses Schneemann received from her cats, the exhibition illuminates the radical role that the nonhuman, feline body plays in her late erotics by foregrounding the centrality of the cat in her life and art, as companion and as a symbol.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.

The exhibition includes around 400 works and presents the entire range of his work, from his first photographic series in black and white taken in the «60s and «70s up to the work in color and the exploration of new artistic languages of his later years.

In conjunction with the film will be a presentation of the artist's photographic series spanning his career from the late 1980s to the present, on view at 537 West 20th Street.

These include his 2001 «Shopkeeper Series,» simulacra of small business signs spelling out messages of quiet desperation in short word limits (like «SUE, I AM SORRY / PLEASE COME BACK» beneath a sign for «Jim & Susan's Motel»); several photographic portraits of real and fictional characters from the «Historical, Youth and Attribute Portraits» series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late Series,» simulacra of small business signs spelling out messages of quiet desperation in short word limits (like «SUE, I AM SORRY / PLEASE COME BACK» beneath a sign for «Jim & Susan's Motel»); several photographic portraits of real and fictional characters from the «Historical, Youth and Attribute Portraits» series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late 1970s.

Since the late 1990s, Simpson has extended these concerns into a series of film and video installations and large - scale photographic works printed on felt.

The exhibition presents critically - acclaimed photographic works ranging from his Crowds and Riots Series, 2008, to Mid Century Studio, 2010 - 2011, to some of his latest photographs, such as Hotel Vancouver, 2014.

Tillim's latest series of photographic images taken in Libreville, the capital of Gabon in 2012, draws on the formal and aesthetic concerns of his Second Nature series, as well as the ongoing interest in power and ideology in Africa that informed his Avenue Patrice Lumumba and Congo Democratic series.

Internationally acclaimed, New York - born artist Elia Alba's The Supper Club is a multifaceted art project comprising an ongoing series of dinners in which artists engage in meaningful conversation about art, pop culture, socio - political events and race; photographic portraits of nearly 60 artists of color; and a book to be published in late 2018 featuring the portraits and text related to the dinners / conversations.

Esopus 21 includes artists» projects by Stephen Eichhorn, Penny McCarthy, Thomas Nozkowski and Leslie Wayne; an essay on the design of the 9/11 Memorial by architect Michael Arad; poems by Chantal Bizzini; a new installment of the «Modern Artifacts» series, copresented with the Museum of Modern Art Archives, and featuring documents related to the never - published second issue of Possibilities (edited by Robert Motherwell and Harold Rosenberg); photographer Dennis Stock's images of the 1954 world premiere of Judy Garland's A Star Is Born; an interview with playwright / filmmaker Kenneth Lonergan relating to his childhood fascination with science fiction; pages from the late Austrian artist Otto Meuhl's sketchbook featuring drawings based on Cézanne paintings; and several perspectives on the African art collective Invisible Borders: an essay by Emmanuel Iduma accompanied by a photographic portfolio; and a downloadable audio compilation of music and sounds curated by Emeka Okereke that relates to the collective's 2012 road trip.

Altered Visions: Diana Nicholette JeonDiana Nicholette Jeon's digital photographic series featuring colorful, out - of - focus images is an attempt to visualize what the Hawai`i shoreline might have looked like to her late mother...

The installation of «Stills» marks the first time that the complete series has been displayed in New York and is presented alongside other prominent works by the artist: her groundbreaking series «Modern History» (1977 — 79), which pioneered photographic appropriation; the alluring and exacting «Objects of Desire» (1983 — 88) and «Renaissance Paintings» (1991), which continued Charlesworth's trenchant approach to mining the language of photography; «Doubleworld» (1995), which probes the fetishism of vision in premodern art; and her radiant latest series, «Available Light» (2012).