Sentences with phrase «latest photography and film»

ShanghART Beijing presents «Zero `, the premiere of Zhu Jia latest photography and film work.

Not exact matches

Incredible landscapes, irresistible creatures and jaw - dropping photography, all come together in Disney's latest nature film — despite the occasionally saccharine narration (courtesy John Krasinski).

With Varda's latest film, Faces Places (Visages Villages), she returns to her roots in photography, working with JR as they travel through the French countryside in his mobile photo booth to produce monumental photographs of the people (and goats) they meet and paste them on the sides of walls, rocks — even shipping containers piled high on a dock in Le Havre.

Director Michael Gracey was hired for the job in 2011, but the film did not pick up any forward momentum until much later, as principal photography began in November 2016 with stars like Zac Efron, Zendaya, and Michelle Williams also cast.

A most poignant piece of programming will be the late Abbas Kiarostami's 24 Frames, an experimental film completed before his death in July 2016 and based on his photography.

Arguably I make too many movie industry comparisons in this column, but permit me this one more: if a major distributor announced a film, then weeks later confirmed that its director, screenplay writer, director of photography and one of its supporting cast were no longer associated with the project, would you assume the final movie would be exactly as it was intended at its inception?

Making its U.S. debut, this exhibition presents the latest in African design, featuring more than 120 artists working across photography, film, sculpture, fashion, furniture, apps, digital comics, and beyond.

After gaining recognition as Abstract Expressionist painter in the late 1940s and 1950s, Alfred Leslie's long career includes works in many styles and media, including photography and film.

Deeply invested in the histories of photography and film, architecture and design, Williams has produced a concise oeuvre that furthers a critique of late capitalist society in which images typically function as agents of spectacle.

A number of events expand on the themes explored in the exhibition including a tour led by the exhibition curator David Campany (20 July, 6.30 pm, Free); the exhibition's curator David Campany is joined by writer and critic Brian Dillon, artists Xavier Ribas and Eva Stenram for a symposium discussing notions of time, perception and the history of photography (17 June, 2 - 6 pm, # 15 / # 12.50 concs); and award - winning essay film - maker Grant Gee presents his study of the late German writer W.G. Sebald which is a multi-layered exploration of place, memory, longing and dust (29 June, 7 pm, # 9.50 / # 7.50 concs).

The 2012 Biennial, poignantly dedicated to the late Mike Kelley who passed away earlier this year, presents artists at all points in their careers, in a vast array of media from painting, sculpture, photography, installation, music, theater, film and dance.

By the late 1970s, the term «sculpture» had come to include all manner of events (actions and performances), materials (plastics, resins, rubbers, etc.), media (photography, film, video and electronics) and modes of presentation (site - specific installations, street works, documentation, etc.).

From the late 1950s to the late 1960s the word «Pop» described any example of art, film, photography and architectural design that engaged with the new realities of mass production and the mass media.

In the late sixties she stopped painting and did performances and installations, film, photography, got involved with writing.

Following a private viewing of Richardson's latest 3D video installation, «Rehearsal», on January 8, the artist - run gallery, headed by its founder and director Joe Madeira, will be showing an exhibition of the artist's new works, marked by his ventures into multiple mediums, including photography, sound, digital film, 3D animation and, of course, installation.

Extending from the late 1970s to today, this selection of work reaches beyond the limitations of medium to emphasize the slippage between painting, film, photography, pictorial space, and performative space.

Since the beginning of their collaborative practice in the late 1970 ′ s, Swiss art duo Peter Fischli and David Weiss have engaged in dry wit, humor, and the absurd through their transformation of everyday objects in film, sculpture, installation and photography.

Interested in the materiality of lens - based media, in particular the possibilities of film and photography to record and explore time and space, she typically employs strategies of reversal and inversion: overlaying a negative transparency with a positive transparency of the same image taken moments later, and realising the resultant images as lightboxes, prints and films.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

Photography received particular attention in the early 1980s, film and video later in that decade and through the beginning of the 1990s.

He moved from sculpture into film and now works in moving image, photography and installation, with his latest installation currently showing at Bloomberg Space and a selection of his films screening at Raven Row.

Since the late 1980s, Stan Douglas has been making films, photographs and installations which analyse and go back over past events, while appropriating codes and techniques from cinema, television and press photography.

This latest book by the artist Moyra Davey is based on two related group of works, Les Goddesses (2011) and Hemlock Forest (2016), which each take form through text, photography, and film.

Their work was interesting, blending photography with painting and blurring the line between what was captured on film and what was painted later.

His use of color film in the late 1970s and early 1980s, at a time when British photography was dominated by traditional black - and - white social documentary, had a revolutionizing effect on the genre.

Sculpture, painting, installations, and photography — as well as dance, theater, music, and film — will fill the galleries of the Whitney Museum of American Art in the latest edition of the Whitney Biennial.

Beginning in the late 1980s, with exhibitions organized by curators William Olander and Laura Trippi, the New Museum placed increasing emphasis on areas other than painting and sculpture, and presented film, video, television, photography, and performance works as a regular part of the exhibition program.

Brandenburg's practice reflects her training in set design and the visual arts and is inspired by a wide range of historical elements, many reverting back to the late 19th - centruy, sourced from literature, the visual arts, expressionist theatre, Hollywood films, photography, chess and magic, as well as pre-Freudian psychoanalysis.

Fiskin's late work shifts from photography to film and video.

Lewis has Grenadian heritage and attended the Polytechnic of Central London (now University of Westminster), to study film and photography in the mid-1980s and later worked for the community - based Blackfriars Photography Project in South Ephotography in the mid-1980s and later worked for the community - based Blackfriars Photography Project in South EPhotography Project in South East London.

Gelatin silver print, 11 1/4 x 8 1/2 inches (290 x 215 mm), titled and dated in Cyrillic on verso by Varvara Rodchenko, Rodchenko's wife, (thus a later, but not a modern print), also with the collection stamp of Professor Lubomir Linhart of Prague, a noted historian of photography and film (who published a book on Rodchenko in 1964).

Jafa was the director of photography on Spike Lee's Crooklyn (1994), Isaac Julien's Darker Shade of Black (1994), A Litany for Survival (1995), Ada Gay Griffin and Michelle Parkerson's biographical film on the late Audre Lorde, John Akomfrah's Seven Songs for Malcolm X (1993), a cinematographer for Stanley Kubrick's Eyes Wide Shut (1999), Manthia Diawara's Rouch in Reverse (2000), Nefertite Nguvu's In the Morning (2014), shot second unit on Ava DuVernay's Selma (2014) and was the director of photography for Solange's music videos Don't Touch My Hair and Cranes in the Sky (both 2016).

Sherman's investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green - screen technology and the latest advances in digital photography.

Later in the Autumn IMMA launches IMMA Collection: Freud Project, 2016 — 2021; a significant selection of 50 works by Lucian Freud (1922 - 2011), regarded as one of the world's greatest realist painters, which are on long - term loan to the IMMA Collection; Europa, the first survey exhibition of Palestinian artist Emily Jacir's work in Ireland which brings together almost two decades of sculpture, film, drawings, large - scale installations and photography with a focus on Jacir's work in Europe, particularly Italy and the Mediterranean.

Dan Graham is famously wide - ranging, working in film, performance, print, photography, and more, but his best - known pieces remain the pavilions that he began to develop in the late 1970s, steel - and - glass structures that shift in the viewer's mind between sculpture to be looked at and architecture to be entered and moved through.

Sculpture, painting, installations, and photography — as well as dance, theater, music, and film — fill the galleries of the Whitney Museum of American Art in the latest edition of the Whitney Biennial.

After assisting the photographer and film - maker, William Klein, in the late 1970s, Bustamante became known for his own photography, in particular his monumental Tableaux series which blurred the boundary between photography and sculpture.

Photographic portfolios and interviews, how - tos and tips for digital and film photography, and the latest news from the Black & White World.

London About Blog Photography Blog brings you the latest and greatest camera and photography news, both film and digital, both global and Photography Blog brings you the latest and greatest camera and photography news, both film and digital, both global and photography news, both film and digital, both global and UK - based.