Sentences with phrase «latest styling language»

The rectangular, three large lower air intakes and the headlights fit in with Benz» latest styling language.

In terms of exterior aesthetics, the 2019 Audi A6 takes its cues from the new A7 Sportback and A8, employing the brand's latest styling language as originally laid out by the Audi prologue concept that debuted at the 2014 Los Angeles Auto Show.

The new model arrives with a fresh design born from Kia's latest style language.

Not exact matches

He discusses language, style and arrangement of the Qur» an, as well as differences between the early (Meccan) and later (Medinan) revelations and the importance of the «occasions of revelation» for understanding particular passages.

The new coupe, which was styled by Toyota's Calty design studio in California, is supposed to show the latest evolution of Lexus» design language; many of the cues on this show car have appeared on prior Lexus production and concept vehicles.

I attended the launch of this vehicle six months ago, and I have to say that I still like its exterior styling, the latest evolution of Volvo «s decidedly unboxlike design language.

Set to debut later this month at the Beijing auto show, the IS will debut with a fresh design that Lexus claims is an «exciting breakthrough» based on the company's «L - finesse» styling language.

Incorporating Toyota's latest design language, thanks to Toyota's latest collaborative efforts with Calty Design Research Inc. in Ann Arbor, Michigan, the new Avalon's styling theme follows the company's Technical Beauty philosophy... and the latest Toyota Camry.

Previewed by a concept vehicle at the 2000 Los Angeles Auto Show, the 2002 Mercury Mountaineer marked the introduction of a new design language for the Mercury line, with style elements later appearing on the Mercury Monterey, Mercury Mariner, Mercury Montego, and Mercury Milan; along with a silver waterfall grille and silver - trimmed taillamps.

If you take a look at the way the T - Cross has been styled, you will be reminded of the design language seen in the latest Tiguan but yes, there are certain elements that are unique to the T - Cross.

Lichtenstein adopted a series of different artistic languages, first approximating Picasso's style of the 1940s, in 1956 turning to a more ornamental idiom and then to Rococo motifs, and finally turning to abstraction in 1958 in a late variation of Action painting.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Excelling in foreign languages, journalism, art history, and psychoanalysis, she eventually settled in Greenwich Village, where she pursued a dual career as a journalist and a painter of biomorphic abstractions — a popular transatlantic style of the late 1930s.

Ōyama first encountered the visual language of graffiti in Italy around 2000 (and later in Tokyo and New York in 2011), which became a principal influence in establishing his signature style in the Tokyo underground art scene of the mid-2000s.

A major new exhibition presented by Tate Liverpool in summer 2011 will reveal the inspiration behind the artist's unique style, highlighting how his practice continues to influence later generations of artists, resonating beyond Surrealism to inform the language of pop and conceptual art.