(NB: Cocaine was, at the time, considered a
wonder drug — perhaps like bitcoin in more modern times — but was eventually condemned, made illegal, and deemed an «evil» by Holmes in
later works.)
(In French and Arabic with subtitles) The Elephant King (R for
drug use, violence, profanity and sexual content) Intervention drama about a young introvert (Tate Ellington), sent by his domineering mother (Ellen Burstyn) to Thailand to bring his decadent brother (Jonno Roberts) back to America, who finds himself falling in love for the first time with a local girl (Florence Faivre) while
wondering whether he's arrived too
late to save his self - destructive sibling.
Later, when Lee becomes a writer in Interzone, the transformations become even more dense and metaphorical: typewriters, for example, become talking cockroaches or Mugwumps (a Burroughs beastie that the film works
wonders with, in New York and Interzone alike), functioning variously as Ugly Spirits, muses, prophets, psychiatrists, lovers, friends, bosses, and
drug dispensers, so that writing, sex, and
drugs become virtually interchangeable.