His delivery beneath more layers of
latex than any actor should have to endure, is funny and sweet, taking his solid - stone status and adjusting it to a world too fragile, not to mention dainty, for his hefty self with a wry sense of self - deprecation.
Not exact matches
As a showcase for many of the finest
actors working today, it proves how essential performance is, even in movies that on their surface demand little more
than fitting into a
latex suit and affecting a convincing grimace.
It's not just kind of
latex and a costume; it would be a motion - capture performance of the monster — I can give away maybe not too much by saying there's more
than one in our version — and then I would go to Europe, shoot the movie, do scenes with the real
actors and I would be able to see the motion - captured monster in real time due to SimulCam, so yes that is our technological VFX paradigm for Frankenstein.»