What is here doesn't destroy a great reputation, but
the latter part of the exhibition chips away at it — just a little.
Not exact matches
The three
exhibitions on show include Gluhovs» L'UOMO VAGUE, Meldere's Colouring Books and Grantina's Heap - core,,,, the
latter of whom presented with Berlin / NYC gallery Mathew at Liste 2016 and took
part in group
exhibition X is Y at Berlin» a Sandy Brown in 2015.
The
exhibition and this accompanying catalogue are divided into three
parts: seven large paintings from the Wall
of Light series; a set
of 40 watercolors; and three photographic series, which intriguingly illuminate Scully's image - making process — Aran, Santo Domingo for Nene and Alhambra, the
latter of which is published here for the first time.
From 1958, Dzubas exhibited at the Leo Castelli Gallery, the Robert Elkon Gallery from 1961, where the dealer Robert Elkon presented him in several significant solo
exhibitions, moving on to the Andre Emmerich Gallery in the
latter part of the decade.
Currently Susan, along with two other artists, is working to on a project honoring fallen Canadian soldiers from the Afghanistan war that will be featured in a national
exhibition during the
latter part of 2012.
[50] Erika Tan, Chintz (1997) and From China to Chintz (1999), installations with sound, video, lighting, wallpaper, tea chests, tea, lavender essence, P.I.R detectors, bird cages, the
latter part of the group
exhibition «Empire & I», Pitshanger Manor Museum and Gallery, London; also reconfigured as East, in «East International» (2000), Norwich Gallery.
The New York visit had taken place sometime in the
latter part of 1964, after Hoyland had appeared in an important group
exhibition entitled «The New Generation 1964.»
Of the latter two, which are included in the exhibition, Smoke is a study for a much larger version that was shown in the atrium of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
Of the
latter two, which are included in the
exhibition, Smoke is a study for a much larger version that was shown in the atrium
of the Corcoran Museum of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of the Corcoran Museum
of Art in Washington, D.C., and eventually became part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of Art in Washington, D.C., and eventually became
part of a triology of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of a triology
of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of large - scale public sculptures that included Smog (1969 - 70), and Smug (1973)-- three
of the most profound and alluring works of public sculpture made in the history of twentieth century ar
of the most profound and alluring works
of public sculpture made in the history of twentieth century ar
of public sculpture made in the history
of twentieth century ar
of twentieth century art.
The
latter, titled 348 West 22nd Street, New York, NY 10011, USA Apartment A, Corridors and Staircases, is on display at the Contemporary Arts Center through September as
part of Suh's Passage
exhibition.
Her work was
part of a tour
of paintings from the Museum
of Modern Art's permanent collection which visited Europe in 1955 - 56 and, in the
latter year, was also included in the touring
exhibition Twelve Americans.
The
exhibition focuses on sculptures and drawings from the
latter part of her short career — the highly productive phase from 1966 until her early death in 1970.
The
latter piece, which is
part of the museum's collection, is currently on view in the
exhibition «An Incomplete History
of Protest.»
The
exhibition at the Hamburger Kunsthalle focuses on the
latter part of the artist's career, a highly productive period in which she created a substantial number
of sculptures and drawings.
Her works were shown in the
latter part of the 20th century and early 21st century, in group
exhibitions and in solo
exhibitions of her work from 1989 to 1990 and in 2013's «Wanderer: Travel Prints by Ellen Day Hale.»
During the
latter part of the 1960s he was involved in group
exhibitions of Minimal art in New York and the Netherlands.
The
exhibition La visión impura (Impure Vision) presents a selection
of works recently acquired by the Museo Nacional Centro de Arte Reina Sofía, and does so using the title to highlight the fact that the art produced in the
latter part of the 20th century undermines any notion
of purely visual art.
The
latter part of the year features an
exhibition by the distinguished Polish artist Miroslav Balka, from 14 November, and a display
of paintings and sculptures by the German artist Thomas Scheibitz, also opening on 14 November.