Not exact matches
Or the skulls in the Paths of the Dead, which pour out onto Aragorn, Legolas and Gimil.There are also instances that I think are more justified, such
as Gimli
as the
comic relief dwarf (imagine watching 12 hours of film without a
laugh.
But about this people concern themselves very little in our age which they think has reached the highest attainment, whereas in truth no age has so fallen victim to the
comic as this has, and it is incomprehensible that this age has not already by a generatio aequivoca given birth to its hero, the demon who would remorselessly produce the dreadful spectacle of making the whole age
laugh and making it forget that it was
laughing at itself.
A
comic opened the evening, drawing
laughs but offering some racially and ethnically charged humor focused on Newark and interacting with African - American inhabitants and his «interracial marriage» (he described himself
as Irish - American and his wife
as Italian - American).
The
laughs,
as you can imagine, are few and far between — what with that death hanging over the
comics, who come off
as some of the unhappiest, bitter and jealous people ever.
There is more talking than sex, and that talk's
comic content is often dry
as dust, mostly without the easy
laughs and obvious
comic beats of, say, Woody Allen or Noah Baumbach or Agnès Jaoui.
Though some characters, particularly Considine's mulletted psychic guru, are set up
as comic foils, for the most part we are
laughing with Oliver, rather than at him.
If the Disney deal does go through, there may never be another R - rated
comic book movie like this, so take it in, enjoy it,
laugh, and make sure you stay until the end of the credits,
as there are post credits scenes and an amazing song that is played at the very end.
Still, «Unfinished Business» isn't a
laugh - free experience — Nick Frost steals every scene
as a business underling with a kinky side — and some of the
comic set pieces actually work.
However, with what's there, they do get good use out of the stars, with Harrison Ford (Ender's Game) and Arnold Schwarzenegger (Sabotage) recurring throughout the movie just enough to keep their effort above a cameo, and Antonio Banderas gets some good
laughs in a
comic relief role
as the fighter who is always passed over, but really wants to be back in the fold.
From The Secret Policeman's Ball to Teenage Cancer Trust, comedy and charity have long had a heart - warming, rib - tickling relationship,
as comics around the world take to the stage to make people
laugh and raise both money and awareness for good... Read More
It's tough to sympathize with a man
as spectacularly rich and successful
as Seinfeld, but the movie has an engaging rhythm, a few great
laughs and offstage chats with Seinfeld and fellow
comics Jay Leno, Garry Shandling and Chris Rock.
In analysing the dynamics of (mis) perception that allow sequences of images to be viewed
as comic narratives — asking, in effect, just who or what we think we're
laughing at — the articles assembled here hopefully shed some light on the contested ground where ethics and aesthetics meet.
Anderson puts his top - tier cast in
comic situations and there are
laughs, to be sure, just not quite enough to energize the material
as a whole.
Comic filmmaker and Internet child Patrick O'Brien documents his journey with ALS, aimed to fly in the face of the degenerative disease
as well
as offer a few
laughs in «TransFatty Lives.»
In fact, most of the
laughs are of the nervous,
comic relief variety, used to temper the heavy doses of sometimes bloody confrontations that occur with increasing frequency
as the movie draws to its conclusion.
Kaling and Grandy have also worked hard to make this an ensemble show, with a democratic distribution of
laugh lines through the entire cast, which includes
comic Fortune Feimster
as Ruby and veteran character actor Robert Costanzo.
There may have been
laughs in the first two Thor movies, but they were much darker and more serious - minded than what director Taika Waititi and writers Eric Pearson, Craig Kyle and Christopher L. Yost have cooked up in Thor: Ragnarok, essentially a flat - out comedy disguised
as a superhero
comic book... Read
In «The Actors», Caine gets the chance not only to play a struggling and slightly bitter thespian, but also to display his not - inconsiderable
comic talent (having made us chortle heartily in both «Goldmember» and «Dirty Rotten Scoundrels», it hardly comes
as a surprise that he knows how to produce a
laugh or three).
Wildly entertaining
as they are, the incidental bursts of sibling bonding (Starship,
laughing gas) feel somewhat obligatory considering the leads» reputations
as broad
comics, though «shoehorned» is a word that never comes to mind.
Director Robert Luketic isn't nearly
as ambitious
as Alexander Payne, who used Witherspoon to such dazzling
comic effect in her best film, Election; whereas Payne mined her perkiness for subtly sinister satire, Luketic simply uses it for the easy lightweight
laugh.
And Stan impresses
as a portrait of beta - male monstrousness; there's a complicated nasty «nice guy» character, a meek abuser, that might have interestingly been expanded upon here among the film's he - said, she - said
comic abuse sequences in which Harding and Gillooly beat up on one another for broad
laughs to the sound of 1970s pop music needledrops.
While Deadpool might appear to be yet another
comic book movie in the series of seemingly endless
comic book origin stories, this movie truly stands alone
as unique and
laugh out loud funny.
Its efforts to make us
laugh, using the autistic brother for
comic relief and a very mild variation on Downey's Tony Stark shtick, are mostly fruitless
as well.
«I started crying and
laughing and screaming,» says the 34 - year - old Gerwig, who, until now, has been mainly known
as an actor, often in
comic roles.
However, Ghostbusters plays more for
laughs than scare, and Fright Night isn't really funny
as it is comical, generating most of its amusement from the
comic relief provided through the tensest of moments than in anything that would be funny on its own.
McHale's
comic timing is excellent and the pilot has some notable
laughs, especially in scenes with the great Stephen Fry
as his boss.
It's hard
comic concept to sell, hard to boil down into normal animated film length and just
as difficult to deliver
laughs through.
Comic genius Jim Carrey stars with Jennifer Aniston and Morgan Freeman in the funniest, most outrageously entertaining comedy hit of the year that critics are applauding
as «a
laugh a minute» (Jim Ferguson, FOX - TV).
A literature festival filled with authors, workshops, and round table discussions;
comic book guests, publishers, and retailers; a film festival, featuring underground films
as well
as the drive - in classic, Night of the Living Dead; entertainment that includes ice sculpting with power tools, dance, songs, and
laughs.
Not many
comics have
as much experience and confidence
as Oswalt, but not
laughing is still not
laughing.
There are a few
laughs, but in the absence of a sustained
comic tone and consistently good ideas, the script relies on endless bathroom humor and such throwaway visual ideas
as a baby stored in a high school locker.
But by that point, the film has earned its
laughs by making the audience care about characters who begin the film
as broad
comic types, but end it
as sympathetic, fully formed, multidimensional human beings.
Thrown into the mix are Stellan Skarsgard and Kat Dennings to add the
comic relief, although Thor himself wins several
laughs,
as a Norse God trying to adapt to the 21st century culture.
The latter overwhelm the movie to such an extent that much of the material comes across
as unintentionally
comic (One scene that is played for
laughs involves Cross and Kane arguing which of them will use the severed thumb of the first victim to open a safe, which is just strange after seeing how disgusted the characters are over the torture of the woman).
There are some
laughs in Dean, particularly whenever its lead character's (and yes, I will keep referring to Dean
as some variation on «Dean's lead character» in case the distinction between the film's title and the character it refers to isn't made entirely clear through italicization alone) often - morbid
comic drawings show up on screen.
While she and Byrne generate «Spy's» greatest
laughs as they tangle, it is the inspired
comic union she has with muscled action star Statham that is an outright gas.
In fact, my overwhelming urge on finishing The Dead Fathers Club was to apologize to Philip for
laughing at his predicament, but it is impossible not to
as Haig has a keen eye for the blackly
comic.
There was something irresistibly
comic about the sight of these two old men retreating
as if pulled by invisible strings, but she knew that she must not
laugh.
Actually now I'm kind of
laughing a bit at myself
as I'm writing this because in retrospect I've seen worse things depicted in the Silent Hill franchise over the years but here this one little panel (no I am not posting it you will have to see it when you read the
comic) is totally grossing me out!