Sentences with phrase «laughing at the screen»

Spidey's best bud Ned also received a lot of laughs at our screening for a few key one - liners.

Hello Holly, Lola and Mira, I laughed at my screen I swear.

So much of the plot revolves around moving from one stupid idea to the next that I was often laughing at the screen and, generally, not watching the movie.

OMG, The audience laughed at the screen after this POS this afternoon.

People will look back and laugh at the screens we all have today in 30 years.

If you can perfectly time the active reload — similar to Gears of War — and hold them at bay the sense of power will have you maniacally laughing at your screen.

Not exact matches

An afternoon screening at the Van Nuys Regency Theatres in the city's San Fernando Valley was two - thirds full and drew a diverse crowd ranging from teens to senior citizens, who laughed loudly throughout at Rogen and Franco's antics.

We laughed as we sat in the giant sponge area, and marveled at the art installation that mimicked our movements on the screen.

I'm laughing at the little troll who's so threatened but is such a wuss that he won't use his own screen name.

It's a schadenfreude machine: every week, a couple hundred hilariously overpaid, astoundingly talented human beings take to the playing fields and television screens of the world; every week, a few of them make complete idiots of themselves; every week, everybody laughs at them.

I just spit all over my computer screen from laughing at this comment.

When she screened this scene at a conference, the women laughed because they knew exactly what that meant.

We always laughed at our eldest because she would sooth at the «Jeopardy» theme and stare fixedly at the screen any time Alex Trebek spoke, but she'd look away and / or cry when anyone else spoke!

«The first time I did Black Fire, I spent half the time looking at the screen giving him the finger,» Shingleton says with a laugh.

Crossing to Carrie for some live reporting at the sporting event, she tumbled over, fell to the ground and off our screens, followed by some cry - laughing and blaming her wedges for the drop.

Frustratingly, this predatory aspect of their relationship is mostly ignored, in a sunny tale that is packed with laughs (albeit fewer than you'll find at an actual screening of «The Room,» where people throw things at the screen and shout the dialogue's quips on cue, a la «The Rocky Horror Picture Show»).

For over a decade, sold out audiences have enjoyed Rocky Horror - like participation consisting of hilarious traditions such as screen - shouting, football playing, throwing spoons at the screen, rooting on the shockingly long establishing pans of San Francisco, and generally laughing hysterically at the film's clunky pseudo-Tennessee Williams dialogue, confused performances, and bizarre plot twists, like the mother - in - law character whose breast cancer ought to play like it matters a great deal, but really comes off as a non-sequitur.

And to add injury to insult, the audience at the screening I attended were laughing through the majority of the film — and rightfully so.

I've seen material like this done better and worse, but even on its own, the movie is a nondescript, laugh-less, tedious exercise in putting material on screen that just isn't funny on its own and expecting one to laugh at it.

At the Q&A after the screening he said when he was first asked to play the part he laughed out loud.

If the rumours are to be believed, Hemsworth improvised most of his lines and in doing so, he demonstrated an applaudable aptitude for laughing at himself and a spot on ability to steal the screen whenever he was on it — this time however, that face and those muscles took a back seat to his impeccable comedic timing.

But at the screening I attended (with about 90 % of the crowd made up of «older» women), the jokes produced plenty of laughs.

«This Thing Called Love» (1940): TCM host Illeana Douglas admitted that her favorite festival moment was sitting in the audience and listening to fans laugh at Melvin Douglas,» her grandfather and the co-star of this rarely screened comedic gem (which received an encore showing on Sunday).

«Breaking In» far too quickly devolves into unintentional laughs provided by the henchmen, complete with long stretches of near silence, affording the smart alecks in the audience the chance to half - shout, «She's gonna ELECTROCUTE him,» or «There's ONE IN THE CHAMBER» and «Shoot SHOOT» at the screen.

The movie is meant for fanboys like myself and the one - time screening was full of others such as myself who laughed giddily at the antics of the brothers who were both self - destructive and epic in equal measure.

Laughed out the door at the screening we were at, it's a risible, brutal experience to say the least and the film limped onto DVD a year later without much fanfare (even Rourke himself publicly dogged the film before it came out).

But even if audience members at the 10 a.m. Friday screening seemed puzzled at first, they soon broke into raucous laughs at regular intervals.

The sequel is equally as filled with that unique mix of culture and shtick, but it's still enough to wring more than a few laughs (and tears) from today's jaded audiences (there was even applause at the screening I attended).

The movie was screened before an «invited audience» in a Michigan Avenue theater, where two small groups of audience members laughed loudly at almost everything, and just about everybody else waited politely until it was over and they could leave.

There was a lot played for laughs — the people responsible for the actual knee - breaking of Nancy Kerrigan (a character given barely any screen time at all) were portrayed as being so stupid they were hilarious but I just don't think the things they were doing can really be considered funny.

Just as Watts took the title role of DIANA in the slammed Oliver Hirschbiegel helmer, Kidman's GRACE OF MONACO (aka Grace Kelly) raised some unintentional laughs at this morning's press screening.

Finding a truly funny picture is hard enough (not that you could tell from the typical reactions at a «Fockers» screening) and besides, how many times can people laugh at the same joke?

The audience at my screening was the same way as they were very vocal with their applause and laughing.

The gauche remarks of the beaver and — at least this how it felt in the press screening — a prevailing scepticism of mental illness, means the film raises more laughs than you'd expect — and more than are appropriate — for a film about depression.

And if you thought it was just me, last night we held a special early screening of Game Night at ArcLight Cinemas Hollywood as part of the Collider screening series and it played like the crowd was on laughing gas.

**** Zachary F November 29, 2012 this movie is sooo funny Jon C November 29, 2012 a fun, crude, and hilarious comedy two girl roomates formulate a plan to make their own sex hotline in order to make ends meet hijinks and raw laughs ensue between two very different people who embrace their sexuality via telephone the performances from both Graynor and Miller are pretty damn fun to watch the dialogue is insanely funny and gratuitous there's a very strange cameo in here too by Nia Vardalos Justin Long adds a nice touch being the supporting gay best friend mentoring these two girls it's just very awkwardly humorous listening to these people talk in this kind of film, there's interestingly no actual sex happening on screen, no boobs, no ass, no exposed body parts the plot mainly focuses on the bonding relationship bewteen the two leads which is a good break from the usual norm we're used to I can't help but feel though that the filmmakers didn't have anything left at the end, some of it felt unfinished and unresolved for all those problems, «For A Good Time, Call..»

If that makes you laugh, then you should enjoy the movie like the older crowd who spent much of the evening howling with laughing at my packed screening.

The directors cast the rest of players wisely, with the aforementioned actors all very good (Mulligan is perfectly acidic and bitter) and even smaller parts for John Goodman, Garrett Hedlund (nearly dialogue free), Adam Driver (who was part of one of the biggest laughs at the Cannes screening) and Alex Karpovsky, aren't just cast for cameo purposes, but really enliven what would otherwise be throwaway roles, creating a rich world for this movie to take place in, and for Llewyn to interact with.

My only doubt at the end of the movie was did I actually stop laughing at any point in the screening.

Die - hard, love - blinded Harry Potter fans may not care; even at the critics» screening I went to, I could hear muggles laughing at the smallest joke and sobbing at the most obvious tragedy.

Strangely, the joke that scored highest on the kiddie laugh meter at the screening I attended was a Tennessee Williams reference that kids recognize not from its source but constant parodies («Stellaaaaaaa!»).

Those people may well include the audience; while my black - tie gala crowd leaned in appreciatively at the disclosure of a key twist, I heard from a few colleagues that the same scene elicited laughs and snorts of derision at the press screening.

Russian developer Targem Games have created a dynamic racer that uses mighty power - ups, winding courses and cool sound effects to create an untamed, immersive experience that will have you laughing or shrieking in dismay at your screen.

He reveals a singular ability to present ethically questionable people and situations without prejudice, letting the audience develop their own opinions while they laugh at the people on the screen and themselves.

In order to try to score some laughs, every dog - tired device is thrown at the screen, including an extended sequence where Bullock and co-star Regina King (Ray, Legally Blonde 2) end up playing men in drag at a club for female impersonators.

Matt Damon has some choice words (and a few laughs) for his «Promised Land» collaborator John Krasinski at a screening of the film presented by Backstage and the SAG Foundation.

Gillian Jacobs, Heidi Gardner, Maya Rudolph, Jessie Ennis and Melissa McCarthy deliver their dialogue in such a way that you can not help but laugh or at least smile whenever they are on - screen.

Pine works for every line, movement and moment he is on - screen, coming out with a character that you can not help but laugh at.

At an acting class, Tommy is distraught when the teacher tells him he's a natural screen villain, refusing to be laughed at or placed in a boAt an acting class, Tommy is distraught when the teacher tells him he's a natural screen villain, refusing to be laughed at or placed in a boat or placed in a box.

I think fans of the original will possibly find enough laughs here to make the film worthwhile, while anyone who wasn't a fan of the first movie will possibly be hurling objects at the screen.