Sentences with phrase «layered drip paintings»

Not exact matches

The t - shirt features a rectangular newspaper graphic on the front layered with a praying skeleton and a paint drip effect.

After a few yards, Kool kneels and points to blotches of stone that seem to drip like a bad paint job into the cliff's thin horizontal layers of stone.

The experimental techniques are: white paint printing, collage, wax and scratch, distressing surfaces, dripping paint, scraping paint, using sgrafitto, cardboard collaging and layering and digital manipulations with collage to using fabric and sewing into surfaces.

Unlike the kind of action that is so identifiable in Abstract Expressionist painting, which entails the different layers in the case of Pollock's drip paintings, scraping and repainting in the case of de Kooning, you sort of invented your own kind of action painting, in a way.

Both artists employ Galkyd to layer their paintings, a medium that Abstract Expressionist Jackson Pollock used with oil color to create his famous drip paintings.

Her dynamic compositions, layered with drips and splatters of paint, epitomize the «action painting» of the 1950s.

Manny Farber's monumental color field paintings created in New York and California during the years 1967 through 1975 were cut, stained, saturated, sliced, wet, glued, painted, folded, collaged, pleated, pasted, layered, dripped, brushed, glazed, bled, marked, colored, tinted, textured, smeared, pierced, trimmed, slit, creased, buffed, wiped, varnished, washed, graphed, drawn, scraped, burnished, rubbed, scoured, soaked, coated, veiled, and wrapped.

Although done within a shorter period, Bluhm's work undergoes the biggest change, from layered fields of interwoven gestures and shapes, with drips running down the surface, to angular gestures in thicker paint.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

In his site - specific wall paintings, Linnenbrink layers acrylic and pigment in energetic stripes, embracing the natural viscosity of the materials and allowing the lines to drip and run into each other.

His work is about the business of looking, whether he's painting dense Caribbean forests in layers of dripping paint (recalling his multi-million selling near - contemporary Peter Doig), or the Birmingham parks where he played as a child, (his various attempts to paint the scene over-layering each other in a way that brings to mind the master of dour Slade School - realism, William Coldstream).

He draws in paint, drips it, and layers it with care.

The new layer, applied primarily to the upper left quarter of the painting, was intended to cover small drips of white paint that had accidentally fallen on the work while the artist's studio was being painted.

Over the course of her career, Smith has constantly pushed the physical boundaries of painting, through the arduous building and layering of drips, drops, and strokes.

Over the course of her career, Smith has constantly pushed the physical boundaries of painting, through the arduous building and layering of drips and drops.

It is from these thick impasto - like layers of paint, alongside billowing clouds of glitter and lengthy drips of enamel that Mocquet's imagery is born.

As art historian Martica Sawin noted of Pace's art of this time, «The brush dragged across rough underpainting, the strategic drip, the brusque cancellation of any suggestion of latent image or defined shape, the look of struggle built into the layers of paint, the breaking apart of anything that might hint at order — these are all hallmarks of the work of the younger Abstract Expressionists.»

In Slow Storm (2017), grey circular strokes spiral, tornado - like, in the canvas's upper right corner, grabbing paint from earlier layers while dripping onto patches of raw canvas.

While Rogers continues to de-stabilize and undermine his paintings through his layers upon layers of veils of watery colorful depth asserting themselves against concentrated solid formations, drips, daps, and splashes, he creates an immediacy found in Abstract Expressionism and a fluidity of action with a definitive brushstroke.

She «paints» with layers of ribbon, dyed clothing, and hand - sewn textiles; the materials become marks, drips and washes.

I pour sweep, brush, drip, and fling layers of paint.

The drips and washes that so vividly recall the liquid state of the paint as it leaves the brush are most aptly visible in the perfect summer painting, Pool, which uses four panels of Dura - lar paper (like vellum) on which she has drawn more than painted the delicate tracery of plants, layered over a firm painting of a pool edged in a blue crosshatch pattern, the most representational moment in the show.

Individual drips of color hum alongside one another like vibrating strings, while rivulets and delicate lattice - like interruptions in thicker curtains of paint reveal layers beneath them and obfuscate others.

My response to the place was in the form of large abstract works painted in thin layers, with drips, hardly any brushwork.

«action painters» - to use Rosenberg's term - here, and beneath the looping lines, drips and blocks of color that mark their paintings» surfaces, you can look to see deeper layers of painterly activity.

A brush turns those drips into a fine spray, a final layering over painting's larger outlines.

While Kaloidis» work is more action explicit, portraying direction of motion through drips and splatters, paintings by Szot feature an array of shapes and patches of different hues and layers, which rely on the juxtaposition of color and form to convey stories of their own.

He began by pouring bold, sometimes even fluorescent colors of paint directly onto unprimed, unstretched canvases, which he would then fold and crumple while still wet to create luminous washes of color layered with glowing striations, drips, and pools of pigment.

Instead of brush strokes, Rifai drips and rolls his paint, layering saturated surfaces with grids of wavering lines, creating compositions that tend toward the definition of a new visual language.

Ryan Sullivan's monumental drip paintings March 8, 2014 - April 15, 2014, 2014, and Untitled, 2014, build layer upon layer of paints (oil, enamel, lacquer, latex and synthetic polymer paint) to create a three - dimensional relief surfaces.

, They bring order to Pollock's drips and splatters, show Color Field painting a thing or two and presage the voluptuous patterns and layered colors of Philip Taaffe.

In his early Joke paintings, the artist experimented with layering pilfered cartoon illustrations and their pun - riddled, Freudian punchlines on canvas with a silkscreen while also inviting incidents of chance, dripping and other fragmentary evidence of his hand.

While the drip paintings were built up in energetic layers of color that could veil errors, Mr. Delahunty argued, there was nowhere to hide in the black paintings.

To produce the stratified surface of these paintings, Johnson drips layers of acrylic paint onto freezer paper and allows them to dry and form a skin — a flexible, plastic - like puck of pigments that she attaches to the paintings with glazing medium for added texture and embellishment.

Working on canvas allows Otto - Knapp to layer each detailed yet atmospheric image, subverting the difficulties of watercolour by producing substantial paintings that accentuate the imperfections of the medium, such as the drips where the paint fails to absorb.

«The quality, the execution, the kind of intensity of the layers of paint, the quality of the drip is relatively discernible when you see these things first - hand.

Depending on the temperature, humidity, viscosity of the fluid and the pressure, paint will react with the material differently each time, where the bleeding fragments of runny color, around and in between the lettering, remind of the Pollock's dripping, while the thick layers of paint give out a bas - relief impression.

Inspired by first - generation computer art programs like MacPaint, Trudy Benson makes big, boldly colored canvases that ply the charms of that naive platform: the crisp layering of line and shape, the abrupt contours that seem to defy paint's natural inclination to ooze and drip, and the ad - hoc, this - is - disposable riffing vibe.

During the next decade Pollock developed his monumentally influential «poured» paintings by dripping and flinging intricate layers of paint all over his canvases, which were hailed by the influential critic Clement Greenberg.

Fusing clear intention and virtuosic improvisation, Bowling called on his expansive repertoire of techniques to manipulate the surface of his paintings, whether on paper or canvas: pouring; staining; scratching; creating layered streams, pools and diffusions of gorgeous colour; interrupting currents with drips and splashes; scattering chemicals to create mottles and veins.

She uses techniques of dripping, layering and pouring to apply paint, which derives from her earlier work with glazes.

And below the earthy colors of the panels in Uphill 4 (2014), a rich accumulation of drips, a memorization of the layers that build the painting up.

It is his work titled «When It Starts Dripping From the Ceiling,» in which he created a «tower of wooden slats under which a rubber trough was placed with a thin beige layer of paint representing dried rain water.»

Remember that it is always better to paint in lighter layers for a more even coverage and to avoid drips.

Step 3: Build the paint gradually, allowing it to dry in between each layer — this will prevent drips and give you an even coverage.