Sentences with phrase «layered paint look»

If you are wondering how the layered paint looks, you can see my first attempt at salt wash below.

Not exact matches

I thought it would be fun to see if I could actually apply layers of paint to my jars, and then strategically take it off for a vintage and shabby look.
Cakes: More and more couples are opting out of the traditional wedding cake and going for looks that are more unique — like floral patterns hand painted on different tiers or nixing the sweet and going for something more savory with a «cheese» cake, made up of various layers of cheese wheels.
We painted ours with a couple of layers of ordinary, white ready - mix paint, although acrylics looks really effective too!
When he looked at the layers of residue and engineers» markings built up over nearly 50 years, Michael Soluri perceived a modern cave painting.
Give yourself a doll - like look by painting your curly layered bob striking orange - pink.
Whether on its own or as the foundation for a dressier layered look, this painted stripe sleeveless top is tailored with a pleated keyhole neckline and infused with a hint of stretch for a flattering, comfortable fit.
Once you have achieved a solid, finished look with the chalk paint, apply 1 to 2 layers of the Polycrylic.
Touches of paint have been applied by hand to enhance the richly layered look.
Layer on the color and comfort with our cheery bedding, printed with a new technique that gives it the dimensional look and extra vibrancy of a watercolor painting.
Expressively carved legs are masterfully hand painted to capture the look of timeworn iron and copper - dipped feet.Melandri Stool features: * Finishes are hand applied in layers for...
Immediately after painting, I took an old rag and dragged it across the Old White, creating a layered look.
Instead of just revealing the Graphite underneath, sanding actually removed all of the layers of paint in some areas — which was okay because I wanted an aged look anyway.
I wanted a worn, aged look so I decided to layer different paint colors.
I also took some mini terracotta pots I had sitting around and gave them a quick coat of white spray paint, then gave them a copper ombré look by lightly layering the bottom with the copper spray paint.
I want to try this method, I've been making my own chalk paint, and painted my china cabinet, and used the Minwax dark wax to antique it, it's not for everyone, but the look is just what I want, old world look, not even put it has character, I am doing my coffee table as well, I find very ornate pieces cheap and paint a base cream chalk paint and then go over it with the Minwax dark, let it sit for 15 min and buff, then add another layer of wax, its so much fun, but the problem I'm having is I'm ADD and I have 5 projects going at once!
If you're wanting a bit of a layered look with the colors, you could then dry - brush another color (s) on top on the spray paint, once it's dry.
Then when my paint had dried, one more layer of top coat and my look was complete!
I felt when they weren't spray painted over they gave an added iridescent look on top of the layer that was spray painted white.
To create the layered look of crackled stone, I painted them in Fusion Mineral Paint in Algonquin — the same paint that I used on the Metallic Nightstands for the bedroom.
I love the layered look and don't think I can go back to just painting a solid color and walking away.
So even though the paint underneath will look great, to the eye you won't be able to tell because the top layer could still look a mess.
I like the old looking signs with layers of paint.
Of course, those three layers of paint made it harder to get the distressed look when it came time to use the sandpaper.
If you prime first and then want to distress the edges to create an aged look, you will see the white layer of primer show up on your painted surface.
Usually I mix it rather «thin» but recently mixed it thick because I did want a paint mixture that made it possible to actually build up layers of paint for an old European look on a chandelier.
Showcasing incredible production design, matte paintings, sets, props and costumes, Burton's Batman is visually layered and gorgeous to look at.
When you play the game on an iPad, the game takes on a new meaning and looks spectacular, almost like a painting come to life and I loved the faux 2.5 D atmosphere which creates this interesting layer system.
First - time director Tom Ford paints his own portrait of A Single Man almost as if it were a piece of art — beautiful to look at, solitary and still, but with many layers of emotions hidden underneath.
Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylic paint.
The concept's silver paint has copper undertones in a layered effect to change tones as you look at the car from different angles.
Buying used means you'll likely be cursed with many of the disco, over-the-top options offered, such as the $ 18,469 triple - layer paint, $ 7,706 diamond forged wheels, hey - look - at - me - I - want - to - make - sure - you - know - I - own - a-Ferrari $ 1,623 Scuderia fender shields, $ 1,445 yellow brake calipers, $ 1,284 yellow seat belts, a $ 2,730 suit holder, and the $ 7,225 Ferrari golf bag straight out of «Caddyshack.»
On request, Mercedes paints dark colors by hand with a second layer of clear lacquer to make them look deeper and more brilliant.
Its more than just a new layer of paint and some bloom effects; everything looks like its been completely redone.
Its layered look is a common motif in Taylor's work, attracted as he is to «the look of things that have been painted or covered over but still [show] what's underneath.
Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»
Going back to how you [Gooding] describe the earlier work, there was in fact a self - conscious desire to block off or direct the viewer's process of looking at it or looking into it, and this later evolved into a later stage in which there was actually an invitation to «look in», but in which at all times the viewer was encouraged to be aware that the painting was made out of real things, real physical layers, rather than illusions.»
The first thing that strikes you when looking at a John Copeland painting is the gloriously thick layers of paint that makes up the image.
The act of looking through one element to another, or the blocking of one impenetrable layer by another has become a hallmark of his paintings.
By building layer upon layer of close valued, luminous colored strokes of oil paint, across areas and vast fields of highly keyed, chromatically rich, and close valued color, Monet achieved a look and feel that goes well beyond conventional easel painting.
But when seen up close, what look like Impressionistic brushstrokes reveal themselves to be tiny but precise indentations, carved into surfaces that have been built up with dozens of shimmering layers of acrylic paint.
The work looks more layered and more experimental with color choices, in particular the painting after Balthus.
Painted from historical photographs taken from old magazines, family albums and the propagandist publications distributed by the government during the Cultural Revolution, At a time of immense and rapid socio - economic change in China, these works look back at its past, marking a fragile line with delicate layers of ash between individual memory and official historical record.
Conversely, I once saw a very small painting by Jake Berthot, a pocket - book - size picture that was a complex layering of different greys with some wonderful reds breaking through the field and also at the edges of the canvas — it seemed like I was looking at something almost infinite in its dimensions.
Through layers of paint applied in an utterly abstract gestural style, which seem to cover instead of disclosing an image, the pictures record time, summing up the experience of looking, processing, and representing.»
Rather, the space is lit by diffused natural light, which intensifies the intimacy of looking at Martin's painting: the subtle variations of the pencil lines, the thin washes and layers of paint that seem to sit on the surfaces of stretched canvas.
From far away, his paintings look like collage, which makes them all the more impressive when you walk up close and see the paint hardened and layered into and on top of one another.
«That's how I look at the history — through the museum walls and layers of paint
Schiel does not intend to restrict the viewer from the origins of the work, but he asks us to look closely for windows into past layers, revealing the true personality of each painting.
It looked as it was made of some sort of soft material you can sink your fingers in, but upon closer inspection you realize that is made up of layers of rigid cardboard stacked and painted upon each other.
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