His partner in crime at Parallel gallery makes heavily
layered patterned line abstractions.
Not exact matches
Trace 2 of the soaker
patterns onto the t - shirts (all 4
layers again), and cut out roughly, leaving about 1/2» of fabric outside of the sewing
line.
But the perceptron was limited: Consisting of a mere two
layers, it could only recognize a «linearly separable»
pattern, such as a plot of black dots and white dots that can be separated by a single straight
line (or, in more graphic terms, a cat sitting next to a chair).
This polyester - nylon skirt has an opaque
lining, a
layer of tulle and then the mesh - embroidered outer shell which has a more literal
pattern than what I'm used to seeing from this brand.
Her «Tuning Fields» series, now numbering over 300, uses
line - driven
layers of color to create loose yet formal fields of motion that are abstract and at the same time evocative of shapes and
patterns found in nature.
Working in
layers with
pattern and
line, and using saturated color, Benson creates abstractions that seem to jump off the canvas.
The pieces are characterized by
patterns of diagonal
lines,
layered to give an illusion of depth on a flat surface.
Her Tuning Fields series, now numbering over 300, uses
line - driven
layers of color to create loose, yet formal, fields of motion that are abstract but also reference shapes and
patterns found in nature.
Only on closer inspection do the underlying
layers peek through the surface here and there, revealing faint
patterns and isolated
lines, and casting Abts» work as a reflection on the painting process itself.
The scintillating effects arising through the calculated
layering and juxtaposition of contrasting colors through repetitive
line patterns elicit shuttering afterimages, optical flicker, and disorienting sensations of movement.
Line - work, textures and
patterns are scanned and
layered to create finished artwork.
Scintillating effects arise through stacked
layers of offset
line patterns through which contrasting colors are juxtaposed, eliciting fluttering afterimages, optical flicker, disorienting spatial effects, and destabilizing sensations of movement.
Adding another
layer of automation and chance to his process, Depeña works with software to create random
patterns and generate
line work from drawings that are in turn used to create 3 - dimensional cutting models.
The resulting works display surprising uses of juxtaposition,
layering, shape,
line, color,
patterns, deconstruction and repurposing.
The result was an amazingly complex
pattern of incised, striated
lines, or an even, smooth surface that revealed an unexpected color and light from
layers beneath.
Compositionally, the paintings range from compressed
layers to airy
patterns, such as Nocturne with Architectural Fragments (2014), with its
layered structure of geometrical
lines.
Houshiary's time - consuming artistic process involves the build - up of multiple
layers of pigment,
pattern, and
line.
Using fabric - dying techniques rather than brushed paint, Gruzis has
layered these medium - sized paintings with nesting frame shapes, or splayed radiating
lines across the paintings» surfaces against tie - dye
patterns in smoky purples, blues, and icy grays.
Julie Oppermann's series of paintings explore the contemporary idea of interference in relation to how information is disseminated, transmitted, and ultimately perceived, using painted moiré
patterns created by overlapping multiple
layers of nearly identical
line patterns.
Through Mist, curated by Fereshteh Daftari, debuted seven new paintings that triggered all the senses in a process that involves building up
layers of pigment,
pattern and
lines.
This is a
line of research probing
layered sediments, like those in the bottom of that hole, for clues to past
patterns of powerful storms.
Theses
lines of evidence include: — Post-1950s stratospheric cooling — Post-1950s mesospheric cooling — Post-1950s thermospheric cooling — Horizontal / regional distribution of warming and the temporal
pattern of warming [DOI: 10.1175 / BAMS - D -11-00191.1, pages 1683 and 1684]-- Exclusion of other likely causal factors, such as the Sun [ex: solar - induced warming causes warming of the stratosphere, mesosphere, and thermosphere, yet scientists observed cooling in these
layers].
This is known via various
lines of evidence, including: — Post-1950s stratospheric cooling — Post-1950s mesospheric cooling — Post-1950s thermospheric cooling — Horizontal / regional distribution of warming and the temporal
pattern of warming [DOI: 10.1175 / BAMS - D -11-00191.1, pages 1683 and 1684]-- Exclusion of other likely causal factors, such as the Sun [ex: solar - induced warming causes warming of the stratosphere, mesosphere, and thermosphere, yet scientists observed cooling in these
layers].
This conclusion is based on multiple
lines of evidence, from basic physics to the
patterns of climate change through the
layers of the atmosphere.
«This
line is the best representation of my love of color, exotic
patterns, vintage styling, and a modern
layering and mixing of materials,» the designer explains.