After
layering tar paper, tar, foil sheets, and aluminum paint to make a «malleable canvas,» as McCloud puts it, he then heats the surface with a blowtorch and hammers decorative patterns into it using a woodblock.
Not exact matches
Richard Serra etchings, whose thick black texture resembled a
layer of
tar on the
paper, were also available at Gemini; while Crown Point had an untitled Laura Owens print of a rooster precariously balancing on a tree branch.