In painting and print,
she layers architectural plans, maps and other schemata to invoke the histories of cities and civilizations, while heightening our awareness of how we make sense of the world.
Not exact matches
Ms. Mehretu, who received her M.F.A. from the Rhode Island School of Design in 1997, has always
layered her canvases with diagrams and information as a starting point:
architectural plans of arenas or fortified cities underpin her small dashes and shapes that move in swarms across her early paintings.
Incorporating the dynamic visual vocabulary of maps, urban
planning grids, and
architectural forms, alternating between historical narratives and fictional landscapes, Julie Mehretu's beautifully
layered paintings and drawings combine abstract forms with the familiar, pairing the Roman Coliseum with floor
plans from international airports, Le Corbusier's unbuilt megacity with blueprints from Zaha Hadid and Tadao Ando, and dashing it all together with a color field full of abstract geometry.
The best lighting
plans include three
layers: general or ambient lighting that illuminates the entire space; mood lighting to create a special glow in designated areas; and task or accent lighting to play up
architectural details, furnishing, or art.