Sentences with phrase «layers black paper»

Thornton Dial layers black paper onto canvas, while Stacy Lynn Waddell burns gold leaf onto canvas, as The Secret Life of Plants.

Not exact matches

Line a baking tray with parchment paper and drizzle a little extra virgin Spanish olive oil on top of the parchment paper, then start adding the slices of potatoes on top of the parchment paper in a single layer, drizzle a little bit more of extra virgin Spanish olive oil on top of the potatoes, season them with sea salt and a hint of freshly cracked black pepper and them to the oven

Pulling the baking supplies off the shelves, wrapping them in layers of paper towels and coffee filters, and placing them in boxes marked with the word glass in thick black marker.

ENCODED IN LIGHT A layer of light on a black hole's boundary may reveal what's inside the black hole, Stephen Hawking and colleagues suggest in a new paper.

Start with white paper (or a white base on tinted / black paper), lightly put down a yellow pencil layer, then a very light red layer.

As a bonus, you can layer the plain white cardstock with graph paper, a black - line master of a map, or a copy of whatever students need for the skill they're practicing.

In the present work, forty - one lengths of striped, brightly coloured cord run at equal intervals horizontally through a vast, textural black and white surface, which is formed from impacted layers of paper that Bradford has abraded with sanding tools.

Manifest through a meticulous layering of matte black toner, these images emerge gradually on the paper as a photo in a developing tray, generating unexpected optical abnormalities by both machine and toner as the layers of powdered carbon accumulate.

«I choose and photograph the subject, draw the outlines in pencil and then meticulously reproduce it with thin technical black ink pens on rough grain paper, laying layers of ink in a repeating pattern of little circles.»

Alexandros Tzannis, Constellation Paris / Black layers over the city of light, 2016 - 2017, ballpoint pen on paper, iron structure, magnets, 141 x 220 cm, installation view, courtesy the artist.

Pre-cut forms of vegetation are layered onto paper as he creates textural, black and white backgrounds with oil stick.

While the drawings appear intuitively improvised, composed at the moment the black crayon meets the paper, the sculptures are the result of a slower process; from layered modelling to casts.

The layered paper and fabrics in his Black paintings and Red paintings led to the artist's landmark Combines (1954 — 64), a body of work that breaks down the boundaries between painting and sculpture.

New works, such as Horizontal Reversals, 2017, are defined by the juxtaposition of two pieces of handmade paper framed together, that have each been divided by densely layered black pigment.

The carefully edited selection of work from 1958 to 2012 includes her early use of a welding blowtorch to deposit velvety layers of black soot on paper, muslin, and canvas.

Distinct layers are often defined by the inclusion of seamless collage elements in the form of applied paper, outlined in black, like cartoon clouds on the parti - color dream of a tranquil pupa.

Richard Serra etchings, whose thick black texture resembled a layer of tar on the paper, were also available at Gemini; while Crown Point had an untitled Laura Owens print of a rooster precariously balancing on a tree branch.

Richard Saltoun will exhibit two of his strongest series: the early «field» and «open» drawings from the 1960s and 1970s, the outline shape of the landscape reduced to simple schematic lines on paper, and his heavily layered «black» watercolours and paintings.