In these works, Whitten poured and pooled different
layers of acrylic paint onto a canvas lying on a flat surface.
To produce the stratified surface of these paintings, Johnson drips
layers of acrylic paint onto freezer paper and allows them to dry and form a skin — a flexible, plastic - like puck of pigments that she attaches to the paintings with glazing medium for added texture and embellishment.
Not exact matches
This exhibition also draws attention to works in the Museum's collection such as Frank Stella's (b. 1936) Moby Dick prints, currently on view in the adjacent Connecting Chaos exhibition, in which he
layers cut paper
onto multiple print processes, and Keltie Ferris's (b. 1977) The Wrestler (2009) in the Museum's atrium, which incorporates oil,
acrylic, and spray
paint into an abstract
layering of color and shapes.
Employing the old technique
of «
layer painting», Fomenko applies the practice in a modernized way and injects bright primary shades
of acrylic paint onto the canvas, before awakening his subjects
of surrealism with oils by using broad brushstrokes.
Bickerton then works directly
onto the photographic print using thick
layers of oil and
acrylic paint so that the components
of photograph,
painting, and sculpture become indistinguishable.
Her
paintings consist
of psychedelic optical patterns
of layered medical data, silkscreened in bright phosphorescent - colored
acrylic paint onto polished stainless steel.
Her process involves the use
of large quantities
of acrylic paint poured
onto her studio floor; the
paint eventually becomes building blocks to construct
layered abstract sculptures called
paint - objects.
Well known for her approach situated in Color Field
painting, Gualdoni begins her
paintings by pouring
acrylic paint directly
onto the canvas, creating overlapping
layers of capricious and unpredictable ground.
Unlike the surfaces
of earlier
paintings, in which thin
layers of rolled
acrylic paint constituted the backgrounds
onto which black pixelated images were silkscreened, the backgrounds
of the Shadows canvases were
painted with a sponge mop, whose streaks and trails add «gesture» to the picture plane.
For the
paintings in Winter Diary, each large canvas is primed with a thick
layer of resin, which creates a smooth plastic surface
onto which
acrylic paint is applied.