Sentences with phrase «layers of oil paint onto»

Through a process of applying many translucent layers of oil paint onto canvases lying on the floor random expressionistic color fields are created sometimes with broken geometric structures floating on the surface.

In his darker Round monotypes, he painstakingly transfers many layers of oil paint onto paper to create infinite space similar to Tang Dynasty bronze mirrors.

Not exact matches

Use a pastry brush to paint a thin layer of melted butter or oil onto the surface of the double layer filo rectangle.

The artist first applies thick layers of oil paint in various colors, including burnt sienna, green, blue, and yellow, onto a white painted background, then uses her body to vigorously mix and sculpt the material until the once - vibrant pigments meld into a rich gray tone.

This exhibition also draws attention to works in the Museum's collection such as Frank Stella's (b. 1936) Moby Dick prints, currently on view in the adjacent Connecting Chaos exhibition, in which he layers cut paper onto multiple print processes, and Keltie Ferris's (b. 1977) The Wrestler (2009) in the Museum's atrium, which incorporates oil, acrylic, and spray paint into an abstract layering of color and shapes.

I chose them because they are, in many ways, the polar opposite of traditional mediums — a way to take very complex, age - old master's techniques like reverse painting and the glazing and layering of oil paints, exploding them onto modern mediums that speak more to current times.

Gilad Efrat, who lays layers of thick oil paint only to engrave within it or the subtract from it, functions much like that ancient writer, who imprints marks by stakes onto a soft mortar plaque, hurrying to affix meaning onto the surface of the material before it will harden.

Bickerton then works directly onto the photographic print using thick layers of oil and acrylic paint so that the components of photograph, painting, and sculpture become indistinguishable.

Art history imparts a heavy weight onto mediums like oil paint, but, like any other material, Hundley then capitalizes on these histories by embracing them and unleashing their potential - by titling some of the paintings Still Life or Composition he embeds yet another layer of historical reference.

Instead of using canvas — as he had done previously — Richter experimented with Alucobond, a composite of aluminium and plastic, because of the unexpected effects that result when coloured oil paint is layered onto the very smooth surface of this material.

CAM Raleigh presents five of these signature works — all abstract — in which the artist layers oil paint onto a plate - glass or Plexiglas support before scraping off the accumulating «skins,» as he calls them, and collaging them onto a canvas, letting the thickened medium ripple, sag, and wrinkle, marvelously, across the cotton surface.

These «oil skins» are then scraped off in sheets and draped onto canvas, revealing layers of under painting and distorting the original image.