Sentences with phrase «lead curator roles»

Not exact matches

Julia Stiles returns in the lead role as American art curator Georgina Clios living on the Cote d'Azur.
As the role of the museum slowly moves from a curator - led to an audience - led experience, the simple paper information card has increasingly been found lacking, contributing to a decrease in paid attendance in museums across the world.
As the role of the museum slowly moved from the curator - led to an interactive audience - led experience, the simple paper information card has increasingly been found to be lacking, especially among the millennials generation.
The Whitney Museum's director, Adam Weinberg, explains, «Our role has been, historically, to follow the lead of artists, and that can mean territory that is not so comfortable, even for curators and directors of institutions.
Performa Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading organization dedicated to exploring the critical role of live performance in the history of twentieth - century art and encouraging new directions in performance for the twenty - first century.
The Board of Trustees, together with Salpeter, simultaneously announced it has put in place a new structure for the museum's senior leadership that expands the roles and responsibilities of its founding management team: Deputy Director and Chief Curator Alex Gartenfeld is being named Artistic Director, leading institutional vision, strategy, and programming as the museum's chief executive officer; and Associate Director Tommy Ralph Pace is being promoted to Deputy Director, overseeing operations, institutional advancement, and external affairs.
Led by Mothersbaugh and CSM Director Dean Sobel, the discussion will explore Mothersbaugh's spectral creative production — beginning from his work as a visual artist, while also exploring his new role as a curator as well as other areas of artistic expression.
Founded in 2004 by art historian and curator RoseLee Goldberg, Performa is the leading international organization dedicated to exploring the critical role of live performance in the history of 20th century art and to generating new directions for the 21st century, engaging artists and audiences through experimentation, innovation, and collaboration.
As Norte Maar continues to be a leading force in Brooklyn, many may not realize that the organization was originally founded on the shores of Lake Champlain in the summer of 2004 by curator Jason Andrew and choreographer Julia K. Gleich, playing a major role in revitalizing the arts in the North Country from 2004 - 2010.
The massive expansion of the art market in recent decades has aroused much intrigue about how galleries operate, particularly as critics, artists and independent curators take the lead in opening their own spaces, enhancing the appeal of the gallerist's role.
Lead - ing international curators and participating galleries praised the section's energy and innovation, which celebrated longstanding artist relationships and under - scored the critical role of galleries in recent decades.
Leading art collectors who have played a key role in the history of contemporary art in Miami will share their experiences and insight into building a personal collection in a series of conversations with MOCA Executive Director and Chief Curator Bonnie Clearwater.
Performa, founded in 2004 by art historian and curator RoseLee Goldberg, is the leading organization dedicated to exploring the critical role of live performance in the history of twentieth - century art and to encouraging new directions in performance for the twenty - first century.
Previously Solomon R. Guggenheim Foundation Curator for the Guggenheim Abu Dhabi Project, I played a leading role in the development of the programme for the future museum and its collection.
In the book's lead essay, curator Kathy Halbreich proposes that Polke studiosly avoided any signature style or medium «so that his easthetic method... enacted the role of an alibi»... And Polke's work is self - evidently open, experimental, and reveling in possibility.
The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.
This work has been led by art historian, critic and curator, RoseLee Goldberg, whose unique approach to the role of Founding Director and Curator of Performa has initiated expanding knowledge and understanding of this important area of cultural hcurator, RoseLee Goldberg, whose unique approach to the role of Founding Director and Curator of Performa has initiated expanding knowledge and understanding of this important area of cultural hCurator of Performa has initiated expanding knowledge and understanding of this important area of cultural history.
Leading international curators and participating galleries praised the section's energy and innovation, which celebrated longstanding artist relationships and under - scored the critical role of galleries in recent decades.
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