Sentences with phrase «leading art patrons»

Art Basel connects leading art patrons and galleries across countries and continents.

Although his works seems banal, one leading art patron (Charles Saatchi) considers him to be one of the greatest of all contemporary sculptors.

Not exact matches

The gift - giver of means — one who fancies himself a patron of the arts — might take an interest in a Namiki / Pilot Maki - e pen or one of the neo-Victorian, hand - crafted pens from the English company Yard - O - Led.

And patrons will be able to do just that as the Cars Meet Art exhibit returns for a second consecutive year to the Miami International Auto Show presented by Ally Financial, a leading financial services company specializing in auto financing, online banking and corporate finance.

The title stems from the life of Bobbie Lehman, who was the last family member to lead the company, who as a financier, had such a commanding position that he struck fear in the hearts of those he would talk to, though he was a gentleman in many regards, and a patron of the arts to a high degree.

He is also one of the world's leading art collectors and the founding patron of the Museum Barberini, a private museum which opened its doors to the public this month.

Recognizing the obstacles these artists faced, Mrs. Whitney began purchasing and showing their work, thereby becoming the leading patron of American art from 1907 until her death in 1942.

New philanthropic partners, patrons and supporters are always welcome as we work towards realising our vision of MUMA as a leading Australian museum of contemporary art and an international centre of excellence in the research, collection, presentation, promotion of contemporary visual art.

Abstract (2012) was purchased through the Contemporary Art Society's Collections Fund, an annual # 25,000 scheme that draw together the expertise of the Contemporary Art Society's Patrons with that of museum curators in an intense programme of research leading to an acquisition.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

Catherine Petitgas is an art historian and patron as well as a leading collector of South American art.

Sunshine Artist magazine is the leading publication for art and craft show exhibitors, promoters and patrons.

A leading patron of land art, Dwan sponsored Michael Heizer's monumental sculptures Double Negative (1969) and Complex One of City (begun 1972), Robert Smithson's masterpiece Spiral Jetty (1970), Walter De Maria's 35 - Pole Lightning Field (1974), and Charles Ross's Star Axis (begun 1971).

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

Artsy features the world's leading artists and galleries all on one platform and is used by art lovers, museumgoers, patrons, collectors, students, and educators to discover, learn about, and collect art.

This September leading lights in the international art world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern Irart world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern IrArt, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern Iraq.

Instead, collectors and Art patrons are leading the way by creating private art MuseuArt patrons are leading the way by creating private art Museuart Museums.

Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

«VCU has established itself as a dynamic and diverse center for contemporary practices and I look forward to working with the university's leadership, faculty, students, and patrons to realize the bold vision that they have put forth to build a leading center for contemporary art.

Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18 works generously given to the Broad MSU by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materiaArt at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materiaart from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials.

More information: womenforwomen.org.uk SHE INSPIRES ART This September leading lights in the international art world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern IrART This September leading lights in the international art world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern IrART This September leading lights in the international art world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern Irart world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern Irart world, for the first time ever, are creating special one - of - a-kind pieces generously commissioned by Patrons for She Inspires Art, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern IrArt, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern IrArt, in support of Women for Women International's work with women in Northern Nigeria and Syrian refugee women in Northern Iraq.

«MOCA GA's annual auction and sale brings together many of the leading arts supporters and patrons of the Atlanta metro area,» stated Susan Tucker, MOCA GA Board Chair.

Among the leading private organizations is the George Keyt Foundation, a patron of contemporary art, music and dance.

We could not produce the exceptional exhibitions that our members and visitors have come to expect from the Virginia Museum of Fine Arts without the partnership of corporate patrons such as Northern Trust, as well as our dedicated Foundation Directors led by President Kelly Armstrong and a host of individual supporters.»

Art Engaged Patron Members can participate in an exciting calendar of programs and events, including curator - led exhibition tours at museums, alternative spaces, private collections, artist studios, and more.

Visiting professor Maria Lind will lead this year's program on «Arts and Patrons,» bringing her wide range of expertise both in curatorial studies and contemporary art to the GBICC.

Michael Young sits down with John Kaldor, Australia's leading contemporary arts patron, who has commissioned major public artworks in Sydney by Christo, Gregor Schneider and others over the last 40 years.

In turn, this led to: more demand for urban architecture; more demand for applied art and design - see, for instance the Bauhaus School - and the emergence of a new class of wealthy entrepreneurs who became art collectors and patrons.

Nevertheless, the leading art critic of the day, John Ruskin, stoutly defended Pre-Raphaelite art, and the members of the group were never without patrons.

Preview events Opening Reception for Whitney Circle, Whitney Fellow, Whitney Sponsor, and Director's Council members Tuesday, March 5 7 - 9 pm Opening Reception for Patron and Friend members Tuesday, March 5 9 - 11 pm Opening Reception for Dual and Family Contributor members Wednesday, March 6 7 - 11 pm Opening Reception for Individual members Wednesday, March 6 8:30 - 11 pm Private viewing hours for all members Thursday, April 4 6 - 9 pm Saturday, April 6 9 - 11 am Programs for Whitney Circle, Whitney Fellow, and Whitney Sponsor members Biennial curator - led tours and reception Monday, March 11 6:30 - 8:30 pm Thursday, March 14 6:30 - 8:30 pm Gallery walk and lunch Saturday, April 13 10:30 am EXCLUSIVE for Whitney Fellow and Whitney Sponsor members Artist studio visit Saturday, April 27 11 am Intimate reception with the Museum's director Thursday, May 9 6:30 pm Members Day Trip to Philadelphia Saturday, May 18, 2002 Tour the Barnett Newman exhibition at the Philadelphia Museum of Art, led by curator Ann Temkin.

Led by Damien Hirst, the group went mainstream in 1997 when the London Royal Academy, in conjunction with Charles Saatchi (their patron), hosted «Sensation», a definitive exhibition of YBA art, amid no little controversy.

Honors include Vernon Fisher, noted artist, teacher; Nash Flores, area patron who led the successful campaign to build the Booker T Washington High School for Performing and Visual Arts, and philanthropists Arlene and John Dayton: John, serves as board member of the grand Dallas Center for the Performing Arts Foundation, and Arlene, president of Chinati Foundation in Marfa, Texas.

We hope that by promoting projects «on our radar» to our community of artists, patrons, arts professionals and other friends, we can forge connections that lead to new support and collaborative opportunities.

It shopped especially well in the middle of the 20th century when its patron, Seymour H. Knox Jr., led it through major acquisitions of modern art.

During remarks Mr. Sullivan said that it was fitting that Peter Jay Sharp — a devoted patron of the arts who served on the boards of the Juilliard School, Lincoln Center and other leading groups — should have a park in his name feature an exceptional artwork.