Sentences with phrase «leading artists during»

Richard Hamilton was a key member of the Independent Group and one of the leading artists during the emergence of Pop Art in Britain in the 1950s.
IN / SITU provides exhibiting galleries the opportunity to showcase large - scale installations and site - specific works by leading artists during EXPO CHICAGO.
Charles Willson Peale was one of America's leading artists during the American Revolution and the early years of our nation.
EXPO Projects IN / SITU provides exhibiting galleries the opportunity to showcase large - scale installations and site - specific works by leading artists during EXPO CHICAGO.

Not exact matches

During college, she traveled 70 miles round - trip to an unpaid internship at an art gallery which then led to a desire to experience New York City — a mecca for artists and art lovers.
«The Disaster Artist» takes a curiously long time to get to the actual making of «The Room,» and one might expect all that lead - up — during which Sestero and Wiseau move to L.A., where they share the latter's one - room pied à terre — to serve in establishing the foundation for the dysfunctional buddy movie this really ought to be.
Following the lead of a previous Art Build held in Milwaukee, a coordinating committee of teachers and local artists helped plan the event and selected the images to use during the event.
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
Lead Concept Artist, Michael Pedro, will showcase Certain Affinity work on the HALO franchise as well as discuss the various challenges concept designers may face during development of a multiplayer game.
Vincent became lead animator during that time and Laurens went from lead environment artist to game designer.
A strong commitment to freedom of artistic expression led the Foundation to play an active advocacy role for artists during the culture wars of the 1990s and continues to inform its support of organizations that fight censorship, protect artists» rights and defend their access to evolving technologies in the digital age.
During the 1970's and 80's, Marlborough continued to stage major exhibitions of its stable of artists alongside important retrospectives of Modern Masters: Jacques Lipchitz and René Magritte in 1973; Max Beckmann and Max Bill in 1974; Henri Matisse in 1971 and in 1978 and the revisionist Kurt Schwitters in Exile: The Late Work 1937 - 1948 in 1981 which led to a new appreciation for the late work of this artist.
Through the Group Visits Program, students are exposed to the Museum's works during single - session tours led by teaching artists.
These material experiments eventually led to her breakthrough series Samurai (1981 — 83), first shown at Phyllis Kind (1983) and recently on view at JTT Gallery, New York (November 13, 2016 — January 15, 2017), one of three galleries that currently represent the artist.4 Haunted by the memory of a scene from Akira Kurosawa's epic film Kagemusha (1980), in particular the armor worn by samurai during a ceremonial gathering, Simpson abstracted the cascading arcs and linear folds of the warriors» skirts into free - form structures.
Blum & Poe is very pleased to present a fifty - year survey of Kishio Suga, one of the leading figures of Mono - ha (School of Things), a group of artists who radically redefined Japanese art during the late 1960s and early 1970s.
Highlights of the collection include highly prized Old Master paintings and drawings, led by Nicolas Lancret's outstanding Autumn, one of four allegories of the seasons painted during the artist's career - making commission from his patron Jean - François Leriget de la Faye (1674 - 1731).
The exhibition brings together a broad spectrum of leading artists, prompting thematic conversations across generations, between those who rose to prominence during the closing decades of the last century and younger artists who have found their voice in today's world, a place of incalculably more images, where distinct movements have given way to heterogeneity and the availability of and reliance on technology is taken as given.
TUESDAY 13/9 - SUNDAY 18/9 Film in Flexhallen during all opening hours: The Misfits: 30 Years of Fluxus (80 min) featuring leading Fluxus artists such as Joseph Beuys, John Cage, Jonas Mekas and Yoko Ono.
Two directions cross-inseminated each other in order to produce fresh and utterly new results: a moment of free - thinking, fervent experimentation during the post-war boom in Southern California led artists to try their lucks with all kinds of new materials and techniques; at the same time, these bouts of explorations into newly invented materials and new techniques, corresponded with a moment of open, declarative celebration of the particularly striking beauty of light, ocean, and space in Southern California.
The combined efforts of CONTEXT Art Miami and Art Miami provide a unique and alternative opportunity for leading primary dealers and their artists to be marketed and promoted internationally during the most important week for contemporary art in America.
During the period leading up to and during World War II, modernist artists, writers, and poets, as well as important collectors and dealers, fled Europe and the onslaught of the Nazis for safe haven in the United SDuring the period leading up to and during World War II, modernist artists, writers, and poets, as well as important collectors and dealers, fled Europe and the onslaught of the Nazis for safe haven in the United Sduring World War II, modernist artists, writers, and poets, as well as important collectors and dealers, fled Europe and the onslaught of the Nazis for safe haven in the United States.
Initiated by a series of writing workshops led by guest artists Pil and Galia Kollectiv, Melissa Gordon and Michael Dean, the writing was informed by a number of exercises which were formulated during the course of the project.
During these events both community partners collaborated to facilitate art - making workshops with parents and students led by Artist - Teachers from each site.
His contact with European Surrealists exiled in New York during World War II led him to experiment with archetypal abstractions of animals, eyes, and spirals (as in the Pictograph series (1941 — 51)-RRB- and bolstered his belief that evocative art has its roots in the artist's subconscious.
It takes as its starting point Robert Heinecken's series Are You Rea (1964 — 1968), and features also works by leading «Pictures Generation» artists, including Prince, Barbara Kruger and Louise Lawler, who came of age during the consumer culture of the late 1970s and early 1980s.
Both artists (during the 1930s and 40s, at least) were leading exponents -LSB-...]
During the second half of the 20th century, many of the leading British artists have significantly pushed the limits of the medium, creating work highly modern to audiences at the time, and still compelling in their energetic, graphic style.
Visit Liz Lessner's studio at Red Dirt Studio during artist - led Gateway Arts District Spring 2018 Open Studios Tour.
Art Gowanus invites Norte Maar's venerable director Jason Andrew to lead a curated tour of artist studios during Gowanus Open Studios.
And his more recent work during an artist residency on a tall ship in the arctic led me to create an interview with Justin.
The University of Saskatchewan's summer artists» workshops at Emma Lake (see EMMA LAKE ARTISTS» WORKSHOP) influenced him during the period 1957 - 68, notably those led by American critic Clement GREENBERG (1962) and painter Kenneth Noland artists» workshops at Emma Lake (see EMMA LAKE ARTISTS» WORKSHOP) influenced him during the period 1957 - 68, notably those led by American critic Clement GREENBERG (1962) and painter Kenneth Noland ARTISTS» WORKSHOP) influenced him during the period 1957 - 68, notably those led by American critic Clement GREENBERG (1962) and painter Kenneth Noland (1963).
Visit Juliana Vallejo's studio at Red Dirt Studio during artist - led Gateway Arts District Spring 2018 Open Studios Tour.
Tobey was one of the best known and internationally respected artists during the 1950s and 1960s and continues to be a leading figure of 20th century American art.
Key figures within «No Wave», a short - lived avant - garde scene in the late 70's in New York led by a collective of musicians, filmmakers and artists, Dick and Goldin met during this time and became life - long friends whose work richly influenced each other.
During the fall and throughout the exhibition, Torrance Art Museum will present a series of events for visitors and families ranging from tours to artist - led hands - on events, artist talks, performances, screenings, and live music.
The exhibition will feature more than 150 paintings, works on paper, and sculptures created by the leading artists of the American South during a dynamic period of growth and change in the region.
For the past two decades, Jason Schmidt has pursued an ambitious project, photographing over 500 of the leading international contemporary artists at work in their studios and during the installation of their work.
Join Hildegard Bachert, Co-Director of Galerie St. Etienne, NYC and Henriette Kets de Vries, exhibition curator for a discussion of the work of Germany's leading female artist during the 20th century.
During the 1950's Warhol led a successful career as a commercial artist.
The Samdani Artist - Led Initiatives Forum will recognise the importance of Bangladesh's independently established and self - funded art initiatives by providing space and curatorial support for these groups to showcase their work during DAS.
During this time he was also involved with Triangle Arts Trust in the development of Batiscafo, an artist - led residency programme in Havana, Cuba.
One of the leading figures of Italian Arte Povera (an art movement that flourished during the 60's, which literally means poor art) proves to be an ever inspiring creative and one of the most prominent artists of his generation.
Featuring works by leading artists from the 1960s to the present day, the exhibition takes as its starting point Robert Heinecken's seminal series of photograms Are You Rea, 1964 — 68, as well as works by «Pictures Generation» artists, including Richard Prince, Barbara Kruger and Louise Lawler, who came of age during the media - driven consumer culture of the late 1970s and early 1980s.
During her time as Director of the Serpentine Galleries from 1991 to 2016, Julia Peyton - Jones worked with many of the world's leading artists on ground - breaking exhibitions, education, public programmes and projects, transforming the Serpentine in London into an internationally acclaimed visual arts institution.
A Practical Dialogue presents artwork created collaboratively by six artist educators during in a project conceived and led by Sue Baker - Kenton, artist in residence at Leicester Print Workshop in 2012 - 2013.
The series of drawings and plates created by Bartlett during this time undoubtedly led to the creation of Rhapsody, the legendary 987 - plate painting that would become the pivotal work of the artist's career.
The term Pop art came into use in the 1950s during discussions led by the artist collective known as the Independent Group at London's Institute of Contemporary Arts.
This assembly of paintings and sculpture evidences the creative energy of New York painting and sculpture during this crucial period and fosters greater understanding of the associations formed by the leading artists of this formidable generation.»
It was during this time that he met artists such as Joseph Beuys and became a leading member of the avant - garde Fluxus movement.
A May 12 Bangor Daily News article, One thing led to another..., featured Chain Reaction 2009, the presentation of a chain reaction process, which was created during a week - long Community - Based Artist Residency, hosted by Haystack.
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