Sentences with phrase «leading artists focused»

Not exact matches

For many this year, Oscar competition has focused on the family films «Hugo» and «War Horse,» which have received so much recognition from the Academy — «Hugo» leads the pack with the most nominations this year (although «The Artist» and «The Descendants» will offer stiff competition when the envelope is opened for Best Picture on Feb. 26).

Rather, Sundance Labs are artist - focused and artist - led.

Allison Janney of Neon's «I, Tonya» earned the supporting actress statue, while Gary Oldman of Focus Features» «Darkest Hour» and James Franco of A24's «The Disaster Artist» won for leading drama and comedy actor, respectively.

Focusing solely on arts - specific practice has led the general public to look upon arts education as worthwhile only for those kids who want to be artists (e.g., «Glee - wannabes»), hence the current overemphasis on practitioner development.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

The Rubells started collecting in 1964 on a budget of $ 25 a week, and their limited resources led them to focus on newer artists who were at the time unknown.

Lucy Oakley, head of education and programs, Grey Art Gallery, NYU, and Grey interns will lead a walking tour of East Tenth Street and environs, focusing in particular on the sites of artist - run galleries in Inventing Downtown and evoking the rich cultural landscape of avant - garde New York -LSB-...]

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

The program was taught by two lead Artist - Teachers, one who focuses on art making, and the other who focuses on professional development and career preparedness.

-- Alighiero Boetti: Minimum / Maximum Fondazione Giorgio Cini, Isola di San Giorgio Maggiore, 30100 Venice an exhibition focusing on his photocopies — British Diaspora Pavilion Palazzo Pisani a Santa Marina, Cannaregio 6103 - 6104, 30100 Venice The Diaspora Pavilion showcasing the work of 11 emerging UK - based artists, all from culturally diverse backgrounds, with ten leading artists from similar backgrounds acting as their mentors, another must see.

Since its inception, the gallery's focus toward presenting work that is collectible yet also thought - provoking and, at times, challenging has led the gallery to exhibit work by some of the top artists in the region and around the world.

Future Perfect (Singapore) will present a group exhibition focusing on leading South East Asian artists including Charles Lim and Arin Rungjang, who are the artists representing Singapore and Thailand respectively in the 56th Venice Biennale 2015.

Claudia Gibson - Hunter to give a presentation LET THE CIRCLE BE UNBROKEN, BADC, an alternative network based on collaboration that prepares Black artists in many aspects of the business of art with a focus that leads to institutionalizing Black visual arts» Black Arts United States: Institutions and Interventions The Black Arts Initiative Northwestern University 2nd Biennial Conference Northwestern University June4 - June6, 2015

Since joining LMCC, she has overseen the organization's long - standing Manhattan Arts Grants, and led the division in a renewed focus on professional development programs for artists and organizations, new community - based arts initiatives in the Lower East Side, and strategic arts service partnerships.

It focuses on the radical change of direction in the artist's career between 1930 — 1969, 50 key paintings and sculptural reliefs show how Pasmore reinvented himself as one of Britain's foremost exponents of British abstract art, having previously been known as one of its leading figurative artists.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Developed and led by Creative Capital Awardee Ela Troyano, and building off of Creative Capital's previous workshops, this program will explore mentorship, strategic marketing, personal finances and negotiating strategies with a specific focus on self - advocacy for underserved artists.

This has led us to explore the works of these innovative and influential Italian artists, focusing at times on a particular theme (e.g., Gnoli's «BEDS»), a particular series of works (Burri's «Cellotex»), or the particular context in which the works were made («Pistoletto Politico»).

From the gallery, Kiwanga spoke to Studio International about how anthropology has informed her research - led art practice and her response to being named as the commissioned artist of the Focus Section at the Armory Show 2016.

The Gallery focuses on contemporary art exhibitions and has collaborated with some of the world's leading international artists including Rosemarie Trockel, Joseph Kosuth, Tim Rollins and K.O.S..

The Museum maintains a growing Permanent Collection of works by leading contemporary artists, focusing on those with ties to Long Island.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Guggenheim Ramps Up Its Focus on China — The New York museum will begin commissioning new work from artists in China, Hong Kong, Macau, and Taiwan and also create a new curatorial position devoted to contemporary Chinese art after receiving a $ 10 million grant from the Hong Kong - based Robert H. N. Ho Family Foundation, which was also the lead sponsor of the museum's 2008 Cai Guo - Qiang exhibition.

Ellen will lead group discussions with families in the galleries, focusing on artists» views of the natural landscape, and then guide families in an artmaking activity exploring her process.

Four questions were selected by attendees as focus topics for further investigation by artists nominated to lead a series of week - long performance laboratories and open rehearsals at the New Museum.

With a focus on Albert Turpin, who, as window cleaner, fireman, Mayor of Bethnal Green and leading member of the anti-fascist movement, was the ultimate «working artist», three new public works of art, commissioned to commemorate the Group, will also be unveiled alongside the show from Lindsey Mendick, Marcus Orlandi and Maxima Smith.

Rather than look strictly at artists who have been stylistically influenced by Warhol, this exhibition focuses on the work of four leading artists where the Warholian impulse is more conceptual and subtle.

The Stuart Hall Library is one of the leading specialist libraries in its field, focusing on international visual arts and British artists from culturally diverse backgrounds.

The first exhibition in over 30 years to survey the later works of Jackson Pollock, one of the most provocative American artists of the 20th century, focuses on the lead up to and the creation of the black pourings made between 1951 and 1953 — a highly influential period of the artist's career.

In addition to the participation of leading and emerging contemporary galleries, an extensive Art Projects programme spanning the outdoor and indoor fair space will be a big focus of the fair this year, presenting a range of work from high profile Indian and international artists.

Led by award - winning painter and figurative artist Andy Pankhurst, this weekend - long practical course focuses on the relationship between colours, using the Renaissance masters Titian, Dürer and Holbein as inspiration.

The change in the focus of the gallery led to a coalescence of group of intellectuals and artists who both sympathized with Stieglitz's aims and who themselves were invigorated by the atmosphere there.

Building his career at the fabled Ferus Gallery on La Cienega Blvd that launched West Coast Pop Art with his enigmatic word paintings before moving on to become one of the world's leading artists renowned for his ultra-flat (long before there was a «Superflat») paintings of gas stations, snow - capped mountains, & soft focus silhouettes.

Spaces of Production is a series of three artist - led projects focusing on community engagement.

The Contemporary Chinese Works on Paper collection is a new collection focused on small hand made works on paper created by leading Chinese artists practicing in the 21st century.

This first book to substantially focus on China's artistic diaspora — and to differentiate it from the artistic community inside China — assembles the work of 14 artists who emigrated in the lead - up to the 1989 protest at Tiananmen Square.

Following a period working with gallerist and leading secondary market dealer, Emily Tsingou, she moved on to be programme director at Alison Jacques Gallery, focusing on cultivating relationships with artists and fostering commercial and curatorial context for their work.

The exhibition's lead title, Zooming into Focus: Contemporary Chinese Photograph and Video from the Haudenschild Collection (2003 — 2005), refers to three major concepts quintessential to the exhibition and the symposium: Chinese artists» use of photographic and video camera to examine the quick transition in their culture, the incredible pace of growth in China's urban centers, and the current attention being paid to China by the rest of the industrialized world, especially the West.

In the short time since its opening, the gallery has emerged as a leading platform for a future generation of artists, especially those with a focus on multimedia art.

Born in Japan but currently living in Paris, Ikeda is a master at creating strong immersive installations and performances, this is the exhibition I'm the most excited about this month and I'm really pleased to see that Almine Rech Gallery is opening its program to installation art:» Japan's leading electronic composer and visual artist Ryoji Ikeda focuses on the essential characteristics of sound itself and that of visuals as light by means of both mathematical precision and aesthetics.

The exhibition focuses on the work of leading Australian artist Abdul Abdullah and his newest photographic body of work entitled The Wedding Series (2017).

The artists behind Raqs also founded Sarai within the Centre for the Study of Developing Societies in New Delhi, «one of India's leading research institutes with a commitment to critical and dissenting thought and a focus on critically expanding the horizons of the discourse on development, particularly with reference to South Asia».

In the past five years, the gallery has continued to build on its reputation of showing leading international artists working in the medium of drawing, adding Neil Gall, Jorinde Voigt, Julia Fish and most recently, Wardell Milan, while continuing a focus on conceptually - oriented practices of those such as David Hartt and Gavin Turk.

Following a period working with gallerist and leading art consultant Emily Tsingou, she moved - on to be Programme Director at Alison Jacques Gallery, focusing on cultivating relationships with artists and fostering commercial and curatorial context for their work.

UK based artist Céline Condorelli will lead a workshop focussing on forms of display and an examination of «Support Structures».

The collective focuses on the kinds of communication that occur between individuals, and this has led them to collaborate with other artists.

Evans and York will lead a dynamic and insightful interchange with the audience to decode and further understand works in the exhibition focusing on artists Caley Dennis, Drew Lenihan, and Kade Twist.

, printmaker and Visiting Artist in Art, Theory and Practice will lead a gallery talk focusing the social and political use of the print medium and Blake's visionary combination of writing and drawing that inspired generations of political art.