Sentences with phrase «leading artists like»

When producing color photographs became commercially feasible in 1907 in the form of the glass - plate Autochrome, leading artists like Alfred Stieglitz (1864 — 1946) were initially overjoyed, according to Rohrbach.

During the early 1930s Hepworth and Nicholson made several visits to Paris, meeting leading artists like Picasso, Naum Gabo and Constantin Brancusi.

Other early exhibitions at Flatland Gallery include shows for leading artists like Erik Andriesse, Rob Birza, F. Franciscus, Ronald Ophuis and Wim Izaks (to whom the Wim Izaks Award is allocated).

Not exact matches

Usually the idea of modesty was presented innocuously enough, often at big concerts and conferences led by eloquent, attractive young artists and writers like Joshua Harris and Rebecca St. James with largely good intentions.

Sounds to me like Bill should have stayed in the closet... anyone so blinded as not to be able to see the ARTIST the lord was is just simply BLIND... Children's are GOD»S gift to us and should not be lead astray from the Truth..

While there's no doubt that artists should push into new territory, many listeners may wonder why their favorite indie rock band seems to be leading them through this particular soundscape, which at times feels like the backing music to the 1971 action movie Shaft.

The 17 - year - old allegations have largely overshadowed the upcoming release of the film, and have led to larger conversations about how audiences should attempt to separate the artist and their art (similarly to Hollywood names like Woody Allen and Bill Cosby).

And on Sunday, when a Melbourne pitch - and - putt artist, Henry W. Berwick, who is middle - aged and leathery and swings a golf club like a shovel, led his team in with an even - par 72 and gathered round his mates to accept the trophy, the words still seemed to be echoing through the evergreens that line the fairways of this fine Mexico City course: «The Aussies will fold.»

The current edition of the FT's Weekend Magazine has a special feature, in which leading Tories - big beasts like Lord Tebbit, John Redwood, and David Davis, new intake MPs like Jo Johnson, Sajid Javid and Nick Boles, and perhaps less conventional Conservative figures like the artist, Tracey Emin - give their «Five Ideas For David».

Also, the internet could also be unfavorable when in search of that special person because it is also a haven for scam artist which could lead to some Starting out on a brand new courting web site is like going out to discover the huge cosmic house.

The artist has previously shown off designs for other figures, like ones modeled after the lead characters from the recent Disney animated feature Moana.

Within a very few years, artists like John Carpenter, John Landis, Steven Spielberg, Joe Dante, Rob Bottin, Rick Baker, Sam Raimi, Brian DePalma, Bob Clark, Dan O'Bannon, Sean S. Cunningham, Wes Craven, Tobe Hooper, Stan Winston, Larry Cohen, and on and on and so on, were working in and reinvigorating the horror genre — many under the tutelage of Roger Corman, still others the initial products of formal film school training, almost all the consequence of a particular movie geekism that would lead inevitably to the first rumblings of jokiness and self - referentiality - as - homage that reached its simultaneous pinnacle and nadir with Craven's Scream.

Featuring a partnership with VEVO and some of today's hottest musical artists like Rita Ora & Liam Payne, Sia, Beyonce and Justin Bieber, Freed has been dropping music videos now and again over the past two months leading up to open.

«The Disaster Artist» somewhat chronicles the beginning of the friendship between Wiseau and Sestero, which led to the disasterpiece known as «The Room,» a film that's now shown at midnight screenings around the country and mocked much like the «Rocky Horror Picture Show.»

But we need more young artists like Sarah Polley, whose excellent documentaryStories We Tell (2012) unearthed her own distorted reality, who can lead us out of the wilderness.

The animation department had a breath of fresh air blown into it with newcomer artists, which led to projects like The Great Mouse Detective and Oliver & Company that harked back to the style of the traditional Disney musical.

In an era in which hashtag protests can quickly spread like wildfire on social media, the academy avoided a potentially thorny situation when James Franco — who has recently faced accusations of sexually inappropriate behavior from several women — failed to score a lead actor nod for his performance in «The Disaster Artist,» which earned him a Golden Globe award for best actor in a musical or comedy just weeks ago.

Boccioni was leading editor of the famous «Manifesto of Futurist Painters», cooperating with other Futurist artists like Carra, Severini and Russolo.

From his early days as a school boy cartoonist who becomes overwhelmed with giddiness upon meeting Osamu Tezuka to his trail - blazing days as a leading artist in the gekiga, or «dramatic pictures» movement, Yoshihiro Tatsumi weaves post-WWII Japanese history with his personal recollections of manga legends like Takao Saito (Golgo 13) and Masahiko Matsumoto (Cigarette Girl).

But a visit from a dangerous stranger, who looks uncannily like a subject in one of Derek's older paintings, leads the young artist to a place where the line between life and art seems not to exist at all.

After I agreed to the design, the artist led me up what looked like a spiral fire escape to an even tinier place.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

I'm here with another batch up episode summaries and a couple of other new things: The new Game Developers Like You interviews feature: • creator of a silly viral web game • professor and educational game creator • game artist and QA - lead turned all - in - one indie • augmented reality experience designer • game jam developer •... Read more»

«We've collaborated with Bandai Namco artists to faithfully recreate Geralt, and shared original Witcher 3: Wild Hunt assets like Geralt's model, animations, and weapons,» said CD Projekt Red community lead Marcin Momot.

Members of the GPG family weren't just contributors to classic games like Total Annihilation, Dungeon Siege, and Supreme Commander: We were the lead designers, the lead engineers, and the lead artists.

At Obsidian we have created great games like Fallout: New Vegas and have many amazing people who will work on Project Eternity, including Tim Cain (Fallout, Arcanum, Temple of Elemental Evil, etc.), Josh Sawyer (Icewind Dale 1 and 2, Fallout: New Vegas), Scott Everts (Level creator on Fallout, Planescape: Torment, and Icewind Dale 1 and 2 and Fallout: New Vegas), Brian Menze (Vault Boy artist extraordinaire, Artist on Planescape: Torment, Creator of Darth Nihilus), Dan Spitzley (Lead Programmer on Planescape: Torment) along with dozens of other talented artists, programmers, and desiartist extraordinaire, Artist on Planescape: Torment, Creator of Darth Nihilus), Dan Spitzley (Lead Programmer on Planescape: Torment) along with dozens of other talented artists, programmers, and desiArtist on Planescape: Torment, Creator of Darth Nihilus), Dan Spitzley (Lead Programmer on Planescape: Torment) along with dozens of other talented artists, programmers, and designers.

It looks like Naughty Dog's former lead character artist Michael Knowland may have leaked that The Last of Us 2 is a real game and in development at...

My hope is that many other artists, curators, and the like will follow their lead and push the art sector to improve both its working conditions and its involvement in broader society.

This serves as a kind of prelude for the maze - like installation that dominates the main gallery, as the artist steers a viewer's attention toward a specific concept in much the same way the installation leads visitors to follow a specific path through the space.

While a younger generation of artists, led by Katharina Grosse, Carol Bove, and others, are finding renewed significance and surprising rewards in extemporaneous abstract painting and sculpture, certain veterans like Emily Mason never lost faith in its limitless possibilities.

A fixture on the New York art scene in the»60s and»70s, Jonas worked alongside some of the leading artists of the time such as Nancy Holt, Susan Rothenberg, Robert Smithson and Claes Oldenburg — and hung around with composers and choreographers foundational to modern performance like John Cage, Philip Glass, Simone Forti and Yvonne Rainer.

Larry Groff: What lead you to become a painter and what were your early years like as a student and young artist?

The other was that the artist, anticipating the bared knives of critics, hired an image consultant and began an expensive campaign to build his brand in the press, giving self - glorifying interviews and taking out full - page ads in the leading art publications presenting himself as an offbeat yet successful guru - like visionary.

Over the weekend, a slew of more than 40 local and visiting artists, as well as organizations like the Chinatown Art Brigade (a grassroots effort tackling the divisive issue of gallery - led gentrification in their neighborhood) demonstrated that preservation doesn't have to be backward - looking.

Curated with verve and sophistication by Diana Widmaier Picasso, and seductively titled from a work of Ed Ruscha's depicting (go figure) an Alp, it nonetheless begged to shock with a flagrance of merged bodies, frontal erection, the fetishist mannequins of pop artist Allen Jones, life - size interactions led by Dirty — Jeff on Top (that's Koons, entering La Cicciolina), and a recreated modelling studio featuring two stark - naked live models who came off more like strippers.

The 1950s crowned a handful of macho artists like Pollock, Rothko and de Kooning, then bounced the powerball back to the collectors — Robert Scull's trove defined his era — and over to the dealers again, with Larry Gagosian leading the new power pack.

Leading artist Anish Kapoor has reworked Joseph Beuys» seminal work, I Like America and America Likes Me by changing the title to I Like America and America Doesn't Like Me as a protest against the horrors that are unfolding in Donald Trump's America.

On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state of the entertainment industry.

Yiadom - Boakye's mysteriously handsome figures exist in an allegorically retroactive space — a present where works like these, and those of other leading black artists, can aspire to self - invent a visual canon.

The artist has said of this new series that, as with a previous body of work in which he articulated a fascination with Futurism, he is «exploring new ways of interpreting a definitive and somewhat overlooked period in cultural history, developing works centred around the kinds of characters who populate my practice, imagining who is the boy / man who would make this sort of space his own, what his home might look like... and what sort of psychosis would lead to this?»

From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann.

He is part of a generation of artists who gained prominence when abstract expressionism's specter remained strong; several of its leading figures — like Still, De Kooning, and Motherwell — were alive and making important work.

The new work of the British installation artist Mike Nelson is a large - scale sculptural installation that leads the visitor through a dark labyrinth - like structure.

At Bergamot Station, he has invited a cohort of LA - based emerging and mid-career artists including Brian Cooper, Abdul Mazid, Emily Silver, Carmen Argote, Devon Tsuno, Ben Jackel, Allen Brewer, Pamela Valfer, Easton Miller, Tanya Batura, Doty / Glasco, Tofer Chin, Christopher Pate, and MRK (Madison René Knapp), and a musical lineup led by artist Brian Cooper, featuring Earth Like Planets, After the After, Ohr, and Caspar Sonnet.

But while this often led the older generation — artists like Hans Haacke, Hanne Darboven and Robert Barry — to work that was visually spare, or barely there, the younger artists have embraced the tools of spectacle — lights, camera, action — and tried to turn them to purposes that push back against mass culture.

Like fin de siècle Symbolist artists, Jarman associates blue with melancholy and death, and after 1 hour and 15 minutes, his final vision of a tropical paradise and a delectable encounter with a lover --» His blue jeans / Around his ankles / Bliss in my ghostly eye» — leads him into an Ozymandias - like, moving mediation on loss and forgotten identLike fin de siècle Symbolist artists, Jarman associates blue with melancholy and death, and after 1 hour and 15 minutes, his final vision of a tropical paradise and a delectable encounter with a lover --» His blue jeans / Around his ankles / Bliss in my ghostly eye» — leads him into an Ozymandias - like, moving mediation on loss and forgotten identlike, moving mediation on loss and forgotten identity.

Ellen and Michael Ringier started to collect works on paper by the early Russian and Western European avant - garde in the «80s and has been consistently extended over the past 20 years by collecting body of works spanning from early Conceptual Artists like: John Baldessari, Douglas Huebler, Vito Acconci, Robert Barry, Joseph Kosuth, or Alighiero Boetti to leading contemporary artists like: John Armleder, Peter Fischli & David Weiss, Matt Mullican, Urs Fischer, Jim Shaw, Richard Phillips, Mike Kelley, Karen Kilimnik, Jack Pierson, Joe Bradley, Wade Guyton, Trisha Donnelly, Lutz Bacher and Rosemarie Trockel among many Artists like: John Baldessari, Douglas Huebler, Vito Acconci, Robert Barry, Joseph Kosuth, or Alighiero Boetti to leading contemporary artists like: John Armleder, Peter Fischli & David Weiss, Matt Mullican, Urs Fischer, Jim Shaw, Richard Phillips, Mike Kelley, Karen Kilimnik, Jack Pierson, Joe Bradley, Wade Guyton, Trisha Donnelly, Lutz Bacher and Rosemarie Trockel among many artists like: John Armleder, Peter Fischli & David Weiss, Matt Mullican, Urs Fischer, Jim Shaw, Richard Phillips, Mike Kelley, Karen Kilimnik, Jack Pierson, Joe Bradley, Wade Guyton, Trisha Donnelly, Lutz Bacher and Rosemarie Trockel among many others.

His interest for three - dimensionality and abstraction led him to incorporate into his works systems used by artists like Dan Flavin and Donald Judd, such as basic forms, grids and other superimpositions of materials, especially two - way mirrors.

Hayward's attempt to mimic grassroots, community education organisations like Patio Maravillas in Madrid, and artist - led free school initiatives like the Bruce High Quality Foundation University in New York is actually a series of pay - to - enter lectures.

The strategy has led them to assemble a contemporary art collection numbering more than 3,000 pieces, including significant work by significant artists like Marlene Dumas, Adrian Ghenie, Karen Kilimnik, and Chris Ofili.