The Phillips celebrates the centennial of New York's controversial 1913 Armory Show with works from its permanent collection by several
leading artists represented in that landmark exhibition.
Not exact matches
The installation is an introduction to blockchains as seen by the
artist, 35 this year, and is centered on three views of the concept as
represented by three of its
leading figures: Blythe Masters, head of Digital Asset Holdings in New York; Balaji Srinivasan, head of 21.
We are privileged to
represent some of the
leading Illustrators, CGi
Artists, Animators and Storyboard
Artists working in the industry today.
We are privileged to
represent some of the
leading Illustrators, CGi
Artists, Animators and Storyboard
Artists working in the industry today.
It also
represents Canadian
artists such as Andy Dixon, Thrush Holmes, and Andrew Salgado, and is
led by director Kurt Beers, who is himself Canadian.
Together these two experiments
represent an
artist -
led rebellion against the market and its professional classes — collectors, dealers, curators, academics (and, yes, critics)-- that is best summarized by a Bruce maxim: «An art world built solely to feed the industry isn't an interesting place to live.»
ENTANG WIHARSO (* 1967) is a
leading artist from Indonesia and currently
represents his country at the Venice Biennale.
These material experiments eventually
led to her breakthrough series Samurai (1981 — 83), first shown at Phyllis Kind (1983) and recently on view at JTT Gallery, New York (November 13, 2016 — January 15, 2017), one of three galleries that currently
represent the
artist.4 Haunted by the memory of a scene from Akira Kurosawa's epic film Kagemusha (1980), in particular the armor worn by samurai during a ceremonial gathering, Simpson abstracted the cascading arcs and linear folds of the warriors» skirts into free - form structures.
Alicia David Contemporary Art also works with
artists outside of the stable we
represent as well as working work with publishers and distributors of original limited edition prints by
leading contemporary
artists both in the primary and secondary market.
Before Lygia Clark was getting major museum retrospectives; beforeAdriana Varejão was
represented by
leading galleries; before Beatriz Milhazes was achieving high prices at auction, Patricia Phelps de Cisneroswas collecting Latin American art, filling the walls of her home with Modernist abstraction and contemporary works by
artists from Brazil, Venezuela, Argentina and Uruguay.
Future Perfect (Singapore) will present a group exhibition focusing on
leading South East Asian
artists including Charles Lim and Arin Rungjang, who are the
artists representing Singapore and Thailand respectively in the 56th Venice Biennale 2015.
A glimpse of Leonardo DiCaprio, Uma Thurman and Spike Jonze thrilled the celebrity hounds; the presence of Donna Karan, Marc Jacobs, Raf Simons and Calvin Klein underscored art as fashion; Eli Broad
led off the big collectors, and star
artists were
represented by Eric Fischl, who prowled the aisles with his camera, documenting the fair itself as a big installation as he snapped pictures for his upcoming show on people at art fairs.
Be sure not to miss booths by Blain Southern from London and Berlin; Galleria Continua from San Gimignano, Beijing, Les Moulins and Havana; Gagosian from New York, Beverly Hills, San Francisco, London, Paris, Rome, Athens, Geneva and Hong Kong, featuring a vibrant contemporary program; Galerie Lelong from Paris,
representing prominent contemporary
artists and estates from the United States, Latin America, Europe, Asia, and Australia; Pace Gallery from New York, Palo Alto, Paris, London, Hong Kong and Seoul, a
leading contemporary art gallery
representing many of the most significant international
artists and estates of the 20th and 21st centuries; Galerie Perrotin from New York, Paris, Hong Kong, Tokyo and Seoul; and David Zwirner from New York; among others.
Marking the most ambitious and broad - ranging survey ever mounted by ICA Miami, The Everywhere Studio
represents ICA Miami's expanded curatorial mission in its new home, which will juxtapose the works of
leading, emerging, and under - recognized
artists to create intergenerational dialogues.
Before Lygia Clark was getting major museum retrospectives; before Adriana Varejão was
represented by
leading galleries; before Beatriz Milhazes was achieving high prices at auction, Patricia Phelps de Cisneros was collecting Latin American art, filling the walls of her home with Modernist abstraction and contemporary works by
artists from Brazil, Venezuela, Argentina and Uruguay.
Be sure not to miss booths by Benrubi Gallery from New York, a
leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to
representing new media
artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery
representing emerging, mid-career and established
artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and
representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging
artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and
artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance
artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
is a
leading contemporary art gallery
representing many of the most significant international
artists and estates of the twentieth and twenty - first centuries.
Pace is a
leading contemporary art gallery
representing many of the most significant international
artists and estates ofthe twentieth and twenty - first centuries.
Previous year's finalists included John Keane, former official British war
artist, currently
represented by Flowers Gallery in London; Julia Vogl, shortlisted for Saatchi Gallery and Channel 4 ′ s New Sensations; Ingrid Hu, former designer at the Lubetkin - winning Heatherwick Studio; Marcus Jansen, a
leading modern expressionist; and Bernat Millet, shortlisted for the National Portrait Gallery's Taylor Wessing Photographic Portrait Prize.
Site specific and environmental art works are
represented by
artists: Andy Goldsworthy, Walter De Maria, [126] Richard Long, Richard Serra, Robert Irwin, [127] George Rickey and Christo and Jeanne - Claude
led contemporary abstract sculpture in new directions.
The fair's exhibiting galleries
represent some of the most exciting
artists working today, from the emerging to the iconic; and a team of world -
leading independent curators advise on feature sections, making possible performance - based work and ambitious presentations by emerging galleries.
They join the nation's
leading non-profit organization of art dealers, which encompasses 180 members from 25 cities in the U.S.,
representing hundreds of established and emerging
artists internationally.
That said, the gender gap persists: since 2000, although fifty - one percent of working
artists are women, only twenty - eight percent have had solo museum shows; and in a 2015 survey of
leading contemporary galleries in Manhattan, only about twenty - five percent
represent equal numbers of women and men (the majority show about thirty percent women or less).
Pace is a
leading international contemporary art gallery
representing many of the most significant international
artists and estates of the 20th and 21st centuries.
The central rotunda, where the
artist evokes slaves who built similar plantation buildings,
leads to a formal gallery hung with three cosmic paintings,
representing the
artist's moment of arrival, success.
A
leading contemporary art gallery, Pace London
represents many of the most significant international
artists and estates of the 20th and 21st centuries.
Afterward, KCET chief creative officer Juan Devis
led a discussion with participating PST: LA / LA
artists Carmen Argote, Abraham Cruzvillegas and Liliana Porter, who in a sense
represent the diversity present in PST, spanning three generations, with roots in the U.S., Mexico and Argentina.
Krebber's work
represents the reductio ad absurdum of a love - hate attitude toward painting that was common among the
artists of the 1980s Cologne art scene
led by Martin Kippenberger (for whom Krebber once worked as a studio assistant).
Bringing together essays by and interviews with the
leading abstract
artist Bridget Riley, this volume
represents her passionate and articulate engagement with color, perception and art history.
Other
artists included Jim Dine, who had a one - person show; Renée Rubin, whose Coney Island Pinball (1958), made of aluminum and oil on canvas and wood, is on view; Martha Edelheit,
represented by her multi-media painting Frabjous Day (1959); and Rosalyn Drexler, whose one - person show included works made of found objects, plaster, and melted
lead.
Tina Kim
represents a number of
leading artists too, including Ghada Amer.
Of course, that he
represents a bunch of
leading artists in China (11 of them in that Guggenheim show) and beyond helps too.
In Helsinki, Galerie Forsblom caters to the conservative of taste; Galerie Anhava (which recently relocated to larger premises)
represents the country's
leading artists, such as Laitinen and Vesa - Pekka Rannikko.
We have here a kind of stereotype that is perceptible in his work, and that may
represent an important complicating factor of reflection, as well as an assessment for this Neapolitan exhibition, where Wade Guyton clearly appears as what he is: a
leading American
artist.
They join the nation's
leading non-profit organization of fine art dealers, which encompasses 176 members from 25 cities in the U.S.,
representing thousands of established and emerging
artists internationally.
Irreconcilability of war memories is the subject of two works: Baghdad ~ born Paul Qaysi's Misprints are purposely blurred images of U.S. military activity in Iraq, which provoke questions about how news organizations
represent war; the Vietnamese transnational
artist Oinh Q. Le's untit
led photo - weavings from The Hill of Poisonous Trees situate the haunting memories of the Cambodian Genocide in relation to the Khmer Empire's artistic accomplishments.
Guest curated by UMass Art History Assistant Professor Karen Kurczynski September 15 — November 20, 2016 Opening Reception: September 14, 6 — 8 p.m. Organized by NSU Art Museum Fort Lauderdale and guest - curated by UMass Amherst assistant professor Karen Kurczynski, a
leading scholar of Danish Cobra
artist Asger Jorn (1914 — 1973), who
represents a new generation of art historians specializing in Cobra, the exhibition presents the history of Cobra through paintings, sculpture, prints, and primary documents by
artists such as Asger Jorn, Pierre Alechinsky, Karel Appel, Constant, and Corneille.
The gallery serves as a laboratory for experimentation by our
represented artists as well as other
leading contemporary practitioners.
A
leading contemporary art gallery, Pace London
represents many of the most significant
artists from around the globe and estates of the 20th and 21st centuries.
Autistica, the UK's
leading autism research charity and Mehta Bell Projects, are pleased to announce «An Infinitely Beautiful Mind», a charity art sale and exhibition which will present the works of
artists ranging from modern masters, contemporary and emerging talents through to outsider art, whose work share the desire to
represent the human experience through highly detailed and laborious artistic techniques.
Blain Southern is an international contemporary art gallery
representing some of the world's
leading contemporary
artists including Bill Viola, Mat Collishaw, Tim Noble & Sue Webster and Yinka Shonibare
Nov. 8, 2:30 p.m.:
Artist Louis Meisel will
lead a gallery talk on Photorealism along with six
artists represented in the show.
Hosted by the Morris Collectors, one of the museum's affiliate groups, this year's fair features such
leading dealers as Hampton3 Gallery from Taylors, South Carolina and Augusta's Tire City Art Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers;
artists» atelier King Snake Press from Greenville, South Carolina,
representing the work of more than a dozen
artists; Augusta State University art professor Kristin Casaletto; ASU gallery director,
artist Jack Cheatham; University of Georgia professors and
artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and
artist Dale Clifford, and
artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine Linn.
The sculptor Sir Anthony Caro, regarded as one of the
leading artists of his generation and
represented in museum collections all over the world, has died of a sudden heart attack at the age of 89.
Previous finalists include John Keane, former official British war
artist, currently
represented by Flowers Gallery in London; Julia Vogl, shortlisted for Saatchi Gallery and Channel 4 ′ s New Sensations; Ingrid Hu, former designer at the Lubetkin - winning Heatherwick Studio; Marcus Jansen, a
leading modern expressionist; and Bernat Millet, shortlisted for National Portrait Gallery's Taylor Wessing Photographic Portrait Prize.
Sharing a Vision: The Colby College Museum of Art and Crown Point Press: Bicoastal friendships and family ties
led to the loan of some fine paintings and sculpture from a small college museum in Maine to San Francisco's Crown Point Press, which has paired them with graphic works that it published for the
represented artists.
Long March gallery
represents leading contemporary Chinese
artists working in a variety of media including painting, sculpture, installation and video.
PaceWildenstein
represents many
leading contemporary
artists and many Pace
artists have been featured in Whitney exhibitions.
The Douglas Udell Gallery is known for
representing many of Canada «s
leading contemporary
artists including Vic Cicansky, Natalka Husar, Ann Kipling, Dorothy Knowles, William Perehudoff, and Andrew Valko.
He is co-owner of Tibor de Nagy Gallery, a
leading New York gallery that
represents New York School
artists from the 1950s and 1960s, as well as contemporary and major 20th Century
artists.