Sentences with phrase «leading choreographer»

With Yvonne Rainer, who was born in San Francisco in 1934, the Kunsthaus Bregenz is presenting in collaboration with the Museum Ludwig in Cologne and the Getty Research Institute, Los Angeles, an internationally leading choreographer, dancer, and film - maker.

The new show combines the production talents of Stephen and Jonathan with the spectacular dance moves of leading choreographer Paul Domaine and the mind - blowing trickery of master illusionist Guy Barrett.

A feature - length commentary featuring director Ortega, producer Mike Finnell, lead choreographer Peggy Holmes, and writers Bob Tzudiker and Noni White starts in the pits with exhausting recountings of where the kid cast members have wound up since the «triumph» of Newsies (it's like a biblical genealogy)... and continues in the pits with never - interesting back - patting and masturbatory aggrandizement.

The creative process that Fly on a Wall uses is unique in that there isn't a lead choreographer or director, instead the process is truly collaborative and ideas are able to flow freely and change with ease as everyone has equal input.

Watch Titian in Dance, featuring interviews with leading choreographers from the Royal Ballet and behind - the - scenes footage of the ballet rehearsals.

He has collaborated with leading choreographers such as Merce Cunningham, Paul Taylor and Trisha Brown, providing them with sets, costumes and lighting, often performing himself; between 1963 and 1967 he choreographed dances of his own.

The performance has been created in collaboration with artist Sam Belinfante and renowned dance artist Pierre Droulers — one of Belgium and France's leading choreographers — as well as musicians from Minnesota and New York.

Not exact matches

Wardrobe becomes the focus of Fashion Through the Ages, an eight - minute, 39 - second show with Venturini, Davison Aviles, Unkrich, Jessup, Strijleva, Arriaga, Cruz Santos, shading designer Ana Ramirez Gonzalez, cloth and simulation supervisor Christine Waggoner, choreographer / cultural advisor Maria Luisa Colmenarez, and cloth simulation digital lead David Eberle.

Before those, however, is an audio commentary with the director / choreographer Anne Fletcher, co-choreographer Jamal Sims, and the two leads, Channing Tatum and Jenna Dewan.

Joey Anseh, who plays Desh, demonstrates the use of capoeira, with stunt choreographer Jeff Imada leading us through the various styles that will be used for the scene.

First there is the matter of the leading man, Salman Khan, playing a choreographer who falls in love (over the course of a single 45 - second montage, it seems) with Marigold.

This doc from the 2003 Director's Cut special edition DVD features comments from Johnson, Arad, Kilkenny, producer Gary Foster, costume designer James Acheson, textile artist Matt Reitsma, art department coordinator Jamie Neese, costume supervisor Lisa Lovaas, Paul Ben - Victor, Joe Pantoliano, action choreographer Master Cheung - Yan Yuen, Jennifer Garner, stunt coordinator Jeff Imada, Ben Affleck, Colin Farrell, Affleck's fight trainer David Lea, director of photography Ericson Core, sight - impaired consultant Tom Sullivan, Jon Favreau, special effects coordinator John McLeod, visual effects supervisor Rich Thorne, Shadow World fx lead Eric Horton, and composer Graeme Revell.

Set after the war, with Ip Man relocated to Hong Kong, it replaces the foreign devils that were the occupying Japanese Army with the colonial British foreign devils ruling Hong Kong in 1950 and sets the honorable sensei against a corrupt cabal of martial arts teachers lead by Sammo Hung (who is also the film's fight choreographer) and a champion boxer called The Twister (Darren Shahlavi), a British brute with a powerful punch and a killer instinct.

A fixture on the New York art scene in the»60s and»70s, Jonas worked alongside some of the leading artists of the time such as Nancy Holt, Susan Rothenberg, Robert Smithson and Claes Oldenburg — and hung around with composers and choreographers foundational to modern performance like John Cage, Philip Glass, Simone Forti and Yvonne Rainer.

Makers were nominated by a pool of more than 300 New York City - based cultural leaders and civic figures from a range of trades and disciplines, including museum curators, choreographers, academics, chefs, musicians, and journalists, with final participants selected by a jury led by Adamson and exhibition curator Jake Yuzna.

As Norte Maar continues to be a leading force in Brooklyn, many may not realize that the organization was originally founded on the shores of Lake Champlain in the summer of 2004 by curator Jason Andrew and choreographer Julia K. Gleich, playing a major role in revitalizing the arts in the North Country from 2004 - 2010.

His open and inclusive approach to art led him to engage in meaningful dialogues with his direct peers, such as Jasper Johns and Cy Twombly, while also collaborating with choreographers, musicians, and even scientists and engineers.

Joining the growing list of dance luminaries that have included Karole Armitage, Antonia Franceschi, Claudia Jeschke, Kat Wildish, Gabrielle Lamb, and Kathryn Posin, Ashely Bouder of New York City Ballet will lead a talk back with choreographers and their collaborating artist following the Saturday, April 8 performance of CounterPointe.

Congolese dancer Faustin Linyekula is a leading contemporary African choreographer and the founder of Studios Kabako.

Anna Halprin is a pioneering choreographer whose work has led to a reconsideration of dance as an art form.

Choreographer Jonathan Burrows and composer Matteo Fargion lead a master class investigating choreographic and compositional process, performance and philosophies, questioning how a performance can be made and what it might communicate to someone watching.

In the lead up to the performances, Norte Maar is posting interviews with each choreographer.

Throughout their relationship they worked together on various collaborations, along with other leading creative minds such as composer John Cage and choreographer Merce Cunningham.

The third edition of David Gryn's selection for Art Basel's Miami Beach show, whose Lead Partner is UBS, explores the collaborative creative process via intersections between visual artists, composers, musicians, choreographers, dancers and animators.

In Peru she was gathering mushrooms from the ruins of Machu Picchu when she encountered a woman who turned out to be the founder of the New York Mycological Society; this led to an invitation to join the Society's next «mushroom walk» in upstate New York, on which Helene met the composer John Cage, the dancer and choreographer Merce Cunningham and the artist Jasper Johns.

The anthology is augmented by a series of extended interviews with leading figures in art and performance, including Tim Griffin of the Kitchen, New York; MoMA's Kathy Halbreich; choreographer and curator Ishmael Houston - Jones; artist William Kentridge; experimental playwright Young Jean Lee; and dancer and choreographer Yvonne Rainer.

In March 2009 one of the UK's most distinguished contemporary dance choreographers, Siobhan Davies collaborates with leading London gallerist Victoria Miro to present The Collection.

Leading British choreographer Henrietta Hale will collaborate with Baldock on a performance during the final days of the exhibition, as part of Wysing's Annual Open Weekend, 6 & 7 July, 12 - 6 pm, that «activates» the works.

This fine French company is led by a former dancer and choreographer from Merce Cunningham Dance Company.

Led by Swedish choreographer Anna Vnuk with whom Billing last worked over a decade ago on one of her first films, there is no final performance as such.

Led by choreographer and interdisciplinary artist Alex Romania, KLUTZ (World Premiere) is an exploration of destabilizing nonsense on the sick state of the American psyche.

Led by Andrew Simonet, choreographer and father of two, who says: «This is the webinar I wish I had taken years ago.»

Led by choreographer Andrew Simonet, this 90 - minute webinar looks at the challenges and rewards of parenting as artists.

Led by choreographer and interdisciplinary artist Alex Romania, KLUTZ is an exploration of destabilizing nonsense on the sick state of the American psyche.

In the second hour, artist and curator Marissa Perel leads a panel discussion on the legacy of Brown's work on the next generation of artists and choreographers.

It was Cunningham who led the way in using computers as an aid to creating dances; he was later one of the first choreographers to use digital technology in staging his work.

Faustin Linyekula, based in Kinshasa, is a leading contemporary African choreographer.

An apt model is Ally, a collaborative series of performances at the Fabric Workshop and Museum opening on April 21, led by artist Janine Antoni (b. 1964) in collaboration with two preeminent choreographers Stephen Petronio (b. 1956) and founding postmodernist Anna Halprin (b. 1920)-- all of whom are in residence at the FWM.

Through movement, exercises, and light stretching, led by choreographer Monica Bill Barnes and dance partner Anna Bass, participants experience the museum in a unique way.

Congolese dancer Faustin Linyekula is a leading contemporary African choreographer.

On Thursday September 29th, Creative Capital artist leader, choreographer and father of two Andrew Simonet will be leading our Artists Raising Kids webinar, sharing his knowledge — both from personal experience and through the stories of other artist parents, on the realities of raising children and maintaining a sustainable and enriching artistic practice.

Last fall, we hosted a new Creative Capital webinar titled «Artists Raising Kids,» led by choreographer and dad Andrew Simonet.

Thus, out of his experience with gestural painting, the notion of art as a record of a performance by the artist (as illustrated by Hans Namuth in his photos of Jackson Pollock doing his action painting) led to Morris's interest in dance and choreography: an interest encouraged by his wife, the dancer and choreographer Simone Forti.

Led group and section practices while head choreographer relayed choreography to other groups and sections.