Sentences with phrase «leading galleries such»

Leading galleries such as Pearl Lam Galleries and Galerie du Monde are showcasing their stellar artists in carefully curated exhibitions.

In partnership with leading galleries such as Flowers, M97 Gallery, Casemore Kirkeby, Camera Work, Danzinger, Rose Gallery and many more, PHOTOFAIRS celebrates the photography on a global scale.

Program highlights will include free admission to exhibitions, projects and previews by leading galleries such as Shalini Ganendra Fine Art (SGFA), G13, HOM Art Trans, Gallery Taksu, just to name a few.

Not exact matches

New York, NY About Blog Asia Contemporary Art Week connects leading New York City galleries and museums in a citywide event comprising of public programs such as exhibitions, receptions, lectures and performances.

New York, NY About Blog Asia Contemporary Art Week connects leading New York City galleries and museums in a citywide event comprising of public programs such as exhibitions, receptions, lectures and performances.

This exhibition features single - artist galleries devoted to leading German artists such as Georg Baselitz, Katharina Fritsch, Anselm Kiefer, Imi Knoebel, Sigmar Polke, and Gerhard Richter.

It dates from Anish Kapoor's breakthrough using this medium of hyper - reflective polished steel and was created in a decade that witnessed Kapoor winning the Premio Duemilia Prize for his British Pavilion at the Venice Biennale (1990); winning the Turner Prize (1991); staging a major retrospective at the Hayward Gallery (1998); and becoming a Royal Academician (1999), Untitled is central to the technical and artistic advancement that later led to such highly lauded monumental projects as Cloud Gate of 2004 for Chicago's Millennium Park, and Sky Mirror of 2006 at New York's Rockefeller Center.

Their designs for live performance have led to commissions for venues such as the Tate Modern Turbine Hall, Serpentine Gallery and Madison Square Garden in New York.

Participation in residencies such as The Vermont Studio Center and Subsamson at Samson Projects, among others, has lead to his inclusion in exhibitions at Los Angeles Municipal Art Gallery and The Queens Museum.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

For the 2017 edition, ADAA members will present a wide range of solo exhibitions highlighting artists from around the world, including presentations that offer new insights on established and influential artists, such as Abstract Expressionist Norman Lewis, whose paintings will be presented by Michael Rosenfeld Gallery; leading Minimalist Josef Albers, whose paintings and drawings on paper will be presented by David Zwirner; and Post-Impressionist Édouard Vuillard, whose paintings and works on paper will be presented by Jill Newhouse Gallery.

As a leading venue in the country, the gallery has presented pieces by major international artists such as Damien Hirst, Eva Hesse, Jean - Michel Basquiat, Joan Mitchell, Cy Twombly, Ed Ruscha, Joseph Beuys, Anselm Kiefer, Louise Bourgeois, Jenny Holzer, Candida Hofer, Bill Viola, Anish Kapoor, etc..

The central, high - tech industrial zone of Tianfu is also home to leading contemporary art galleries, such as K Gallery, Thousand Plateaus, L - Art Gallery, and the Chengdu Museum of Contemporary Art.

Such works made his name in 1962, when an exhibition of them at the Allan Stone Gallery in New York attracted rave reviews and, to the discomfort of the artist himself, led critics to see him as part of the Pop Art movement.

Additionally, the Dwan bequest will include five paintings by Yves Klein — the Gallery's first acquisition of works by Klein, a leading member of the nouveau réalistes — as well as paintings by Ad Reinhardt and Agnes Martin; and sculptures by such minimalist artists as Carl Andre, Dan Flavin, Sol LeWitt, Robert Morris, and Fred Sandback.

His work has been featured at such leading international institutions as Whitechapel Gallery (London), Tate Modern (London), Centre Pompidou (Paris), MoMA (New York), the Solomon R. Guggenheim Museum (New York), the Museum of Contemporary Art Australia (Sydney), the KW Institute for Contemporary Art (Berlin), and the Museum für Moderne Kunst (Frankfurt), among others.

• Naming rights • Branding opportunities across printed and digital materials • Corporate hospitality and client entertainment in the distinctive and unique setting of the gallery • Invitations to exhibition openings • Events for employees and clients such as behind - the - scenes visits and private views • Staff and client engagement in gallery activities • Association with a leading contemporary art gallery

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

The publication also includes short essays from leading figures in the art world, such as previous Winner John Keane, curator Sophie Raikes from the Henry Moore Institute, Chris Littlewood from the Flowers Gallery and Vanessa Corby, Senior Lecturer in Fine Art at York St John University.

Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

Recognized for contributing to Aspen's profile as one of the nation's leading cultural destinations, The Baldwin Gallery has mounted recent shows featuring new works by artists such as Donald Sultan, Tony Feher, and Marilyn Minter, among many others.

The Winter Show will also feature an ongoing screening of all of the Goodman Gallery's top art films by leading artists such as Kentridge and Vári.

In the first workshop series, led by Catherine Yass and Bill Thompson at the Whitechapel Art Gallery, London, the group considered Yass's work and that of other artists who have explored the notion of «creative destruction» within their practice, such as Christian Marclay, Niki de St Phalle and Robert Smithson.

The 2016 edition marks the first participation of a number of leading galleries that specialize in ancient art and antiquities, such as:

This should not lead the visitor to deem the Peggy Guggenheim Collection's garden simply a pleasant haven, it is also an impressive open - air gallery of masterpieces by artists such as Arp, Duchamp, Ernst, Giacometti, Holzer, Marini, Minguzzi, Merz, Moore, Noguchi, Ono, Paladino and Kapoor, just to name a few, partly coming from the museum permanent collection and partly from long - term loans by other institutions.

Having studied sculpture at Sir J. J. School of Fine Arts from 1992 to 1997, and has been shown in a number of leading institutions such as Tate Modern, London, Serpentine Gallery, London, Solomon R. Guggenheim Museum and New Museum, New York, amongst many others.

John Runyon, one of Dallas's leading art advisers, said the strength of the city's art scene was its continuity — between different generations of collectors, its galleries and the fair, the institutions, and even commercial venues such as Forty Five Ten, where he'd curated a Juergen Teller exhibit during the fair, or the Dallas Cowboys stadium, which features more than 20 works of contemporary art from the likes of Jenny Holzer and Doug Aitken.

The campaign shines a fascinating light on how a major American art gallery such as SFMOMA operates; it is also the latest chapter in the story of how the museum has been transformed by the tech - led boom in the Bay Area.

Its leading role in the local art world has helped build careers of many artists like Hernan Bas and Naomi Fischer, and with such a respected mentor like Fredric Snitzer behind it all, the gallery's success comes as no surprise.

Hosted by the Morris Collectors, one of the museum's affiliate groups, this year's fair features such leading dealers as Hampton3 Gallery from Taylors, South Carolina and Augusta's Tire City Art Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and KatherinGallery from Taylors, South Carolina and Augusta's Tire City Art Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and KatherinGallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katheringallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine Linn.

She has participated in events such as the 8th Berlin Biennale and the Yokohama Triennale ’08 and her work is exhibited at leading venues worldwide, including Tate Modern (London), the Serpentine Gallery (London), the Solomon R. Guggenheim Museum (New York), and Louisiana (Humlebæk, Denmark).

Particularly worthy of mention in the contemporary section are international heavy weights such as David Zwirner, Gagosian, Hauser + Wirth, Lisson, Thaddaeus Ropac, White Cube, Kamel Mennour, Pearl Lam, nächst St. Stephan and Gio Marconi as well as leading galleries of Germany such as Sprüth Magers, Michael Werner, Gisela Capitain, Karsten Greve, Daniel Buchholz, Max Hetzler, Konrad Fischer, Eigen + Art, Nagel Draxler, NEU as well as König Gallery.

Supported by the National Gallery of Art in Washington, D.C., the ROCI venture inspired what some consider Rauschenberg's strongest works, such as the paintings his did on reflective surfaces and which in turn led to his long - standing obsession with the potential of metal.

The artist has held numerous solo exhibitions with Goodman Gallery, accompanied by publications co-edited by the artist alongside leading African creatives, such as Mbali Soga and Lodi Matsetela.

Even longtime offenders of propriety such as Paul McCarthy, Tracey Emin, Sarah Lucas, and Jake and Dinos Chapman are finding it harder to cast themselves as outlaws when they are represented by blue - chip galleries and their works are being snapped up by leading art museums and collectors.

In Washington, about 50 percent of museums and historical sites are now led by women, with many helming active, popular museums with regional and national appeal, such as the National Portrait Gallery, the Holocaust Memorial Museum and the Phillips Collection.

Showing some of China's leading contemporary artists, such as Ai Weiwei, Yang Jiechang, Sun Yuan & Peng Yu, the gallery also collaborates with international art luminaries such as Rirkrit Tiravanija and promotes a space of cultural discourse and exchange.

In its journey as a vast entrepreneurial enterprise, Espace has also had the pleasure of collaborating with leading institutions in India such as the British Council, Lalit Kala Akademi, National Gallery of Modern Art & Khoj International Artist's Association, amongst others.

In the past five years, the gallery has continued to build on its reputation of showing leading international artists working in the medium of drawing, adding Neil Gall, Jorinde Voigt, Julia Fish and most recently, Wardell Milan, while continuing a focus on conceptually - oriented practices of those such as David Hartt and Gavin Turk.

There he exhibited alongside such gallery regulars as Pollock, Rothko, Barnett Newman, Richard Pousette - Dart, and Theodoros Stamos, all founding members and leading lights of the New York School.

He's celebrated as one of the leading lights among the artists associated with the Washington Color School (a grouping that took its name from a 1965 exhibition of painting at the Washington Gallery of Modern Art, in DC, and included artists such as Kenneth Noland and Gene Davis) and as a pioneer of American colour field painting.

Today, the Galerie Karsten Greve is one of the leading galleries represented at international art fairs such as Art Basel, FIAC and TEFAF.

By this time Woodrow was exhibiting at the Lisson Gallery in London along with other leading sculptors of his generation such as Tony Cragg RA and Richard Deacon RA.

Watch FAD's highlights from London Art Fair 2012 here: London Art Fair opened its doors to the public on Wednesday, presenting over 100 galleries, featuring well known «greats» of the 20th century such as Andy Warhol and David Hockney and leading figures within contemporary art.

Work by leading photographers such as Martin Parr, Craigie Horsfield, Sam Taylor - Wood, Richard Billingham, Julia Margaret Cameron and Gustave Le Gray will be on display beside key paintings from the National Gallery collection.

Bridget's work has led to speaking engagements at Tate Britain, the Whitechapel Gallery and Photographers Gallery in London, and she has run workshops and symposia such as the highly successful three - day curating moving image symposium at the Arnolfini, Bristol (2014) and for five years, she ran the para-educational film program entitled, The Film Exercise (also at the Arnolfini, 2009 - 14).

His work has been featured at leading international institutions such as The Whitechapel Gallery (London), Tate Modern (London), Centre Pompidou (Paris), MoMA (New York), the Solomon R. Guggenheim Museum (New York), the Museum of Contemporary Art Australia (Sydney), the KW Institute for Contemporary Art (Berlin), and the Museum für Moderne Kunst (Frankfurt), among others.

A decade ago this cobbled lane was the epicentre of contemporary art in London, but the recession and rising rents led influential galleries such as Nettie Horn, Kate MacGarry, Modern Art and Ibid Projects to relocate.

Solo shows have been devoted to him by some of the leading international museums such as the Museum Kurhaus Kleve (2016); Kunst Halle Sankt Gallen (2015); LACMA - Los Angeles County Museum of Art (2013); Wiener Secession, Vienna (2001); Kölnischer Kunstverein, Cologne (2011 and 2009); Contemporary Art Museum St. Louis (2010); Centro Andaluz de Arte Contemporaeno, Seville and Bergen Kunsthall (2009); Staatliche Kunsthalle Baden - Baden (2008); Carpenter Center for the Visual Arts - Harvard University, Cambridge and Cubitt, London (2004); The Art Institute, Chicago (2001); Museum für Gegenwart, Berlin, Frankfurter Kunstverein, Frankfurt and Art Pace, San Antonio (2000); MAMCO - Musée d'Art Moderne et Contemporain, Geneva (1998); Museum Boijmans - van Beuningen, Rotterdam (1992); The Power Plant, Toronto (1991); The Renaissance Society, Chicago, Los Angeles Municipal Art Gallery and P.S. 1, New York (1989).

The course will be led by freelance curator Adelaide Bannerman who has worked for organisations such as the 198 Gallery, South London Gallery, African and Asian Visual Artists Archive (AAVA), Arts Council England and Artquest.