Sentences with phrase «leaf on work surface»

Once rice is cool enough to handle, place one grape leaf on work surface, vein side up.

Lay one large Savoy cabbage leaf on the working surface.

Not exact matches

Lay 1 pandan leaf with stem side facing upward on a work surface; place 1 piece of chicken over center of leaf and tie leaf in a knot.

Lay one of the nori sheets on a clean work surface with a long side facing you and the shiny side down, then evenly spread half the nut butter over it, leaving a 3 cm (11/4 in) border on the top side.

If your work surface doesn't have any flour left on it, give it a light dusting, then set the ball of dough back on it.

Working with one piece of dough at a time (and leaving the others in the refrigerator) roll it into a thin circle 8 1/2 to 9 inches in diameter on a lightly floured work surface.

Place one dough disk on work surface (leave other disk in the refrigerator) and dust with flour blend.

Working with one remaining leaf at a time, lay flat on a work surface; with a knife held horizontally, cutting away from you, shave center rib flush with leaf.

Place a collard leaf on a flat work surface with the side that has not been sliced facing you.

Try not to handle the dough too much, simply fold each portion (as above) one final time and leave with the seam side down, covered, on the work surface for a further 1 1/2 hours until it doubles in size.

Lay 1 grape (vine) leaf flat on a work surface, put a spoonful of the filling on top, and carefully roll up the leaf into a cigar shape.

It should not be left out on a work surface.

Drain the vine leaves and place one flat on a kitchen work surface.

Place the roast skin - side down on a work surface and evenly distribute the filling over the pork, leaving a 1 - inch border around the sides so the filling doesn't fall out when you roll the meat.

Place dough balls on work surface, cover with a damp towel and leave for 10 minutes.

The MIT team is now working on a new way to apply the electronic circuits by simply placing a sticker on the leaf surface.

«Experimental work has shown these scratches were most likely produced when a stone tool was used to process material gripped between the anterior teeth and the tool occasionally struck the labial face leaving a permanent mark on the tooth's surface,» Frayer said.

Place the strawberry on your working surface with the leaf side down.

The OEM battery in my 2008 Jetta SE 2.5 L has been nearly fully discharged one month back (had insufficient surface charge after a prolonged use without the engine running, but leaving it idle for 20 minutes made the car start again), then worked fine for a few days afterwards (but without being subjected to much charge), but then was discharged again after only a quarter of the prior abuse (since it was probably not fully charged since the prior discharge, me underestimating the driving time it would take to bring the battery back to fuller life, plus possibly missing out on water, as I found out later).

Sprinkle it on bedding, upholstered furniture, carpets and other surfaces in your home; work it in with a broom and leave it down for a few hours or overnight; then vacuum thoroughly.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

They often include indications of physical presence left on the found surfaces on which she makes her work, emphasizing the personal aspect of seemingly abstract elements.

The artist is known for her detailed and sensitive oil pastel works on chalkboard, as used for her four large works in The New Four Seasons, but her pictures are what she describes as apparitions, brief moments captured as with her new body of work, where the focus is not the trees or landscape but that moment of a leaf or insect disturbing the surface of the water... full article: http://www.widewalls.ch/myong-hi-kim-the-new-four-seasons-solo-exhibition-art-projects-international-new-york-2015/

The work is often abstract with only hints of figuration left on the surface.

Trees, flowers, clay, fruit, ice, sugar, and chocolate have all appeared as regular protagonists in her work, including a carpet of 10,000 flowers left to wilt on a museum floor; a room whose walls the artist painted in chocolate and then invited viewers to lick its sweet but precarious surfaces; and a thirty - two - ton minimalist grid of ice cubes melting in a nineteenth - century water pumping station in east London.

On the surface, the work appears to be about the attainment of bliss, a return to the Garden of Eden perhaps; still closer inspection reveals at the bottom left a road, bringing us back to the present moment and reminding us of the ongoing turmoil of inner - city life.

The hues in Articulation Portfolio II Folder 28 (B) work in concert to give the flat surface the distinct appearance of a tunnel or other 3 - dimensional space; while the form on the left appears to move towards the viewer, the form on the right seems to lead directly into the canvas.

The superslick finish of the paint jobs on the vending machines draws you in to the illusion that they are real, but go behind the works and you notice that they are intentionally left «unfinished», revealing the falsity of their mdf construction, the truth behind the surface veneer.

Left: Dionyse works on a large sculptural form, 93.39.226 — «Bust» She is paddling the surface.

In a series of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects of various shapes, textures and opacities onto photographic paper and captured their physical qualities through the optical traces they left on the light sensitive surface of the paper.

She focused on their potential symbolic meanings by creating works that are formally rigorous and imposing in scale and materiality, and her human - scaled works are often handmade; the traces of her processes - welding marks, folds, stains, and scratches - are frequently left visible on the surface.

Julie Mehretu and her assistants work diligently on a vast painting, Mehretu's hand skittering across a surface, leaving a little trail of marks.

While quite cute and innocent on the surface, many of his works are also quite sexualized, tying into the anime phenomenon of fanservice, and leaving it an open question as to how innocent his works are in the end.

Included are works by supreme outliers such as Richard Hamilton, whose indelible un-artwork forever defined The Beatles» white album; Christian Marclay, whose non-sleeve allowed his Record Without a Cover to accumulate a lifetime of scratches; and Gerhard Richter, whose 1984 oil painting on the surface of Glenn Gould's revered Goldberg Variations leaves Bach's composition see - able but forever unplayable.

Even when he titles one of these acrylic on canvas works Serious and Judicious, the dazzling whites, slate greys and varied blacks (from matte to inky pools) skate lightly across the surface of sensation, leaving the dismal depths of the sublime to those doom - and - gloom purveyors, his lifelong friends Franz Kline (who wrote incisively about Hendler's work) or the glum Philip Guston.

On the other hand, a thermal bath works in a statistical mechanical fashion, and it is only enough that a Boltzmann factor is applied to ensembles of water molecules to determine the probability of a single molecule leaving the surface.

* According to the Berkeley group, the Earth's surface temperature will have risen (on average) slightly less than what indicated by NASA, NOAA and the Met Office * Differences will be on the edge of statistical significance, leaving a lot open to subjective interpretation * Several attempts will be made by climate change conformists and True Believers to smear the work of BEST, and to prevent them from publishing their data * After publication, organised groups of people will try to cloud the issue to the point of leaving the public unsure about what exactly was found by BEST * New questions will be raised regarding UHI, however the next IPCC assessment's first draft will be singularly forgetful of any peer - reviewed paper on the topic * We will all be left with a slightly - warming world, the only other certitude being that all mitigation efforts will be among the stupidest ideas that ever sprung to human mind.

While the coverage of van der Kolk's work looked good on the surface, the innuendos throughout left me feeling that it was more of an attack.

The work surface on the left is 40 inches high; the lower surface, 37 inches.