Not exact matches
For those who don't often discuss characterization and story world over dinner, Weinschenk's post kicks off with a great primer on
storytelling theory, explaining the basics of Campbell's thinking (famously exemplified by the journey of Star Wars» Luke Skywalker), as well as the roughly bell - shaped story diagram every writer
learns in her first class on
structure.
By separating story
structure from language features, the authors were able to distinguish aspects of
storytelling that might be shared across languages (i.e., story
structure) vs. aspects of
storytelling that require language - specific
learning (i.e., grammatical features).
Writing itself is a creative process, but there are plenty of technical aspects you can
learn — from solid
storytelling to sentence
structure — that will help you to become a better crime fiction writer.
Barry Eisler, who has tackled both legacy and self - publishing (and succeeded wildly), suggests a reading of three books — Stein on Writing: A Master Editor of Some of the Most Successful Writers of our Century Shares His Craft Techniques and Strategies by Sol Stein,
Learning to Write Fiction from the Masters, by Barnaby Conrad, and Robert McKee's Story: Substance,
Structure, Style and Principles of Screenwriting to improve the craft of
storytelling.