Sentences with phrase «least traditional films»

will likely be one of the least traditional films I see in 2018.

Not exact matches

Singer Miley Cyrus, model Cara Delevingne, star of the Twilight films Kristen Stewart and Lily - Rose Depp (daughter of actor Johnny Depp) also publicly identified themselves either as «gender fluid», or at least as falling outside traditional gender labels.

Besides seeing all the nominated films, talking about Oscar politics with one of my best friends, and making statistically - based predictions, I have a traditional Oscar Night meal that always ends with Red Velvet Cake...... or at least it used to.

(2016) dir Robert Greene w / Kate Lyn Sheil [112 min; DCP] Though it may be unfair to call the films of Robert Greene provocations, he is, at least, challenging the traditional ideas of non-fiction cinema.

This time around, Gerwig shines in a non-Baumbach film and plays Maggie, a woman with a plan to have a baby sans a man (at least in the traditional sense) via artificial insemination.

Depp's performance seems to take at least part of its cue from the film title itself, not only a reference to «MASSachusetts» during Whitey's dark reign, but also a reference to either a Satanic mass or a traditional Catholic requiem mass for the dead.

It's her third film with Joe Wright (Atonement, Pride and Prejudice) and by far, the least traditional in presentation.

Get Out turns out to be more fun, and more provocative, than it is scary, at least in the traditional midnight - movie sense: The film works so well as a gauntlet of social horror that Peele almost didn't need the more traditional thriller elements he introduces in the third act, when a carefully calibrated build in just - because - you're - paranoid dread gives way to some disappointingly conventional survival games.

At least that's the official story passed down through the generations; it'll be challenged as the film unfolds, not through a traditional detective story (although there's a mystery element to «Coco») but through an «Alice in Wonderland» journey to the Land of the Dead, which the hero accesses through the tomb of his ancestors.