Sentences with phrase «leave a scene while»

This law would eliminate that loop - hole, making it illegal for anyone to leave a scene while intoxicated.

(However, they left the scene while I tended the dog and my husband went to wash off his blood afterward).

Not exact matches

The protagonist of Humboldt's Gift, Charlie Citrine, is a successful playwright and biographer who returns to the Chicago of his boyhood; muddles about in the urban scene while trying to straighten out a marital problem; leaves for Spain with a large friend, Renata; is deserted by her; returns to America to bury his old friend Von Humboldt Fleisher; and receives his bequest.

In the majority of the novel, while more difficult topics (i.e. rape) clearly took place, scenes ended at a point where the reader had no doubt what would happen but was not left with detailed descriptions.

He just went about his business of nibbling on leaves while Gus and I took in the scene.

On the left, the custom U-shaped bar provides a casual yet social setting while a partially - open kitchen on the right gives a behind - the - scenes glimpse into Chef Giuliano's domain.

I don't know who Buffon's adviser is but it will do his image a lot of good if he leaves d scene at d end of this season while d ovation is still loudest.

Or perhaps we need to watch fans who participated in man - on - the - street interviews while leaving the scene of an abysmal loss to Oklahoma.

He hardly lie if psg want him it's good sign he's rated simple as that and let's be fair he's cracking manager he had just ran out ideas now people are saying wenger not good manager grow up there's a lot more to wat is going on behind scenes while I do think he should have left last summer or before he didn't because he really believes he can turn it around but sadly he can't I'd love if he did we all would if da invincibles man keep bk for just one good season we would all be in heaven we prop cry if wenger won us league again but please don't say he can't manage haha stop he's top manager he has just lost players and when he leaves truth will cum out but before anyone thumbs me down it's time for great man step down with dignity and class it really is and go get younger manager up coming class act we need

While Gov. David Paterson and NYPD Commissioner Raymond Kelly were at the accident scene, the mayor was nowhere to be found, leaving some to speculate he was at one of his vacation houses — perhaps Bermuda?

That legislation was co-sponsored by local Assemblyman Anthony Palumbo, and would have created a new charge for those who flee serious or fatal accidents while driving with a suspended license or a prior conviction for drunk driving or leaving the scene of an accident.

Angry youths who protested the killing set bonfire under the bridge while the corpse of the victim was at the scene at 7.30 a.m. when newsmen left the area.

Taylor Jones III, 31, was charged by authorities with driving while intoxicated and leaving the scene after he allegedly struck a parked construction vehicle on the I - 198 near Grant Street at around 4 a.m., according to Buffalo Police.

«A brief romantic encounter could lead to nine months of pregnancy followed by many years of lactation for an ancestral woman, while the man may have «left the scene» literally minutes after the encounter, with no further biological investment.

Hectic office schedules don't always leave time to look for love on the Wellington singles scene and, indeed, while the nightlife here is great, it is not necessarily the best way to find long - term love.

While the game's behind - the - scenes management aspects and various game modes are pretty good, the actual on - ice experience leaves a lot to be desired, especially with regards to the game's actual feel.

Just as you are left to ponder that scene, there is suddenly a super-weird dream sequence where Abe Lincoln looks like he is riding a speeding magic carpet while looking off into the unknown!

While the trailer switching between scenes rapidly and being pretty disjointed kept things somewhat mysterious, certain names were dropped and some faces were left recognizable.

Extras are, per Anderson's M.O., exasperatingly abstract: The cover copy refers to the bonus features as «special trailers,» but one is just a deleted scene of Shasta and Doc watching the waves lap against the shore at dusk (their lips are moving, but a dreamy Greenwood composition mutes everything they say), while the fourth and final, «Everything in this Dream,» is an artful 6 - minute montage of cutting - room scraps, including a few shots of Doc and Sauncho watching a schooner leave port that could be construed as the ending from Inherent Vice the novel.

Let me just say, without giving away too much, that I most likely will not eat fried chicken for a while after this poultry - defiling scene unfolds that left me almost hyperventilating from not taking a damn breath.

While people have theorized that Thanos appears in Thor 3's mid-credits scene and destroys Thor's starship, leaving the group in shambles, that detail has finally been confirmed.

While The Discovery plays in many ways like a more effective version of the concept - choked Brit Marling / Zal Batmanglij movies, the cult scenes feel underdeveloped next to their film The Sound of My Voice, an intriguing but ragged thread left dangling as The Discovery turns towards more concrete, backstory - driven explanations for its characters» obsessions.

The story goes where it has to go and ends how it has to end, hinting at more than it reveals and going over the top with gratuitous fight scenes while still leaving you wanting more.

The best examples I can give to support this theory are the multiple scenes that left me laughing out loud while the majority of my fellow moviegoers sat quietly, unsure whether the movie was actually asking them to laugh with it or was just that silly and contrived.

There is a lot of flair and bravado to the action sequences here, whether it be in - car chases, boat chases, Nazi torture doctors, and powerful slaps that can knock a man out while keeping him standing still upright, but your left solely appreciating the idiosyncratic nature of it all alongside some admittedly wonderful cinematography that captures these scenes with, again, style.

On the rare occasions that the pirates are left to be the scurvy dogs they are, the movie finds its humor (the brethren court scene is funny as it turns into an all - out brawl and punctuated by a unfortunately forgettable cameo by Keith Richards, Depp's inspiration for the role of Sparrow), but otherwise, two seamen (Lee Arenberg and Mackenzie Cook) who have traveled the whole of this voyage provide amusing asides to the proceedings while a monkey steals every scene it's in.

While the practical locations (largely shot in the area of Jodhpur in Rajasthan) are stunning, and the use of extras over computer - generated enhancements welcomed, the film is slightly let down by scenes where its actors are imposed into old Movietone reels, which you can't help but feel were best left out altogether.

It has a traditional play's pacing and structure, with the focus forever shifting among its principals and with members of the ensemble left to sit there looking on while the others have their major scenes.

In lightning flashes Marion Cotillard is furious, good - humored, sexy, and a little bit scary, stealing the show at every turn, most notably in a scene in which she's left floating in the sea after a prank causes her to wipe out while waterskiing.

The DVD's pitiful two bonus features will leave much to be desired for that format's audience, while the Blu - ray's picture - in - picture commentary, deleted scenes, and Easter egg go a ways to meet expectations on that format.

While Kylo and Rey clearly share the same understanding about her parents, after she searches her feelings and knows it to be true, there's enough ambiguity in the scene to leave room for doubt.

While the final action scene through the Vegas Strip may work for action fans, to me it was confusing, unnecessary and dull, and must surely have only existed because they had heaps of budget left that they didn't know what to do with, and didn't want to hand it back.

While the film itself is slight, there are more than enough funny, romantic scenes to leave you with a smile.

Scenes meant to shock, like Astrid & Benno force - feeding Tore rotten chicken, or Benno drowning a cat while telling Tore to pray for its rescue, leave no impact at all.

The audio commentary with writer / director Guy Ritchie and actor Mark Strong is a good listen, but it would have been nice to include a few more commentaries with the other actors, while the sole deleted scene was best left on the cutting room floor.

While Ted insists he made multiple attempts to rescue Mary Jo, he eventually left the scene of the accident and did not report it to authorities for 10 hours.

Sure enough, the creepy scene concludes with Katie literally frightened to death (we see her grotesquely disfigured face), while Becca is left insane.

The Bourne Identity is brilliant filmmaking, a testament to the editor's craft (Saar Klein) scored by a wise low - key techno - orchestration by composer John Powell that speaks to Liman's knack for using music to augment a scene (while leaving it unobscured) rather than narrate it.

Creed: Ryan Coogler pulled off the improbable with Creed, resurrecting the Rocky franchise, rebooting it with a charismatic and compelling new leading man, all while leaving room for Sylvester Stallone to participate in his own story, all while filming some of the most vital and technically eye - popping boxing scenes on record, all while placing the story of Adonis Creed squarely into the politics.

Grain mars many a nighttime scene and there are a few noticeable scratches here and again; I don't want it so bright as to destroy the air of Jacques Tourneur island mustiness, but I wish I could leave a light on while watching it.

Some scenes are wordless and staged by cast members and professional dancers in elaborate dance format that leaves some actors frozen in motion while a spotlight is focused on Anna and her lover.

While none of these scenes change the overall film, and you can understand why director Martin McDonagh left them on the cutting room floor, a couple of them show a movie that at least wants to look at Dixon's relationship with people of color, represented by Denise (Amanda Warren) and Jerome (Darrell Britt - Gibson).

The clip shows a scene of two men and a boy in a van, and while one of the men goes into a gas station to buy snacks, the other (frequent collaborator Michael Shannon) leaves the van to make a phone call.

Jessie Ennis, who appeared with Jacobs on Love, also leaves her mark as the sorority's most insecure member, Debbie, while Maya Rudolph is very much the scene - stealer you would expect playing Deanna's rowdy BFF, Christine.

While nearly every scene features a fighting sequence, the action effortlessly flows through the film like delicate leaves, and director Yimou produces a beautiful backdrop for his violence with the use of bold greens, reds, yellows and blues to distinguish the different sections of the story.

In the first, they are tender, playful and passionate together - the actions of a couple who know each other intimately - while their second coupling, which occurs after the film's massive revelation, is a brutal and aggressive scene which leaves Edie bruised and in tears.

One scene in which two huge armies face one another ends with no battle at all, after terms are successfully agreed by the leaders — while conversely the Battle of Hattin, in which Guy's vast forces were trapped and slaughtered by the waiting Saracens, is depicted only in its build - up and carrion - bird aftermath, with the actual killing left entirely to the viewers» imagination.

This technique causes 20th Century Women to play like an endless stream of beautiful moments, while leaving every scene feeling important to the character's lives and deeply personal.

In one great scene Hoffman informs McAdams» character that she's just «a social worker for terrorists» with a venom that leaps off the screen, while in the finale he gives a masterclass in how to leave an audience open - mouthed with admiration.

While he does want to take a step away from Metal Gear Solid, Kojima isn't leaving the video game scene.